<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>The SunBreak &#187; pianist</title>
	<atom:link href="/tag/pianist/feed/" rel="self" type="application/rss+xml" />
	<link>http://thesunbreak.com</link>
	<description>Curious Georges in a conversation with Seattle</description>
	<lastBuildDate>Mon, 30 Mar 2015 16:00:43 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=4.1.1</generator>
	<item>
		<title>Jon Kimura Parker Takes on Mussorgsky, Rachmaninoff, Prokofiev &amp; Stravinsky</title>
		<link>http://thesunbreak.com/2013/05/10/jon-kimura-parker/</link>
		<comments>http://thesunbreak.com/2013/05/10/jon-kimura-parker/#comments</comments>
		<pubDate>Fri, 10 May 2013 18:21:35 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[jon kimura parker]]></category>
		<category><![CDATA[mussorgsky]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[president's piano series]]></category>
		<category><![CDATA[prokofiev]]></category>
		<category><![CDATA[rachmaninoff]]></category>
		<category><![CDATA[rite of spring]]></category>
		<category><![CDATA[stravinsky]]></category>
		<category><![CDATA[uw]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=896895</guid>
		<description><![CDATA[The evening was an awesome physical feat for any performer, but at the very end, Parker’s fingers were as nimble, as accurate, his touch as relaxed, his playing as clean and rhymic as it all had been at the start. And after it, he played an encore, a quiet, rippling Rachmaninoff prelude.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=896895">Jon Kimura Parker Takes on Mussorgsky, Rachmaninoff, Prokofiev & Stravinsky</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
		<wfw:commentRss>http://thesunbreak.com/2013/05/10/jon-kimura-parker/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Piano Recital For the 21st Century With Cristina Valdes</title>
		<link>http://thesunbreak.com/2013/03/01/a-piano-recital-for-the-21st-century-with-cristina-valdes/</link>
		<comments>http://thesunbreak.com/2013/03/01/a-piano-recital-for-the-21st-century-with-cristina-valdes/#comments</comments>
		<pubDate>Fri, 01 Mar 2013 18:30:34 +0000</pubDate>
		<dc:creator><![CDATA[Dana Wen]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[cristina valdes]]></category>
		<category><![CDATA[meany hall]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[piano]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=896070</guid>
		<description><![CDATA[As in any typical piano recital, technical virtuosity and emotional expression were certainly on display.

However, this concert showcased a wider spectrum of Valdes' talents as a performer, sending the pianist on a tour of her instrument -- reaching inside the case to pluck the strings, creating sheets of sound by slamming her forearm on the keys, and playing alongside pre-recorded piano sounds.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=896070">A Piano Recital For the 21st Century With Cristina Valdes</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
		<wfw:commentRss>http://thesunbreak.com/2013/03/01/a-piano-recital-for-the-21st-century-with-cristina-valdes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pianist Alexandre Dossin Shines in Russian &#8220;Winter Nights&#8221;</title>
		<link>http://thesunbreak.com/2013/02/19/pianist-alexandre-dossin-shines-in-winter-nights-of-russian-chamber-music/</link>
		<comments>http://thesunbreak.com/2013/02/19/pianist-alexandre-dossin-shines-in-winter-nights-of-russian-chamber-music/#comments</comments>
		<pubDate>Tue, 19 Feb 2013 22:29:03 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Alexandre Dossin]]></category>
		<category><![CDATA[borodin trio]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[prokofiev]]></category>
		<category><![CDATA[rachmaninoff]]></category>
		<category><![CDATA[rachmaninov]]></category>
		<category><![CDATA[russian]]></category>
		<category><![CDATA[Russian Chamber Music Foundation]]></category>
		<category><![CDATA[shostakovich]]></category>
		<category><![CDATA[tchaikovsky]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=895975</guid>
		<description><![CDATA[I had reviewed some of Dossin’s recordings for the now defunct magazine Clavier, and expected good things. It was more than good. I was bowled over by the technique, the musicianship, the beauty of his interpretations and the way he made himself invisible, allowing the composers’ intentions to come through.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=895975">Pianist Alexandre Dossin Shines in Russian "Winter Nights"</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
		<wfw:commentRss>http://thesunbreak.com/2013/02/19/pianist-alexandre-dossin-shines-in-winter-nights-of-russian-chamber-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NPR&#8217;s Christopher O’Riley Takes Liszt Over the Top</title>
		<link>http://thesunbreak.com/2013/01/30/nprs-christopher-oriley-takes-liszt-over-the-top/</link>
		<comments>http://thesunbreak.com/2013/01/30/nprs-christopher-oriley-takes-liszt-over-the-top/#comments</comments>
		<pubDate>Wed, 30 Jan 2013 19:11:33 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[berlioz]]></category>
		<category><![CDATA[christopher o'riley]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[From the Top]]></category>
		<category><![CDATA[liszt]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[schubert]]></category>
		<category><![CDATA[schumann]]></category>
		<category><![CDATA[transcription]]></category>
		<category><![CDATA[Wagner]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=895692</guid>
		<description><![CDATA[There’s no doubt about O’Riley’s ability. There were beautiful moments of thoughtful touch, sensitive phrasing, fine technique throughout, but in fast, dense and loud passages—and Liszt loved these and inserted them as major portions of his compositions—O’Riley tended to go overboard and the results often were not as clean as they might have been.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=895692">NPR's Christopher O’Riley Takes Liszt Over the Top</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
		<wfw:commentRss>http://thesunbreak.com/2013/01/30/nprs-christopher-oriley-takes-liszt-over-the-top/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Week Ahead for Fans of Icelandic Music</title>
		<link>http://thesunbreak.com/2012/06/20/the-week-ahead-for-fans-of-icelandic-music/</link>
		<comments>http://thesunbreak.com/2012/06/20/the-week-ahead-for-fans-of-icelandic-music/#comments</comments>
		<pubDate>Wed, 20 Jun 2012 23:25:10 +0000</pubDate>
		<dc:creator><![CDATA[Michael van Baker]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[grandma lo-fi]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[nielsdottir]]></category>
		<category><![CDATA[northwest film forum]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[sigridur]]></category>
		<category><![CDATA[sunna gunnlaugs trio]]></category>
		<category><![CDATA[tula's]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=891503</guid>
		<description><![CDATA[Thursday, June 21, the Sunna Gunnlaugs Trio plays at jazz club Tula's in Belltown. It's a 7:30 p.m. show with a $10 cover. (Tula's, if you, like me, haven't been, features a Mediterranean menu. I thought it was a rule jazz clubs had to be Italian? But no, they've got spanokopita on the menu, large as life.) <div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=891503">The Week Ahead for Fans of Icelandic Music</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
		<wfw:commentRss>http://thesunbreak.com/2012/06/20/the-week-ahead-for-fans-of-icelandic-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
