MvB: For sheer cinema, Laurence Anyways from Xavier Dolan takes the SIFF 2013 cake, so far as I’m concerned. At 160-some minutes, it’s a grand opera of a film, replete with arias from leads Melvil Poupaud and Suzanne Clément, enacting an amour fou. Dolan tells a gripping, affecting story about the costs of being true to thine ownself — if a quirk of nature has mismatched your gender identity with secondary sexual characteristics — but he also tries his hand at motion portraiture Continue reading SIFF 2013: What We Saw (Part 3)