What We’re Hearing This Month: Classical Music Picks For November

What We’re Hearing This Month: Classical Music Picks For November

After the many musical treats (no tricks!) of October, the classical music season is in full swing here in Seattle. November’s calendar abounds with visits from touring ensembles and soloists, as well as exciting performances by local groups. Head to a concert hall and take advantage of this month’s diverse musical offerings, especially before the holiday music deluge blankets the concert calendar for December. Continue reading What We’re Hearing This Month: Classical Music Picks For November

The Spectacular Riddle of <em>Turandot</em> in a “passionate, precise, and powerful performance”

The Spectacular Riddle of Turandot in a “passionate, precise, and powerful performance”

As if he knew this opera would be his last, Puccini crams as much drama and story as he can into every moment. Instead of an overture, BOOM! we’re in Turandot’s palace, with the chorus demanding blood. Characters are introduced quickly, and connections between them are established with lightning speed. Continue reading The Spectacular Riddle of Turandot in a “passionate, precise, and powerful performance”

<em>Turandot</em>, the Music of <em>The Nightingale</em>, and Magic of Chinoiserie

Turandot, the Music of The Nightingale, and Magic of Chinoiserie

You could translate “chinoiserie” as “Chinese…ish,” if you want. It’s a cultural form of infatuation with the transfer student–in retrospect it may come to seem childish and superficial. But initially, there’s a flush of novelty, a flash of curiosity, and a fleshing out of another inner life through trial and error, mostly error. (In a similar way, knock-offs of products are usually not very good, most fail, and a few develop into something so good they rival the original–witness Japan’s whisky.) Continue reading Turandot, the Music of The Nightingale, and Magic of Chinoiserie

At Seattle Opera, a <em>Madama Butterfly</em> to Convert the Haters

At Seattle Opera, a Madama Butterfly to Convert the Haters

In Seattle Opera’s Madama Butterfly, the singing, the singers, and the music stay squarely center stage. And the singing in this production was glorious. Patricia Racette played Butterfly (or Cio-Cio-San) with grace, joy, and humanity, using all parts of her voice for dramatic effect. She is a consummate artist, and was in lovely voice on Saturday. She’s one of the bigger-voiced Cio-Cio-Sans I’ve heard, and had a nice warmth and depth from the top to the bottom. Continue reading At Seattle Opera, a Madama Butterfly to Convert the Haters