$231 Million Families & Education Levy Headed to Your Ballot

The Seattle City Council has unanimously approved putting the $231 million Families & Education Levy on the November ballot. As Publicola reports, this roughly doubles “the amount a typical Seattle homeowner will pay for early-learning and youth services to an average of $124 per year, compared to $65 a year under the last levy, adopted in 2004.”

The 7-year levy addresses the extra needs of Seattle’s 23 Title I schools, says Seattlepi.com, which have more students from poorer families. To supplement what the school district alone can provide, the city levy will fund programs “from pre-school to high school, including continuing to provide pre-school space, at-home early learning skills, support for at-risk students, summer learning programs and expand school-based health centers.”

Despite that 9-0 vote, the levy is not uncontroversial. That in itself is controversial, because Seattle voters have rarely met an education levy they didn’t overwhelming like. A poll shows that the spirit is willing but the wallet is weak: two-thirds of voters approve of the levy and its purpose, but only one-third could stomach the $231 million price tag.

The Council’s Tim Burgess is a vocal proponent of the levy, and he and Mayor McGinn have been, unusually, on the same page regarding their response to raising more money while a school superintendent has just been relieved of duties for her lack of financial oversight: The levy’s funds will be disbursed and overseen by the city, not the school district, so you can have confidence that they are going to the right place.

That does not address the counterargument that, in theory, the school district should be able to fund its schools–needy and less needy–without the city resorting to a semi-eternal levy. (The Families and Education Levy was first approved in 1990, extended in 1997, and again in 2004.) Those of a more skeptical nature might ask whether, as the city demonstrates a willingness to shoulder the extra burden, the school district is not reallocating funds in anticipation of that.

Most Seattleites, I think, would not argue with Burgess about the importance of what the levy means to do. The poll would seem to suggest that. Burgess writes, compellingly:

Consider a young student from a Seattle family living in poverty. When she enters kindergarten, she has slightly better than a 50-50 chance of reading at grade level in the 3rd grade. From the beginning, she has only a 60 percent chance of graduating from high school on time. But, it gets worse. If she fails a core subject in 6th grade, her high school graduation chances fall below 50 percent. In high school, she has a 1 in 3 chance of believing she has been tagged by teachers as “not college material.”
But the question remains. Is this levy aiding or enabling a school district already provided with more than half a billion dollars annually for its general fund?
Besides the recent financial scandal, there is the more core-competency test of the district’s ability to lead in education. The latest news there is that the Washington Court of Appeals has, on legal grounds, struck down the challenge to the district’s choice of a “discovery” math curriculum on the grounds that (I editorialize slightly) the district did due diligence before choosing badly.
UW professor Cliff Mass was one of the challengers of the district’s original decision. His post about UW students’ 58 percent average on “an easy test, including elementary and middle school math problems,” highlights his concerns about the relative importance of functional math skills versus meta-cognitive math discovery. After you factor in the cost of adopting a low-rated, all-new curriculum, this particular story problem might predict the success or failure of the Families and Education levy this November.

…and Three (+) Pigs in Seattle


Days ago I posted pictures of pig-filled plates outside of Seattle, and promised you local options. Here they are. Most are Asian, with appreciation of the utilization of as much of the animal as possible. Pictured above is bopis, which is a spicy and vinegary saute of pork heart and lungs. I recently discovered bopis at Family Time Restaurant in Shoreline, where it’s a special served on weekends only. The textures of this dish, as with all the offal dishes I’ll mention, are part of what make it special. Bopis reminds me of dinuguan–pork blood stew, another favorite of mine. (It typically has pork liver, and I’ve had versions with pig ears and intestines.)

Speaking of pork blood, another favorite is the Vietnamese soup called bun bo hue. I like the version (and the atmosphere) at Hoang Lan by the Othello Station light rail stop. Bun bo hue feature rice noodles (spaghetti-like) in beef broth with braised beef, pork blood cakes, pork liver, and a pork hock. To this you add the accompanying bean sprouts, shredded cabbage, sliced banana blossoms, cilantro, jalapeno, and lime. This noodle bowl is perfect for both a cold, wintry day, or even a hot summer one.

The pork dish in the area with my favorite name is “The Other Parts of a Pig,” on the “Wild Side” menu at Bamboo Garden in Bellevue. It also has pork blood cakes, along with pork intestines and tofu chunks. There’s pickled cabbage and a tangy broth. You can ask them to make it as fiery as you can handle. As you can see from the photo, I say the redder, the better. There are some other adventurous dishes on that Wild Side menu, so I encourage you to explore.


Looking for something more “mainstream”? I thought back over the years, and the pork dish that stands out most in my mind is a Carleton Farms pork chop that Renee Erickson prepared at Boat Street Cafe. Erickson’s famous for her pickles, and here the pickled raisins packed a powerful punch. And the layers of mild-tasting leeks mixed with Beecher’s cheddar cheese made the dish all-the-more decadent.

