A Dangerous World Viewed Best From Afar
Don’t try to grip Baron Samedi too tightly (through May 11 at On The Boards); close inspection will squeeze the … Continue reading A Dangerous World Viewed Best From Afar
Don’t try to grip Baron Samedi too tightly (through May 11 at On The Boards); close inspection will squeeze the … Continue reading A Dangerous World Viewed Best From Afar
A table, a chair, a notebook, a drink, and a script that feels like an evolving work: These elements suggest … Continue reading Winners and Losers Is A Bare Knuckled Knockout
Arriving comfortably early for Wayfinders, the Holcombe Waller music performance currently playing at On The Boards (through April 12) the … Continue reading Singing Toward Consciousness Beyond The GPS
Zoe | Juniper’s BeginAgain (at On The Boards through March 30) starts with a bang, or rather a clap, stamping, … Continue reading A Twice-Baked Show in Shadow, Light, and Soil
Intimacy is front and center in And Lose the Name of Action, Miguel Gutierrez’s collaboration with The Powerful People at … Continue reading Talking About Intimacy From A Distance
With the 2013 Northwest New Works Festival in the history blogs, it’s time to explore its themes of blood, dirt, and death — and going on too long. So many of the shows this year would have been greatly improved if they’d simply known when to stop. Continue reading Down in the Dirt with the 2013 Northwest New Works Festival
Last Friday night, after a few Euros (shot of Fernet and a Radeberger) at St. John’s, I was lying flat on my back trying to keep the people I saw from spinning. I was having no luck, though, because I was watching a dance performance (of sorts: It was also an experiment, research, and rehearsal). Zoe | juniper’s “No one to witness and adjust, Study #4” took place in a small studio at Velocity Dance Center. Continue reading Getting In On the Ground Floor with zoe | juniper