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	<title>The SunBreak &#187; cathedral</title>
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	<description>Curious Georges in a conversation with Seattle</description>
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		<title>Grappling with Britten&#8217;s &#8220;War Requiem&#8221; at Seattle Symphony</title>
		<link>http://thesunbreak.com/2013/06/14/grappling-with-brittens-war-requiem-at-seattle-symphony/</link>
		<comments>http://thesunbreak.com/2013/06/14/grappling-with-brittens-war-requiem-at-seattle-symphony/#comments</comments>
		<pubDate>Fri, 14 Jun 2013 23:54:21 +0000</pubDate>
		<dc:creator><![CDATA[Michael van Baker]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[benaroya hall]]></category>
		<category><![CDATA[benjamin britten]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[coventry]]></category>
		<category><![CDATA[ludovic morlot]]></category>
		<category><![CDATA[seattle symphony]]></category>
		<category><![CDATA[war requiem]]></category>
		<category><![CDATA[wilfred owen]]></category>

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		<description><![CDATA[Britten's War Requiem doesn't recreate the cathedral as a bulwark of serenity, but as a frail structure ripped open, shot through with booming bursts and siren lamentation. It's a work with many moving parts: the traditional Mass for the dead, in Latin, glossed by nine poems in English from World War I poet Wilfred Owen.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=897281">Grappling with Britten's "War Requiem" at Seattle Symphony</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>Stile Antico Creates a Cathedral of Sound at St. James</title>
		<link>http://thesunbreak.com/2011/12/05/stile-antico-creates-a-cathedral-of-sound-at-st-james/</link>
		<comments>http://thesunbreak.com/2011/12/05/stile-antico-creates-a-cathedral-of-sound-at-st-james/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 21:52:07 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[choir]]></category>
		<category><![CDATA[chorale]]></category>
		<category><![CDATA[christmas music]]></category>
		<category><![CDATA[puer natus est]]></category>
		<category><![CDATA[st. james]]></category>
		<category><![CDATA[stile antico]]></category>
		<category><![CDATA[tudo]]></category>

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		<description><![CDATA[The heart of the program was an incomplete Mass, Puer natus est, by Thomas Tallis, interspersed with other settings for Advent and Christmas by William Byrd, Robert White, John Taverner, and John Sheppard.

From unison plainchant which ebbed and flowed like speech, to seven intricate, complex parts for the Tallis, Stile Antico sang unaccompanied with exact pitch and no vibrato so that chords were marvels of perfection. <div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=883269">Stile Antico Creates a Cathedral of Sound at St. James</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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