Robbins places the action in a ballet studio, and another Jerome, last name Tisserand, who has been in the corps at PNB since 2007, danced the faun, a male dancer alone in the studio who rests on the floor, then begins to practice, watching himself in the mirror (actually the audience). Tisserand embodied the vanity of the faun, enamoured of his own beauty. Continue reading PNB’s “Love Stories” Catches Two Dancers in Bloom