Queen Anne, the Waterfront is Yours (Almost)!

(Image: ABKJ Consulting)

As the crow flies, it’s not very far from lower Queen Anne to Seattle’s waterfront, but good luck getting a crow to fly you there.

Up to now, walkers and cyclists had to negotiate busy boulevards and railways to reach the Sound’s edge.

But as of mid-September-ish–a temporary suspended work platform for the Thomas Street Overpass project came down last week–there will be an easy, unobstructed stroll from Third Avenue West to the Elliott Bay Trail as it passes through Myrtle Edwards Park.

The Elliott Bay Trail is just under three miles in length, but provides a wealth of scenic views, and you can continue on northward from Magnolia’s Smith Cove to Discovery Park, if you’d like more of a workout. Heading south as you leave the overpass will connect you with the waterfront promenade on Alaskan Way, or to the west, the Olympic Sculpture Park.

The 10-foot-wide overpass itself stretches a little over 900 feet. ABKJ was the primary consultant on the project, and notes there is a “97’ span over five BNSF railway lines and a 99’ span over Elliott Avenue.”

Third Avenue West entrance to Thomas Street Overpass (Photo: MvB)
Thomas Street Overpass, looking west (Photo: MvB)
The Thomas Street Overpass from Elliott Avenue West (Photo: MvB)

The project has had several theoretical opening dates–it was supposed to be finished in spring of 2012, then it was July, then it was August. The last hold-up has been the installation of handrails, which were being shipped in separate pieces and installed as they arrived.

 

The Twenty Best Live Music Shows I Saw at Bumbershoot 2012 [Photo Gallery]

M. Ward at Bumbershoot 2012.
Keane at Bumbershoot 2012.
The Young Evils, Bumbershoot 2012.
Unnatural Helpers at Bumbershoot 2012.
Super Geek League at Bumbershoot 2012.
Passion Pit at Bumbershoot 2012.
Eighteen Individual Eyes at Bumbershoot 2012.
Katie Kate at Bumbershoot 2012.
Prong at Bumbershoot 2012.
JC Brooks and the Uptown Sound at Bumbershoot 2012.
Ana Tijoux, Bumbershoot 2012.
Foxy Shazam at Bumbershoot 2012.
Mudhoney at Bumbershoot 2012.
THEESatisfaction at Bumbershoot 2012.
Don't Talk to the Cops at Bumbershoot 2012.
The Dirtbombs at Bumbershoot 2012.
King Khan and the Shrines at Bumbershoot 2012.
Lee Fields and the Expressions at Bumbershoot 2012.
TacocaT at Bumbershoot 2012.
Reignwolf at Bumbershoot 2012.

M. Ward sings a sad song. (photo by Tony Kay)

Tom Chaplin of Keane keeps a stiff upper lip. (photo by Tony Kay)

Mackenzie Mercer, youngest Young Evil, in action at Bumbershoot 2012. (photo by Tony Kay)

Unnatural Helpers: Best band with a singing drummer since Night Ranger. (photo by Tony Kay)

If you've seen one band with mutant eyeballs and butterfly women on stilts, you've seen 'em all: Super Geek League at Bumbershoot 2012. (photo by Tony Kay)

Passion Pit: Hot mess gets anthemic at Bumbershoot 2012. (photo by Tony Kay)

Irene Barber, four of Eighteen Individual Eyes' eyes. (photo by Tony Kay)

Katie Kate was greaty-great at Bumbershoot 2012. (photo by Tony Kay)

Lesser mortals ran like scared children from the onslaught: Tommy Victor of Prong at Bumbershoot 2012. (photo by Tony Kay)

JC Brooks stops the show at the KEXP Lounge. (photo by Tony Kay)

Ana Tijoux rocks it, Chilean style. (photo by Tony Kay)

Foxy Shazam rocks the Exhibition Hall. (photo by Tony Kay)

Mudhoney's Mark Arm, still whippet-thin and dangerous. (photo by Tony Kay)

Stasia of THEESatisfaction rocks her finest roller boogie ensemble at Bumbershoot 2012. (photo by Tony Kay).

