Seattle Baroque Orchestra, from Bach Concertos to Purcell Hornpipes
While these two concertos are familiar to many, the incidental music Purcell wrote for plays is mostly less so. The group of airs and dances for The Gordian Knot Unty’d are delightful, particularly towards the end, when the audience heard a familiar tune, “Rockabye, baby,” in increasingly sophisticated and developed guise. Continue reading Seattle Baroque Orchestra, from Bach Concertos to Purcell Hornpipes