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	<title>The SunBreak &#187; ARTS_FEATURED</title>
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	<link>http://thesunbreak.com</link>
	<description>Curious Georges in a conversation with Seattle</description>
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		<title>SunBreak premiere! Watch Murder Vibes’ new video “Wicked Girl” here</title>
		<link>http://thesunbreak.com/2014/10/27/sunbreak-premiere-watch-murder-vibes-new-video-wicked-girl-here/</link>
		<comments>http://thesunbreak.com/2014/10/27/sunbreak-premiere-watch-murder-vibes-new-video-wicked-girl-here/#comments</comments>
		<pubDate>Mon, 27 Oct 2014 10:52:28 +0000</pubDate>
		<dc:creator><![CDATA[Tony Kay]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[ARTS_FEATURED]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=902798</guid>
		<description><![CDATA[We here at the SunBreak are genuinely stoked to be premiering the newest video from Seattle-based duo Murder Vibes. Vocalist/rhythm guitarist Peter Hanks and multi-instrumentalist Jordan Evans have crafted a sterling debut—eleven tracks that flow between sinewy, gothic dance pop and epic heart-on-sleeve romance. Hanks’ soaring voice provides a beating, passionate heart amidst the glacial shimmer of Evans’ atmospherics, in a blend that evokes everything from Roy Orbison to David Bowie to The The. “Wicked Girl” is one of their new album’s indisputable highlights, an achingly lovely slice of grand balladry that gets richer and more thrilling with each listen. [&#8230;]<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=902798">SunBreak premiere! Watch Murder Vibes’ new video “Wicked Girl” here</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>Ecstasies sometimes, sometimes not</title>
		<link>http://thesunbreak.com/2014/10/13/ecstasies-sometimes-sometimes-not/</link>
		<comments>http://thesunbreak.com/2014/10/13/ecstasies-sometimes-sometimes-not/#comments</comments>
		<pubDate>Mon, 13 Oct 2014 14:52:35 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[ARTS_FEATURED]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[bach]]></category>
		<category><![CDATA[choral arts]]></category>
		<category><![CDATA[Robert Bode]]></category>
		<category><![CDATA[St. Joseph Parish Church on Capitol Hill]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=902730</guid>
		<description><![CDATA[Choral Arts’ program, Bach Plus: The Ecstasies Above, performed at St. Joseph Parish Friday night, was a draw for anyone who loves Bach cantatas and for those who love the adventures of new choral music, knowing they would be sung by one of our most accomplished choirs under conductor Robert Bode. The new choral works, “The Ecstasies Above” from 2006 by Tarik O’Regan and “The Deepness of the Blue” from 2012 by William Averitt, met every promise in both quality of the music and performance, as did two sacred pieces from the 19th century, Rheinberger’s “Sanctus” and Mendelssohn’s “Richter mich, [&#8230;]<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=902730">Ecstasies sometimes, sometimes not</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Kasabian Gives an Arena-Sized Performance at the Showbox</title>
		<link>http://thesunbreak.com/2014/10/09/kasabian-gives-an-arena-sized-performance-at-the-showbox/</link>
		<comments>http://thesunbreak.com/2014/10/09/kasabian-gives-an-arena-sized-performance-at-the-showbox/#comments</comments>
		<pubDate>Thu, 09 Oct 2014 16:59:25 +0000</pubDate>
		<dc:creator><![CDATA[Tony Kay]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[ARTS_FEATURED]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[48:13]]></category>
		<category><![CDATA[Britpop]]></category>
		<category><![CDATA[Club Foot]]></category>
		<category><![CDATA[Eez-eh]]></category>
		<category><![CDATA[Kasabian]]></category>
		<category><![CDATA[Kasabian photos]]></category>
		<category><![CDATA[live music]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[Sergio Pizzorno]]></category>
		<category><![CDATA[showbox market]]></category>
		<category><![CDATA[Tom Meighan]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=902692</guid>
		<description><![CDATA[It seems patently absurd to call a band who’s routinely enjoyed sold-out arena gigs in Europe (and a decade of superstardom in their native England) underrated, but damned if Kasabian isn’t just that—in the States, at least. On this side of the pond, the band went relatively unheralded in the explosion of UK acts that recharged pop in the early ’00’s (Arctic Monkeys and Franz Ferdinand, among them), and despite the odd festival gig, they never really rose beyond cult status in the US. Our loss. Initially slagged as derivative publicity mongers, Kasabian&#8217;s honed an addictive merger of Madchester dance [&#8230;]<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=902692">Kasabian Gives an Arena-Sized Performance at the Showbox</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Bad Things Carry On, &#8216;After the Inferno&#8217;</title>
		<link>http://thesunbreak.com/2014/09/16/the-bad-things-carry-on-after-the-inferno/</link>
		<comments>http://thesunbreak.com/2014/09/16/the-bad-things-carry-on-after-the-inferno/#comments</comments>
		<pubDate>Tue, 16 Sep 2014 16:55:12 +0000</pubDate>
		<dc:creator><![CDATA[Tony Kay]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[ARTS_FEATURED]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[After the Inferno]]></category>