New to Seattle: Camarena is Premium Tequila for the Masses

There’s a new tequila on the block, but it’s made by one of the oldest families in the business. Camarena Tequila made its American debut in California, Nevada, and Texas last year, and hit Washington State shelves in February, but the Camarena family has been making tequila in the highlands of Jalisco for nearly eighty years (and six generations) already. The first tequila to bear the family name, Camarena is made with 100 percent pure blue agave, sustainably farmed in the Los Altos Highlands, where the family has about three million agave plants growing. Right now, the tequila comes in silver and repasado varieties, with an anejo in the works. These are sweet, peppery, and earthy liquors, and though the quality is high, the price is nice: each bottle retails for $20. With that in mind, I bravely volunteered to sample these new premium spirits.

Tequila! Let's get ready to make some drinks.

The good people from Camarena actually wanted us to make our own drinks. Oh, twist my arm.

You too can make cocktails with only a few simple ingredients.

They provided the tequila, the recipes, and the requisite additional ingredients: vermouths, lemons and limes, ginger ale and beer, cassis, almond liqueur, orange liqueur, amaro, maple syrup and agave syrup, and even an egg. Don’t worry, all those liquids did not go into the same drink. If you’re playing along at home, a low-res version of the recipes can be found here.

Before...

The task at hand involved making four cocktails: a paloma (a refreshing alternative to the margarita), a cope de arandas (file under “aromatic cocktails”), an el diablo (file under “girly drinks”), and a dona elena (in the traditional sours–with egg white!–family).

...and after! Look at those delicious drinks.

I have to say that there was not a dud in the bunch. I will definitely drink a paloma again–it’s not nearly as heavy or as sweet as your traditional margarita, but just as simple to make. The dark copa de arandas proves that you can have a tequila-based cocktail in the winter, especially with just a hint of fresh mint. Meanwhile, with its cassis, the el diablo is a little too sweet for me to have more than one, but any cosmo lover should give it a try. And the dona elena is your classic sour, with a tequila twist.

Camarena tequilas in their native environment: on the shelf, at your friendly neighborhood liquor store (in this case 12th and Pine).

Dan Bern Delineates His New American Language

God bless Dan Bern. Touring on his Live in New York album (on the heels of last year’s Live in Los Angeles release), the folk-leaning Dylan-esque singer-songwriter played all the hits at his solo show at the Tractor Friday night, spanning his discography. So the audience was treated to golden oldies like “God Said No” and “Jerusalem,” which starts at the four-minute mark in the video above. Dan also delivered his portrait of celebrity in “Tiger Woods” (bravely without amended lyrics) and alternative universe matchmaking in “Marilyn,” as well as a few covers, including the Johnny Cash novelty track “One Piece at a Time.”

Dan of course brought his trademark charm and charisma, with plenty of chit-chat and banter from the stage between songs–as a performer, he never fails to connect with an audience. It was an early show, with opening troubadour Ari Hest kicking things off at 6 p.m. But it doesn’t matter that you’re in a dark club while the sun’s still shining when you’ve got Dan Bern doing “The Fifth Beatle,” his take on the Fab Four in search of a new bandmate, in which they audition everyone from Kurt Cobain to Neil Young and Bruce Springsteen, and Dan dutifully doles out the requisite impersonations of all of the above. There is no such thing as too early for a joyful performance like that.

Alvin Ailey American Dance Theatre at the 5th Ave: You Must See This (Review)

Alvin Ailey American Dance Theatre kicked off the first of three performances presented by Seattle Theatre Group (tickets here for two remaining shows at the 5th Avenue Theatre for Saturday, 3/26 and Sunday, 3/27). Reading over some of my recent reviews, I realize that I use the word “thrilling” too much. And watching last night’s performance, I realize that I have I have been misusing the word. I now know what “thrilling” really means.

The tour is a celebration of the company’s rich history (the 50th anniversary of AAADT’s iconic work, Revelations), current success (the farewell tour for their iconic Artistic Director, Judith Jamison), and its future (the introduction of Artistic Director-Designate, Robert Battle). The show ended with an outstanding performance of Revelations, but it kicked off with three contemporary pieces–two of which literally left me breathless.

Anointed, by former company member Christopher Huggins, began with “Passing.” Principals Jamar Roberts in copper and Linda Celeste Sims in black entwine in a loving pas de deux to the slow synth-string swells of “Grace” by Moby. Their movements are fast, then slow, playing against the steady waves of strings. Sims exits the stage (perhaps alluding to the title of this section), leaving Roberts in a tormented solo. The next section, “Sally Forth,” sees Sims returning, now in purple, to the driving drums of “Blessed Love” by Sean Clements. She is joined by four other women who circle around her, their movements blending the low-to-the-ground, knees-bent posture of African dance with the hands-above-the head port de bras of classical ballet. Their strikingly deliberate movements combined with the power of the drums hits you with such force, I could only think, “whoa.”

