Beck and Kershaw between them gave us a thumbnail sketch of 19th-century composer Ernest Chausson, with slides, and it was clear that the composer holds a place of great affection in Kershaw’s pantheon. Chausson composed only three big works, which aren’t that often played, and Kershaw has programmed them all for Auburn, the Symphony in B Flat being last Saturday’s contribution. Continue reading Auburn Symphony Gets Romantic with Chausson