Bach is everywhere these days. How did this 17th century German composer become such a ubiquitous cultural figure in our 21st century world? In his new book “Reinventing Bach”, author Paul Elie discusses the development of audio technology and its effect on the experience of playing and hearing Bach’s music. On Monday, Elie visited Town Hall to speak about these topics. Continue reading Bach to the Future With Author Paul Elie
Alas, the sunny days of summer are winding down. However, as fall approaches, classical music ensembles are gearing up for a new concert season. Here’s what we’re looking forward to in the month ahead. Continue reading What We’re Hearing This Month: Classical Music Picks for September
In each generation there seems to rise one person who is a towering figure at performing and interpreting Bach on the piano. In the 1980s, it was Andras Schiff. Today it is Angela Hewitt, who brought her artistry and insight to the UW President’s Piano Series Tuesday night at Meany Hall. Continue reading At UW President’s Piano Series, Angela Hewitt Brings Sexy Bach
The two main protagonists in this Passion are the chorus and the Evangelist. Tenor Wesley Rogers told the Passion story with dramatic impact in his many recitatives, his strong, clear voice seemingly effortless to the very end well over two hours later, his high notes clarion and easy. The choir, furthering the story in the choruses of a steamed-up mob frankly out for vengeance, and commenting in totally different mode in the lovely chorales, sang equally well, expressively, in tune and together. Continue reading Seattle Pro Musica Rises Above With Bach’s St. John Passion
