The Rockin’ Mr. (Tim) Rogers of You am I, Interviewed

The Rockin’ Mr. (Tim) Rogers of You am I, Interviewed

"Pardon the onstage nudity. Laundry's fucking expensive here." You am I's Tim Rogers being bare-chested and rockerly at Bumbershoot. (photo by Tony Kay)

Tim Rogers is fucking with my head. Maybe.

A couple of days before the Australian singer/guitarist and his power pop quartet You am I are due to play Bumbershoot, I’m dutifully calling the Los Angeles hotel where he’s staying. I ask the front desk clerk to be put through to room 505–Tim Rogers’ reputed digs for the day. There’s no one occupying that room, the laid-back clerk assures me in a California monotone, but there’s a Jim Rogers in another room. The clerk connects me.

The line goes quiet, and seconds later, a brusque voice answers. It sounds curtly, distinctively American. “Hello!” it barks out.

“Is this Tim Rogers?” I ask, carefully pronouncing the first name to alleviate any misunderstanding.

“Yes, it is,” the blunt voice on the other end replies.

“Tim Rogers, the musician?” I ask uneasily, convinced I’m having a dialogue with some business executive from the Midwest named Jim Rogers.

Suddenly the voice morphs into an airy Aussie tenor. “You mean, Tim Rogers the semi-famous Australian rock star? Yeah, that’s me.”

We vault into our conversation so quickly that I never get to ask Rogers if he was, in fact, intentionally fucking with me. But our initial exchange–and the self-mocking statement at the end of it–pretty effectively anticipate the conversation ahead. He’s been a career musician for over half his life, and he’s got the requisite rock-star anecdotes to back that up; but a streak of self-deprecating humor reflects his full awareness of the absurdity–and the fun–inherent in that lifestyle.

You am I started out in the early 1990’s as one of many snarling grunge-era guitar bands (their first two long-players were produced by Sonic Youth’s Lee Ranaldo, for Pete’s sake). But starting with their second record, Hi-Fi Way, You am I picked up the British-Invasion cue from The Who and The Kinks and evolved into a winning power-pop ensemble. Rogers’ singing and songwriting combined (and continues to combine) Ray Davies’ wit and Paul Westerburg’s ragged romanticism with just enough post-punk roar to knock the dust off.

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Bumbershoot 2011: Loud Fast Rules (Photo Gallery)

Bumbershoot 2011: Loud Fast Rules (Photo Gallery)

I’m cutting a broad swath here, mostly as an excuse to post some of my favorite Bumber-shots. Witchburn’s call-and-response traditional metal, Valient Thorr’s Warner-Brothers-cartoon-on-crystal meth groove rock, Red Fang’s brainiac metal, The Jim Jones Revue’s turbocharged Little Richard riffing, Thee Oh Sees’s garage punk, My Goodness’s stripped-down blues rock, Whalebones’s narcotic grind, and You am I’s hard-rocking power pop really only shared one commonality during Bumbershoot weekend: They all cranked their guitars to 11. Thank god. Continue reading Bumbershoot 2011: Loud Fast Rules (Photo Gallery)

The SunBreak’s Roundtable Bumbershoot Analysis

The SunBreak’s Roundtable Bumbershoot Analysis

Audrey: Bumbershoot earned a Like this for this year’s experience. The weather was perfect, the mood was laid-back, and, I don’t care if it hurts the bottom line, but I appreciated a not-too-crowded festival.

Josh: Although they were “only” the opening act for the mid-festival headliner, this really felt like the festival of Macklemore. I knew that he was popular, but the swarms of kids lining up and snaking throughout the festival grounds two hours before doors to Key Arena opened blew away my expectations of his fanbase. Continue reading The SunBreak’s Roundtable Bumbershoot Analysis

How I Spent My Bumbershoot (Plus a Photo Gallery)

How I Spent My Bumbershoot (Plus a Photo Gallery)

All in all, I find myself wishing Bumbershoot had more to offer me this year, but maybe I’m just being selfish. While I agree that my music taste is quite a bit outside of the majority, I can still usually find a full day (at least one) of Bumbershoot to enjoy. This year I was lucky to find four artists on Sunday that I was stoked to see. But it isn’t all doom and gloom–I did get a chance to check out a few that I wouldn’t have otherwise. Continue reading How I Spent My Bumbershoot (Plus a Photo Gallery)

An Open Letter to One Reel, and/or Bumbershoot, and/or CenturyLink

An Open Letter to One Reel, and/or Bumbershoot, and/or CenturyLink

The worst thing about Bumbershoot this year: AT&T coverage at Seattle Center has been so spotty. Don’t tell me that the network is overloaded. Just “use the network less” doesn’t cut it. This shit can’t stand.

So it’s time that wifi was included in the ticket price and as part of the Bumbershoot experience. It’s time that Bumbershoot provide wifi to the masses all Labor Day weekend long. And this is where you come in, Qwest CenturyLink. Continue reading An Open Letter to One Reel, and/or Bumbershoot, and/or CenturyLink