Oops, Bing Has Google All Over Its Face Again

(H/t TechFlash) I wanted to get the Bing team’s take on Google calling them out for “cheating” so I clicked over to the Google search blog. (Thank you! No, we have fun.) 

I’ll fit the search contretemps in a nutshell here–but you can find the whole story, including search forensics, at Danny Sullivan’s Search Engine Land: “Google: Bing Is Cheating, Copying Our Search Results.” 

Basically, Google engineers first noticed that Bing was delivering the same results for misspelled words as Google was giving. That struck them as odd because on Bing’s page, the misspelled word was still misspelled. Google has spent a lot of time and money dealing with the problem of search monkeys typing in the wrong word, so they were curious about Bing’s new ESP technology. 

To test their hypothesis–“Bing is reading our minds”–they constructed a number of fake search results for decidedly uncommon searches (“hiybbprqag” and “mbgrxpgjys,” for example), and entered them in IE with Suggested Sites and the Bing Toolbar on. Presto! Bing started serving up Google’s fake results, too.


Now, Bing would like you to know this is only possible when Google is the only source with information on these mysterious terms. (Though, as Sullivan points out, it’s those rare, “out there” search successes that can make a search engine’s name. If Google is the only source, that says something.) Nor are they directly spying on Google–people are using Google in IE browsers (or while using the Bing toolbar), and have “agreed” to let Microsoft observe their usage. Bing’s Harry Shum, PhD, explains:


We use over 1,000 different signals and features in our ranking algorithm. A small piece of that is clickstream data we get from some of our customers, who opt-in to sharing anonymous data as they navigate the web in order to help us improve the experience for all users.

Still, this kind of real-time piggybacking steps over the line from research that improves your own algorithms to simply copying (“We do not copy Google,” says Microsoft). Parasitic behavior is a questionable strategy for a company that trumpets innovation, but often finds itself playing catch-up. As evidence of a mindset, it’s troubling because parasitism does not seek to displace the host, after all, just to profit from it. Whether or not it’s fair is one concern; but once again you have to wonder if Microsoft executives understand how much money you can waste on marketing and PR if your own actions belie those promises. 

Fleet Foxes, Popular Local Musical Group, Announce New Album, Tour

The Fleet Foxes have announced their new album, Helplessness Blues, will be released on May 3, a feat they’re commemorating with a show at the Moore Theatre in Seattle.

They had a little presale/preorder package going this morning, where you could pre-purchase the album and tickets to the Moore show, but the supply of presale tickets predictably didn’t last long. (FYI, in other indie crush news, the New Pornographers have also announced a spring tour, sans Seattle or Portland or Vancouver.) The Foxes’ tour actually begins in Vancouver on April 30, then they zip down to Portland on May 1 (socialist!), before returning to Seattle on the 3rd.

Sub Pop has the title track, “Helplessness Blues,” available for streaming or download. They also inform you that:


Helplessness Blues was recorded over the course of a year at Avast Recording, Bear Creek Studios, Dreamland Studios, and Reciprocal Recording. The album was recorded and mixed by Phil Ek and co-produced by Fleet Foxes and Ek. The piece that appears on the album cover was illustrated by Seattle artist Toby Liebowitz and painted by Chris Alderson. Fleet Foxes is Robin Pecknold, Skyler Skjelset, Christian Wargo, Casey Wescott, Josh Tillman, and Morgan Henderson.

On Twitter (I think it’s mostly Pecknold), the band reflects on the trials of hirsute musical perfectionism. I’ll assemble the relevant tweets for your reading pleasure:


So weird to see people react to something that was only heard by seven dudes for almost a year. I wonder how the full record fares. Well, at least my mom likes it. Excited to get this thing released and to start working on new music as much as possible – the three years w/o new music was HELL! With this behind us, it’ll be great to explore and experiment in new avenues and hopefully release way more frequently. Just sayin. I should start doing something with a more objective measure of quality. Like the 100 yard dash. You’re fast, or you’re not fast. No opinions. That sounds pretty chill. http://bit.ly/9MwLu4