This hand-cranked organ (?) is part of the Possibly Annoying Sound art project. (Photo: MvB)
Toronto's Broken Social Scene drew a crowd that reached the floor's weight capacity. Thus the long shot. (Photo: MvB)
Broken Social Scene, looking like The Band from a distance (Photo: MvB)
Aw, it's pretty! (Photo: MvB)
The Macklemore contingent started lining up at 5 p.m. for his 8 p.m. show in KeyArena. You could tell because of the "My city is filthy" T-shirts. (Photo: MvB)
More annoy-the-person-behind-you gadgetry (Photo: MvB)
Pickwick, launching into their secret KEXP lounge show (Photo: MvB)
"They said it couldn't be done!" crowed Pickwick front man Galen Disston, after succeeding in getting the crowd to its feet. (Photo: MvB)
Tennis's Alaina Moore (Photo: MvB)
The Lonely Forest, in Toyota's Free Yr Radio tent (Photo: MvB)
Thee Oh Sees' John Dwyer (Photo: MvB)
Thee Oh Sees' John Dwyer (Photo: MvB)
The Trey McIntire Project (Photo: MvB)
The Trey McIntire Project (Photo: MvB)
The Trey McIntire Project (Photo: MvB)
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Sunday at Bumbershoot got hot (over 80 degrees!) and packed in a larger crowd than Saturday. Hordes lined up over three hours early for Seattle rapper Macklemore’s (and Ryan Lewis’s) appearance at KeyArena. Once again, if you didn’t line up for the Level 3 stage at EMP, you couldn’t get in. Once again, the Bagley Wright Theatre was filled to capacity for a dance performance, this time for the Trey McIntire Project, visiting from Boise, ID. Is he the Aaron Copland of modern dance? Yes, why not. (Monday, Bumbershooters can catch McIntire’s troupe and Whim W’Him, making it a banner day in up-and-coming choreography.)