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	<title>The SunBreak &#187; chris alexander</title>
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	<description>Curious Georges in a conversation with Seattle</description>
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		<title>The Tales of Hoffmann, An Operatic Delight</title>
		<link>http://thesunbreak.com/2014/05/16/the-tales-of-hoffmann-an-operatic-delight/</link>
		<comments>http://thesunbreak.com/2014/05/16/the-tales-of-hoffmann-an-operatic-delight/#comments</comments>
		<pubDate>Fri, 16 May 2014 14:15:43 +0000</pubDate>
		<dc:creator><![CDATA[Michelle Scharlock]]></dc:creator>
				<category><![CDATA[Theatre]]></category>
		<category><![CDATA[chris alexander]]></category>
		<category><![CDATA[robert dahlstrom]]></category>
		<category><![CDATA[seattle opera]]></category>

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		<description><![CDATA[There&#8217;s something just zany and delightful about Seattle Opera&#8217;s recent The Tales of Hoffmann. As a Speight send-off at the end of the season, it pulls out all the theatrical magic stops with fire, fog, puppetry, and even a shout-out to the Czech tradition of black light theater. It smacks of Berlinesque staging with a &#8230; <a href="/2014/05/16/the-tales-of-hoffmann-an-operatic-delight/" class="more-link">Continue reading <span class="screen-reader-text">The Tales of Hoffmann, An Operatic Delight</span> <span class="meta-nav">&#8594;</span></a><div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=900303">The Tales of Hoffmann, An Operatic Delight</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>Seattle Opera&#8217;s Porgy &amp; Bess as a &#8220;Well-Made Play&#8221;</title>
		<link>http://thesunbreak.com/2011/07/24/seattle-operas-porgy-bess-as-a-well-made-play/</link>
		<comments>http://thesunbreak.com/2011/07/24/seattle-operas-porgy-bess-as-a-well-made-play/#comments</comments>
		<pubDate>Sun, 24 Jul 2011 16:00:56 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Theatre]]></category>
		<category><![CDATA[chorus]]></category>
		<category><![CDATA[chris alexander]]></category>
		<category><![CDATA[gordon hawkins]]></category>
		<category><![CDATA[gullah]]></category>
		<category><![CDATA[porgy and bess]]></category>
		<category><![CDATA[seattle opera]]></category>
		<category><![CDATA[well-made play]]></category>

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		<description><![CDATA["What struck me very strongly is that it’s a well-made play,” says Chris Alexander, stage director for the upcoming Porgy and Bess for Seattle Opera (at McCaw Hall from July 30 to August 20; tickets $25-$241: 206-389-7676). Alexander saw the opera live for the first time in Dayton, Ohio, last year.

He has been working with theater all his adult life. “Coming from stage theater, it’s like a home game to direct Porgy. It’s remarkable how much of the original well-made play (by DuBose and Dorothy Heyward) is here,” he says.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=876338">Seattle Opera's <em>Porgy & Bess</em> as a "Well-Made Play"</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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