Were we close enough to touch the dancers we might notice the changing tension in their muscles or a bead of sweat forming and beginning its own dance. In OtB’s deep proscenium we are more likely to drift from the dancer to notice that the set has changed, the lights have shifted, and the world of this dance is not as it appeared.

How could we have been so blind not to notice these changes? Continue reading Mark Haim Challenges and Charms at On the Boards