SIFF What We Saw (The End)

SIFF What We Saw (The End)

Without ever making the criminals sympathetic, Sofia Coppola nevertheless captures the way that the heady romance of new friendship, hunger for thrills among the entitled rich (but not super-rich), and a lack of impulse control combine to almost make their actions understandable. Even though it’s based on a true story and is told in interviews and flashbacks, The Bling Ring still held plenty of suspense, particularly as the clique of Hollywood strivers get more and more brazen with their string of celebrity robberies. Continue reading SIFF What We Saw (The End)

SIFF 2013: What We Saw (Part 3)

SIFF 2013: What We Saw (Part 3)

MvB: For sheer cinema, Laurence Anyways from Xavier Dolan takes the SIFF 2013 cake, so far as I’m concerned. At 160-some minutes, it’s a grand opera of a film, replete with arias from leads Melvil Poupaud and Suzanne Clément, enacting an amour fou. Dolan tells a gripping, affecting story about the costs of being true to thine ownself — if a quirk of nature has mismatched your gender identity with secondary sexual characteristics — but he also tries his hand at motion portraiture Continue reading SIFF 2013: What We Saw (Part 3)

SIFF 2013 Week 3 Picks

SIFF 2013 Week 3 Picks

Among this week’s special events are two benefit screenings of Decoding Annie Parker, about current UW (then Cal) geneticist Mary-Claire King’s discovery of the BRCA1 gene’s role in breast cancer. Helen Hunt takes on the role of the scientist and Samantha Morton plays the title role patient. Tickets cost $25 and benefit the King Lab at the University of Washington. Continue reading SIFF 2013 Week 3 Picks