Given the importance of the double bass in Schubert’s Quintet for Piano and Strings, the “Trout,” it’s surprising how few chamber works include it. It anchors the entire work’s carefree lightness, a state which embodied the performance given by violinist Augustin Hadelich, violist Erin Keefe, cellist Bion Tsang, bass Jordan Anderson, and pianist Parker. Continue reading Catching a Stellar “Trout” at the Summer Chamber Music Festival