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Here Come (There Go) the Men In Black 3, or, Love is (a) Strange(r)
Will Smith ages and handles 1969-grade racism gracefully. Tommy Lee Jones took his money and ran. Josh Brolin, as the younger version of Jones’ character, manages with simple language and minute variations on a stone face, to manifest a kind, gentle man caught in a world where kindness and gentleness sit beside the point. Continue reading Here Come (There Go) the Men In Black 3, or, Love is (a) Strange(r)