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	<title>The SunBreak &#187; rite of spring</title>
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	<link>http://thesunbreak.com</link>
	<description>Curious Georges in a conversation with Seattle</description>
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		<title>Jon Kimura Parker Takes on Mussorgsky, Rachmaninoff, Prokofiev &amp; Stravinsky</title>
		<link>http://thesunbreak.com/2013/05/10/jon-kimura-parker/</link>
		<comments>http://thesunbreak.com/2013/05/10/jon-kimura-parker/#comments</comments>
		<pubDate>Fri, 10 May 2013 18:21:35 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[jon kimura parker]]></category>
		<category><![CDATA[mussorgsky]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[president's piano series]]></category>
		<category><![CDATA[prokofiev]]></category>
		<category><![CDATA[rachmaninoff]]></category>
		<category><![CDATA[rite of spring]]></category>
		<category><![CDATA[stravinsky]]></category>
		<category><![CDATA[uw]]></category>

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		<description><![CDATA[The evening was an awesome physical feat for any performer, but at the very end, Parker’s fingers were as nimble, as accurate, his touch as relaxed, his playing as clean and rhymic as it all had been at the start. And after it, he played an encore, a quiet, rippling Rachmaninoff prelude.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=896895">Jon Kimura Parker Takes on Mussorgsky, Rachmaninoff, Prokofiev & Stravinsky</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>Auburn Symphony&#8217;s Springtime &#8220;Rite,&#8221; With Strauss on the Side</title>
		<link>http://thesunbreak.com/2013/04/29/auburn-symphonys-springtime-rite-with-strauss-on-the-side/</link>
		<comments>http://thesunbreak.com/2013/04/29/auburn-symphonys-springtime-rite-with-strauss-on-the-side/#comments</comments>
		<pubDate>Mon, 29 Apr 2013 23:00:04 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[auburn symphony]]></category>
		<category><![CDATA[classical]]></category>
		<category><![CDATA[death and transfiguration]]></category>
		<category><![CDATA[orchestra]]></category>
		<category><![CDATA[rite of spring]]></category>
		<category><![CDATA[strauss]]></category>
		<category><![CDATA[stravinsky]]></category>

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		<description><![CDATA[The Rite is receiving many performances this season, one of them this past weekend by the Auburn Symphony Orchestra at that city’s Performing Arts Center. For this concert, conductor Stewart Kershaw coupled it with Richard Strauss’s Death and Transfiguration, a tone poem on essentially the same theme, composed some 22 years earlier.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=896783">Auburn Symphony's Springtime "Rite," With Strauss on the Side</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>For Compagnie Marie Chouinard, the Music Comes First</title>
		<link>http://thesunbreak.com/2013/01/25/for-compagnie-marie-chouinard-the-music-comes-first/</link>
		<comments>http://thesunbreak.com/2013/01/25/for-compagnie-marie-chouinard-the-music-comes-first/#comments</comments>
		<pubDate>Fri, 25 Jan 2013 19:00:55 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Dance]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Chopin]]></category>
		<category><![CDATA[compagnie marie chouinard]]></category>
		<category><![CDATA[meany hall]]></category>
		<category><![CDATA[review]]></category>
		<category><![CDATA[rite of spring]]></category>
		<category><![CDATA[uw world series]]></category>

		<guid isPermaLink="false">http://thesunbreak.com/?p=895635</guid>
		<description><![CDATA[Superbly trained athletes the dancers are, undeniably. There is huge energy here, as Chouinard uses the whole body in movements fluid or jerky, seemingly easy but requiring great flexibility. At the same time the dancers need to be closely attuned to the music as so much of what they do is dictated by the phrasing, the mood, the rhythms of each prelude.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=895635">For Compagnie Marie Chouinard, the Music Comes First</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>What We’re Hearing This Month: Classical Music Picks for March</title>
		<link>http://thesunbreak.com/2012/02/29/what-were-hearing-this-month-classical-music-picks-for-march/</link>
		<comments>http://thesunbreak.com/2012/02/29/what-were-hearing-this-month-classical-music-picks-for-march/#comments</comments>
		<pubDate>Thu, 01 Mar 2012 00:04:09 +0000</pubDate>
		<dc:creator><![CDATA[Dana Wen]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Best local music]]></category>
		<category><![CDATA[cafe cesura]]></category>
		<category><![CDATA[chapel performance space]]></category>
		<category><![CDATA[choral arts]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[classical revolution]]></category>
		<category><![CDATA[daniels recital hall]]></category>
		<category><![CDATA[debussy]]></category>
		<category><![CDATA[good shepherd center]]></category>
		<category><![CDATA[igor stravinsky]]></category>
		<category><![CDATA[john muehleisen]]></category>
		<category><![CDATA[limon dance company]]></category>
		<category><![CDATA[meany theater]]></category>
		<category><![CDATA[music northwest]]></category>
		<category><![CDATA[olympic recital hall]]></category>
		<category><![CDATA[pacific musicworks]]></category>
		<category><![CDATA[pantages theater]]></category>
		<category><![CDATA[parnassus project]]></category>
		<category><![CDATA[rite of spring]]></category>
		<category><![CDATA[seattle asian art museum]]></category>
		<category><![CDATA[seattle opera]]></category>
		<category><![CDATA[seattle pianist collective]]></category>
		<category><![CDATA[seattle pro musica]]></category>
		<category><![CDATA[st. james cathedral]]></category>
		<category><![CDATA[st. mark's catheral]]></category>
		<category><![CDATA[the bad plus]]></category>

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		<description><![CDATA[March is upon us, but it's still blustery, rainy, and cold outside. Luckily, Seattle's got plenty of live classical music to keep you warm while we all hunker down and wait for spring to arrive.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=886027">What We’re Hearing This Month: Classical Music Picks for March</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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