Don't Talk to the Cops! Unless you're lost or something. (photo by Tony Kay)

Mick Collins of the Dirtbombs does some Bumber-damage. (photo by Tony Kay)

Ever the wallflower: King Khan of the Shrines holds court at Bumbershoot 2012. (photo by Tony Kay)

You will never, ever be this cool: Lee Fields and the Expressions work the Tunein Stage at Bumbershoot 2012. (photo by Tony Kay)

Bubbles and punk rock--they go together like, um, bubbles and punk rock: TacocaT at Bumbershoot 2012. (photo by Tony Kay)

Reignwolf blasts the roof off the Starbucks Stage at Bumbershoot 2012. (photo by Tony Kay).

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Keane at Bumbershoot 2012. thumbnail
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Unnatural Helpers at Bumbershoot 2012. thumbnail
Super Geek League at Bumbershoot 2012. thumbnail
Passion Pit at Bumbershoot 2012. thumbnail
Eighteen Individual Eyes at Bumbershoot 2012. thumbnail
Katie Kate at Bumbershoot 2012. thumbnail
Prong at Bumbershoot 2012. thumbnail
JC Brooks and the Uptown Sound at Bumbershoot 2012. thumbnail
Ana Tijoux, Bumbershoot 2012. thumbnail
Foxy Shazam at Bumbershoot 2012. thumbnail
Mudhoney at Bumbershoot 2012. thumbnail
THEESatisfaction at Bumbershoot 2012. thumbnail
Don't Talk to the Cops at Bumbershoot 2012. thumbnail
The Dirtbombs at Bumbershoot 2012. thumbnail
King Khan and the Shrines at Bumbershoot 2012. thumbnail
Lee Fields and the Expressions at Bumbershoot 2012. thumbnail
TacocaT at Bumbershoot 2012. thumbnail
Reignwolf at Bumbershoot 2012. thumbnail

Now that the Bumbershoot tsunami has subsided, it’s time to sift through my photos of some 41 (holy cow!) bands and offer some sort of overview of what I saw and heard.

I enjoyed all of the acts that I caught this weekend on Bumbershoot’s smaller stages, and discovered more than a few pleasant surprises (more on that later this week). But of all of the live music performances I witnessed last weekend, these twenty were the most prominent keepers for me.

Continue reading The Twenty Best Live Music Shows I Saw at Bumbershoot 2012 [Photo Gallery]

A Small Sliver of Bumbershoot 2012 [Photo Gallery]

This was a weird Bumbershoot for me. I wasn’t really all that excited about much of the music, but the two acts I wanted to see, I REALLY wanted to see. Those were Reignwolf and Foxy Shazam. Lucky for me, they both were scheduled for Bumber-Monday afternoon. Perfect.

We start with Reignwolf over on the Starbucks Stage. He exploded onto the stage with Amazen King as a special guest on the bucket drums. They powered through a face-melting set of old school rock-and-roll, complete with vanilla-smelling smoke billowing out of the amps. I think if there was anything wrong with the set, it would be that Jordan was way too far away from the crowd. He even moved his kick drum and mic to the very edge of the stage in an effort to get closer. Regardless, the crowd was 100% invested in his set. It was impressive to see one of the larger stages that packed with fans at 1 p.m. He also got the only encore call from a non-mainstage act I have ever seen in my many years attending Bumbershoot. So I hope you got a chance to see him on this relatively intimate stage when you had the chance, because I doubt he will be playing to any smaller of a crowd in the coming years.

Next up for me was Foxy Shazam.
Foxy Shazam - 20

Performing in the Expo Hall is never an easy task. The sound in there isn’t even close to good and the giant pillars down the length of the room really restrict the view. However, Foxy Shazam pretty much owned that space from the second they took stage. Packed with energy, they powered through most of their latest album “The Church Of Rock And Roll” while pondering on various topics like how they were dissed by Rolling Stone. I don’t think there was a single time during the set that I wasn’t either impressed, shocked, or laughing. Nothing compared to the keyboard player crowd surfing *with his full-sized keyboard* and continuing to play the song. I have never seen that before. Well played, Foxy Shazam.