The final section, 52 and Counting, opens with Roberts, now in brilliant white, with dancers in orange joining him in couples to “God Moving Over the Face of the Waters,” again by Moby. The men exit as Roberts now joins four women, becoming their center. Then five men take the stage alone. The power these men brought to the stage, their commanding power, was stunning. It had the raw speed of a roller coaster, and I felt like I could only hang on. When Roberts and Sims are reunited on the stage, they are joined by a dancer in orange before the lights go black.

The dancing in this piece was technically spot-on, but with passion and feeling that you just don’t get to see every day, even in the best dance companies. As a former AAADT dancer, Huggins clearly knew what these dancers were capable of and how to play to their considerable strengths. As my notes said, “insanely good.”

The next piece, The Evolution of a Secured Feminine, by Camille A. Brown, featured solo dancer Rachael McLaren. The piece features music sung by Ella Fitzgerald, Betty Carter, and Nancy Wilson. Fittingly, McLaren enters wearing a fedora and half a jacket (on the right, with a tube top on the left). Her moves are a blend of Michael Jackson and Usher (as she brushes off her shoulders), ballet and jazz. In dancing to “Tight” sung by Betty Carter, McLaren seems to show us the inner thoughts of the singer, revealing what her lyrics are masking. For the final section, to Nancy Wilson’s “Guess Who I Saw Today,” McLaren, in just a few minutes, takes her character from defeat over discovering her lover’s infidelity to owning her own power, as she holds out her hand, fingers open, to let him go.

Also now my new definition of thrilling was The Hunt, by AAADT Artistic Director-Designate Robert Battle. Les Tambours du Bronx, a French industrial percussion band, provides the music for this incredibly powerful (there is no other way to describe it) piece. Six men, shirtless with high-waisted black skirts that flow to the ground, break off into two groups of three, in rows battling, in a circle with their shoulders arching forward rhythmically to the throbbing drums. At one point, three of them literally drag the other three across the stage. A successful hunt? The drums had both a tribal feel but also echos of taiko. The skirts worn by the men, with red interiors to highlight their vulnerability, also lended to the Asian feel. They were like bad-ass Shaolin monks at times.

Even in skirts, you can’t imagine anything more masculine. Seriously, you can’t. I wanted to run over to the Paramount, grab Billy Elliot‘s father and brother, drag them over to the 5th and dare them to make fun of those dancers. They were in-effing-credible.

A short film, “Celebrating Revelations at 50,” preceded the performance of that work. Featuring interviews with Ailey and Jamison, it gave some context to what was to come. There isn’t much I can say that hasn’t already been said about Revelations. It’s iconic and will hold a special place in the cannon of American Dance, probably forever. Small moments, little touches, were what stood out for me. Brief, rapid taps of Amos J. Machanic, Jr.’s hand anointed the head of Aisha Mitchell in “Fix Me, Jesus,” blessing her. The rapid, bee wing-like movement of the fans held by the women in “Sinner Man.” The earnest, repentant stance of Clifton Brown in “I Wanna Be Ready,” crouched on the stage, tentatively reaching out–then pulling back in fear of judgment. This piece deserves its permanence.

And the company completely–totally–deserved every last second of the thunderous ovation the audience gave them. And I have a new understanding of what thrilling really is.

The Weekend Wrap: March 20-26

Day 066/365 - Unload Seniors Here
Day 066/365 - Unload Seniors Here, care of Great Beyond in the SunBreak Flickr pool.

‘Mean mugging’ leads to alleged road rage incident (My Ballard)
Biking on Beacon: Pizza in the air (Beacon Hill Blog)
What to do in Belltown on a sunny Seattle day?? (belltownpeople)
Signs of Capitol Hill things to come: Poquitos, Bleu, Varro, Social Skins (Capitol Hill Seattle)
City pays owners of flooded Madison Valley homes $2.5 million (Central District News)
Yes, Fremont Brewing Can (Fremont Universe)
THE GEORGETOWN CARNIVAL! (Blogging Georgetown)
A sunny day at Green Lake Park: Photos from Daniel Berman (My Green Lake)
Neighbors divided about proposed street mural (Maple Leaf Life)
7-year-old boy curates latest art show at Bherd Studios (PhinneyWood)
Anonymous donor pledges $100,000 matching grant to help save Intiman Theatre (Queen Anne View)
Block Watch Captain: 120 Neighbors Asked City Attorney for Help With Rainier Valley “Drug Nuisance House” (Rainier Valley Post)
Ravenna-Bryant Community Association Community-Wide Meeting set for Tuesday, April 5th (Ravenna Blog)
Fire in bathroom at Roosevelt High School; no injuries reported (Roosiehood)
Dreaming of Spring Gardens… (Southend Seattle)
Man beaten during robbery on The Ave (U District Daily)
Mighty-O faces Food Network donut challenge (My Wallingford)
Farmers Market Meridian-Bound (Wallyhood)
View Ridge “Awesome Apes” going to Global Reading Challenge finals (Wedgwood View)
Random acts of knitting: West Seattle gets ‘yarn-bombed’ (West Seattle Blog)
Photos: Union Gospel Mission Search and Rescue Van’s first White Center visit (White Center Now)