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	<title>The SunBreak &#187; don q</title>
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	<description>Curious Georges in a conversation with Seattle</description>
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		<title>At Ratmansky&#8217;s Don Quixote at PNB, the Dazzle is in the Details</title>
		<link>http://thesunbreak.com/2012/02/04/at-ratmanskys-don-quixote-at-pnb-the-dazzle-is-in-the-details/</link>
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		<pubDate>Sat, 04 Feb 2012 20:49:50 +0000</pubDate>
		<dc:creator><![CDATA[Michael van Baker]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[alexei ratmansky]]></category>
		<category><![CDATA[bolshoi]]></category>
		<category><![CDATA[don giovanni]]></category>
		<category><![CDATA[don q]]></category>
		<category><![CDATA[don quixote]]></category>
		<category><![CDATA[dutch]]></category>
		<category><![CDATA[gorsky]]></category>
		<category><![CDATA[pacific northwest ballet]]></category>
		<category><![CDATA[peter boal]]></category>
		<category><![CDATA[petipa]]></category>
		<category><![CDATA[pnb]]></category>
		<category><![CDATA[sancho panza]]></category>

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		<description><![CDATA[Everything is an occasion for a dance, and by the close, you are almost over-stuffed with petit pas, pas de chat, pas de bourré, grand jeté, fouetté.... You're dizzy with pirouettes. Can they possibly be reappearing for more? The story has been long ago left behind, there is only this paroxysm of dance, building from the precisely pointed feet stepping across the stage in Act I, to the endless pirouettes and leaps of Act III's conclusion. <div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=885139">At Ratmansky's <em>Don Quixote</em> at PNB, the Dazzle is in the Details</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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