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	<title>The SunBreak &#187; schumann</title>
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	<description>Curious Georges in a conversation with Seattle</description>
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		<title>NPR&#8217;s Christopher O’Riley Takes Liszt Over the Top</title>
		<link>http://thesunbreak.com/2013/01/30/nprs-christopher-oriley-takes-liszt-over-the-top/</link>
		<comments>http://thesunbreak.com/2013/01/30/nprs-christopher-oriley-takes-liszt-over-the-top/#comments</comments>
		<pubDate>Wed, 30 Jan 2013 19:11:33 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[berlioz]]></category>
		<category><![CDATA[christopher o'riley]]></category>
		<category><![CDATA[classical music]]></category>
		<category><![CDATA[From the Top]]></category>
		<category><![CDATA[liszt]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[NPR]]></category>
		<category><![CDATA[pianist]]></category>
		<category><![CDATA[schubert]]></category>
		<category><![CDATA[schumann]]></category>
		<category><![CDATA[transcription]]></category>
		<category><![CDATA[Wagner]]></category>

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		<description><![CDATA[There’s no doubt about O’Riley’s ability. There were beautiful moments of thoughtful touch, sensitive phrasing, fine technique throughout, but in fast, dense and loud passages—and Liszt loved these and inserted them as major portions of his compositions—O’Riley tended to go overboard and the results often were not as clean as they might have been.<div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=895692">NPR's Christopher O’Riley Takes Liszt Over the Top</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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		<title>Till Fellner Turns in a Cool, Crisp Performance at Meany&#8217;s President&#8217;s Piano Series</title>
		<link>http://thesunbreak.com/2011/10/19/tillner-turns-in-a-cool-crisp-performance-at-meanys-presidents-piano-series/</link>
		<comments>http://thesunbreak.com/2011/10/19/tillner-turns-in-a-cool-crisp-performance-at-meanys-presidents-piano-series/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 19:01:53 +0000</pubDate>
		<dc:creator><![CDATA[Philippa Kiraly]]></dc:creator>
				<category><![CDATA[Arts & Entertainment]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[craig sheppard]]></category>
		<category><![CDATA[haydn]]></category>
		<category><![CDATA[kit armstrong]]></category>
		<category><![CDATA[liszt]]></category>
		<category><![CDATA[meany theater]]></category>
		<category><![CDATA[nikolai lugansky]]></category>
		<category><![CDATA[piano]]></category>
		<category><![CDATA[president's piano series]]></category>
		<category><![CDATA[schumann]]></category>
		<category><![CDATA[till fellner]]></category>

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		<description><![CDATA[Fellner, who has also studied with Brendel, has that great pianist’s thoughtful and less-is-more approach to understanding a composer, but his performance Tuesday could have used more warmth. That said, his performance of Haydn’s Sonata in C major, Hob XVI:50, composed quite late in the composer’s life, was a marvel of elegance, clarity and exquisite touch. <div class="tentblogger-rss-footer"><hr /><p>You are reading an excerpt from  <a href="/?p=880920">Till Fellner Turns in a Cool, Crisp Performance at Meany's President's Piano Series</a>.</p><p>The SunBreak supports RSS for you diehard RSS readers out there.</p></div>]]></description>
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