What We’re Hearing This Month: Classical Music Picks for October

What We’re Hearing This Month: Classical Music Picks for October

Just as the blustery, wet weather is making us want to scuttle to the nearest concert hall, the October calendar looks like it’s filling up with an impressive list of appearances by some of classical music’s biggest names. The coming month is also burgeoning with performances by local artists and ensembles as well. Continue reading What We’re Hearing This Month: Classical Music Picks for October

Seattle Baroque Orchestra Fills Town Hall with Bach Cantata Fans

Seattle Baroque Orchestra Fills Town Hall with Bach Cantata Fans

With her agile voice, Rottsolk made the most of her lilting, upbeat aria in No. 155, tricky to sing with a fast vocal line all over the register. For several recitatives and arias, both in No. 155 and for almost all of No. 134, Bach joins alto and tenor together in duet. Lane and Mueller sounded absolutely right together, their voices expressively blending and moving apart with the music. Continue reading Seattle Baroque Orchestra Fills Town Hall with Bach Cantata Fans

Seattle Baroque Orchestra, from Bach Concertos to Purcell Hornpipes

Seattle Baroque Orchestra, from Bach Concertos to Purcell Hornpipes

While these two concertos are familiar to many, the incidental music Purcell wrote for plays is mostly less so. The group of airs and dances for The Gordian Knot Unty’d are delightful, particularly towards the end, when the audience heard a familiar tune, “Rockabye, baby,” in increasingly sophisticated and developed guise. Continue reading Seattle Baroque Orchestra, from Bach Concertos to Purcell Hornpipes