		<category><![CDATA[Jimmy Berg]]></category>
		<category><![CDATA[roots music]]></category>
		<category><![CDATA[Seattle music]]></category>
		<category><![CDATA[The Bad Things]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=902445</guid>
		<description><![CDATA[[The Bad Things celebrate this week's release of their new album, After the Inferno, with a release party at Columbia City Theater Friday evening, September 19. Doors at 8:00 p.m; show at 9:00 p.m. Tickets--$10 advance, $12 day of show--are still available here.] It sounds strange to call a series of songs about death, alcoholism, thwarted love, larceny, and suicide inspiring. But After the Inferno, the latest full-length from Seattle underground cabaret stalwarts The Bad Things, always maintains a fighter’s spirit—and a brotherly bear hug of love—no matter how grave things get. The Bad Things have always reveled in that [&#8230;]<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=902445">The Bad Things Carry On, 'After the Inferno'</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Tony’s View of Bumbershoot, Day Three </title>
		<link>http://thesunbreak.com/2014/09/05/tonys-view-of-bumbershoot-day-three/</link>
		<comments>http://thesunbreak.com/2014/09/05/tonys-view-of-bumbershoot-day-three/#comments</comments>
		<pubDate>Fri, 05 Sep 2014 19:47:51 +0000</pubDate>
		<dc:creator><![CDATA[Tony Kay]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[ARTS_FEATURED]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[bomba estereo]]></category>
		<category><![CDATA[bumbershoot]]></category>
		<category><![CDATA[bumbershoot 2014]]></category>
		<category><![CDATA[DakhaBrakha]]></category>
		<category><![CDATA[Hoba Hoba Spirit]]></category>
		<category><![CDATA[Jacco Gardner]]></category>
		<category><![CDATA[La Luz]]></category>
		<category><![CDATA[Mexican Institute of Sound]]></category>
		<category><![CDATA[Real Estate band]]></category>
		<category><![CDATA[reverend horton heat]]></category>
		<category><![CDATA[Rose Windows]]></category>
		<category><![CDATA[Smokey Brights]]></category>
		<category><![CDATA[Tangerine band]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=902377</guid>
		<description><![CDATA[So in case you’re still playing along at home, here’s the view of Bumbershoot’s final day (Monday, September 1), from my cramped perspective. The Great: La Luz, per usual, oozed kitten-in-a-motorcycle-jacket coolness for their early set; Smokey Brights continued to forge a catchy through-line between heartland rock, new wave, shoegazer music, and garage rock—and they did it with buckets of energy and passion live; Shaprece commanded the End Zone Stage while her band and producer IG88 lent able accompaniment. If you&#8217;re looking for a beating, soulful heart amidst the incalculable coolness of modern electronic dance music, look no further. Speaking of the [&#8230;]<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=902377">Tony’s View of Bumbershoot, Day Three </a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tony’s View of Bumbershoot, Day Two</title>
		<link>http://thesunbreak.com/2014/09/05/tonys-view-of-bumbershoot-day-two/</link>
		<comments>http://thesunbreak.com/2014/09/05/tonys-view-of-bumbershoot-day-two/#comments</comments>
		<pubDate>Fri, 05 Sep 2014 16:26:30 +0000</pubDate>
		<dc:creator><![CDATA[Tony Kay]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[ARTS_FEATURED]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Big Star]]></category>
		<category><![CDATA[Big Star’s Third]]></category>
		<category><![CDATA[bootsy collins]]></category>
		<category><![CDATA[bumbershoot]]></category>
		<category><![CDATA[bumbershoot 2014]]></category>
		<category><![CDATA[charlie musselwhite]]></category>
		<category><![CDATA[Dream Syndicate]]></category>
		<category><![CDATA[Golden Gardens band]]></category>
		<category><![CDATA[Hobosexual band]]></category>
		<category><![CDATA[Jody Stephens]]></category>
		<category><![CDATA[Jonathan Auer]]></category>
		<category><![CDATA[Luscious Jackson]]></category>
		<category><![CDATA[mission of burma]]></category>
		<category><![CDATA[Negativland]]></category>
		<category><![CDATA[pickwick]]></category>
		<category><![CDATA[Red Fang]]></category>
		<category><![CDATA[Sandrider]]></category>
		<category><![CDATA[schoolyard heroes]]></category>
		<category><![CDATA[the replacements]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=902350</guid>
		<description><![CDATA[Maybe Bumbershoot 2014 should’ve renamed itself Reunion-palooza. Several of the acts playing throughout the weekend were either recently-reunited veteran bands on the comeback trail, or bands reuniting for one last big show before calling it quits. That phenomenon was resplendent on Sunday, with half of the 14 acts I saw falling under the reunion umbrella. Amazingly, every reunion band playing that day delivered solid-to-stellar turns onstage, contributing to a Day Two of remarkable consistency. Simply put, I loved (or at least really, really liked) every band I saw in action that day. The Great: The highly-anticipated reunion of The Replacements on the [&#8230;]<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=902350">Tony’s View of Bumbershoot, Day Two</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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