The Northwest Boychoir Takes Their Perfect Pitch on the Road
The Northwest Boychoir has just embarked on its latest concert tour, but before leaving Seattle it gave a preview concert
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chorus
Chanticleer’s Sacred Music Concert Soars
It’s hard to provide enough superlatives for San Francisco-based Chanticleer, the men’s vocal ensemble which has been top of the
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The King’s Singers Provide Enough “Love & War” to Fill Town Hall
The first half included six pairs of madrigals from the late 16th to early 17th centuries from Italy and England: the Italian from Il Trionfo di Dori—madrigals commissioned in praise of a bride, Elisabetta Zustinian—and the English from The Triumphs of Oriana, a similar collection inspired by the former, this one in praise of another Elizabeth, Queen of England.
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Freaky Saturday: The Esoterics Join Foreigner at Tulalip
Obviously, this story needs to begin with The Esoterics founder Eric Banks taking an urgent phone call. He wasn’t called in the middle of the night, but it was urgent. Just maybe not an emergency per se. The rock group Foreigner wanted to know if his chorus would like to sing “I Want to Know What Love Is” with them at Tulalip Amphitheatre this Saturday, August 25.
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On Capitol Hill, A Wealth of Alternatives to Alternative Music
Last Friday night, I began my evening at St. Joseph’s Church on the north of Capitol Hill, with The Esoterics concert “Sirene.” Founded and led by conductor/composer Eric Banks, The Esoterics are a choral group that sings a cappella, shunning musical instruments for the most part. […] By the time Zubatto Syndicate, the neo-big band jazz ensemble that likes to rock, was throwing down their cover of Metallica’s “Master of Puppets,” the restraining walls of genre had disintegrated completely.
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Seattle Pro Musica Rises Above With Bach’s St. John Passion
The two main protagonists in this Passion are the chorus and the Evangelist. Tenor Wesley Rogers told the Passion story with dramatic impact in his many recitatives, his strong, clear voice seemingly effortless to the very end well over two hours later, his high notes clarion and easy. The choir, furthering the story in the choruses of a steamed-up mob frankly out for vengeance, and commenting in totally different mode in the lovely chorales, sang equally well, expressively, in tune and together.
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