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By Clint Brownlee Views (163) | Comments (1) | ( 0 votes)
"Bad name. Lame name, actually. But kinda funny in its lameness. That was the point, to some degree. It was the late 1980s and Nirvana, Mudhoney, Soundgarden, and swarms of other Seattle area bands released albums on Sub Pop Records, the label started by Bruce Pavitt and Jonathan Poneman. The kids were so uncool, they were beyond cool. They embraced and reclaimed their high school denigration: LOSER. Sub Pop Records even threw an event they called Lame Fest."

That's how Grunge, a new book of photographs by Michael Lavine, starts—with contemporary indie rock figure Thurston Moore's intro spotlighting the wink-wink, Can you believe this shit is happening? side of Seattle's inevitably overblown musical era.

He would know. Moore, of Sonic Youth, was making noisy guitar rock when Kurt Cobain was a hormonal, directionless teen. And he introduced honchos at Geffen Records imprint DGC to Cobain's band in 1990. (Nevermind hit on the label the following year.) And you could argue that thanks to grunge's massive success,...

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