Tonight at 7 p.m., Greil Marcus, one of the country’s most astute cultural critics and music journalists, stops by Seattle Central Public Library to speak about his new work: A New Literary History of America (Harvard Univ. Press, $49.95), a doorstop anthology of work by the best and brightest in American letters, edited by Marcus.
The book is somewhere between pop culture compendium and Comp. Lit. wet dream: clocking in at over a thousand pages and featuring essays by everyone from Camille Paglia to Ishmael Reed, it ranges widely over the bric-a-brac of American culture. “Literature” is a bit of a misnomer, as the cultural products explored include everything from jazz to Mickey Mouse to war memorials, stretching from the Founding to Obama’s election.
Marcus, a long-time music journalist who started his career in the early days of Rolling Stone before moving on to the Village Voice and others, has long since established himself as one of the most insightful writers in the country. He did more than most any other journalist to establish pop music writing as a serious endeavor, and has long since expanded his purview to everything from visual art to political culture. So even if the thought of dropping nearly fifty bucks for his book is a bit of a stretch, the talk along is worth hitting.
