No one needs to tell choreographer Olivier Wevers that a spoonful of sugar helps the medicine go down. On the same bill with his death penalty dance, thrOwn, this weekend at the Intiman, are two lighter works: la langue de l’amour, a “very naughty” solo for Chalnessa Eames; and Flower Festival, with August Bournonville’s flirtatious, teasing pas de deux, Flower Festival in Genzano, re-imagined for two men who begin the dance in suits, but then there arises a “jousting” feeling, says Wevers, promising very “kinetic” movement. Continue reading For Whim W’Him’s Olivier Wevers, A New Dance is Life or Death