Home-Grown Rock Musical “These Streets” Gets it Right

Home-Grown Rock Musical “These Streets” Gets it Right

Finding that the women of Seattle’s grunge era have been overlooked, present-day Bryan has been collecting interviews with them as they reminisce about the time, and the show flashes back to a fictional “Seattle Six,” united by music. Conceived by Gretta Harley and Sarah Rudinoff (who also wrote it, along with Elizabeth Kenny), it’s a tribute to the survivors as much as the fallen. Continue reading Home-Grown Rock Musical “These Streets” Gets it Right

Top 10 Reasons 2012 Rocked Like 1992

Top 10 Reasons 2012 Rocked Like 1992

For those of us who discover new music in used vinyl bins rather than at the club or on the radio—KEXP, I really will tune in more often, and Jet City Stream, I love you when I do—all the year-end best-new-whatever lists go right over our heads. The pleading from hipper friends to listen to Alt-J and Head and the Heart (what, not new?), just reminders of how blissfully out of touch we are with today’s darlings. Continue reading Top 10 Reasons 2012 Rocked Like 1992

Soundgarden at the Gorge: Extremely Loud, Incredibly Close, and Scarily Good

Soundgarden at the Gorge: Extremely Loud, Incredibly Close, and Scarily Good

When Soundgarden emerged from the wings in a dazzle of light, I had the lens cap off, the flash off, and the appropriate settings engaged. That in itself was amazing. How lively and primed—though yes, aged—original members Matt Cameron, Chris Cornell, Kim Thayil, and Ben Shepherd looked from this close. And their sound? Ditto.

The band was as solid and on as it is on Live on I-5, this spring’s primer from its 1996 tour. Actually, the 2011 Soundgarden was better, tighter, as if the lengthy break only made the guys hungry for another stage. Continue reading Soundgarden at the Gorge: Extremely Loud, Incredibly Close, and Scarily Good