The “only nonimprovised piece in the show” is the building of a human pyramid, with the performers and volunteer audience members stripped down to underwear or nudity. They have hoods made of a shiny gold cloth on. Given that “Naomi Klein’s The Shock Doctrine” are the first five words in Hennessy’s program note, it would be difficult not to see a reference to Abu Ghraib here. Continue reading Reading “Turbulence,” Keith Hennessy’s Dance About the Economy