Other than that, I spent the rest of the day wandering around the grounds and taking in the scene. I checked out the art, watched some of the Elvis karaoke, had a dozen mini Mighty-O Donuts, and explored the offerings in The Armory. Lots of photos from both Reignwolf and Foxy Shazam along with the rest of my Bumber-experience after the jump.

Continue reading A Small Sliver of Bumbershoot 2012 [Photo Gallery]

Everything I Needed to Know About Bumbershoot, I Learned from John Waters

(Photo by Morgan Keuler, care of Bumbershoot.)

At Bumbershoot Saturday night, trash auteur John Waters delivered a fast-paced monologue at Bagley Wright Theatre, wearing a great Belgian suit to run through This Filthy World: Filthier & Dirtier and later sign copies of his last book, 2010’s Role Models.

Of course, the appearance also served to get everyone excited for his new book Carsick–yes, the one about his real-life hitchhiking adventures cross-country across America last year. But the best thing about John Waters is all that Baltimore wit and wisdom. A few things that the audience learned along the way:

  • Early on in the set, John claimed he would like to “open for Justin Bieber. That’s okay to say now because he’s legal.” So go ahead and hit on anyone of legal age of consent, but stay away from all that Bumber-jailbait, of which there is plenty. Parents, please know that your fourteen-year-old girls are not wearing the same outfit at Seattle Center that they left the house wearing that morning.
  • But at the same time, don’t be a helicopter parent. All the kids who appeared throughout Waters’ gross-out oeuvre turned out just fine. Yes, even the girl from Desperate Living who had to be put back into a refrigerator in order to get a second take.
  • And no disrespect to those not quite as young as they used to be, because “old chickens make good soup.” When John Waters met Justin Bieber on a British talk show, Bieber said that John’s mustache was “the jam,” and even drew on one himself with a cosmetic pencil. Of course, Waters was over the moon.
  • “Let’s celebrate the new freak show–the weakest man, the man without tattoos…”
  • One should always be tolerant: “Eminem gave Elton John and his husband matching diamond cock rings.” “Dogs have a sick S&M relationship with their owners.” “It’s okay to fuck a racist, if he is cute enough.” “The most hated minority is a hetero couple who can but chooses not to have kids.”
  • But not too tolerant: “Don’t come out as a bear to your parents.” “I’m queer, but I’m also mentally ill. Adult babies? I have my limits. Lock those fuckers up.”
  • Always have a pickup line: “Can you see the netting on my wig?” Follow that up with assurances that you hate it when mosquitoes get in your netting.
  • Elvis was almost as charismatic of a performer as Alvin, of Alvin and the Chipmunks. Divine made pigs horny. Jeffrey Dahmer was the “ultimate top,” because what is more dominant than eating another human being?
  • “Rap music is ex-poor people bragging to currently poor people about not being poor anymore.”
  • America’s had juvenile delinquents for decades, and they’ve always taken different forms: greaser, beatnik, hippie, punk. “But what is a juvenile delinquent these days? A hacktivist. No fashion, just bad posture.”
  • You just can’t win: John Waters often gets mistaken for Steve Buscemi, who often gets mistaken for Don Knotts, who is dead. Not-so-similarly, lesbians or FTM trans men often come out on top of John Waters look-alike contests.
  • John Waters still has a lingering fondness for poppers. He decries the lack of pubic hair to be found in modern pornography. “What you see in Playboy looks like my mustache.” And after he dies, feel free to stop by his grave to drink and/or have sex. Several of the Baltimore actors he’s employed over the years have picked plots in the same cemetery, which they call “Disgraceland.”

So what’s John’s next project? Well, promoting the new book when it comes out, obviously. He’s still talking about trying to get heartwarming holiday film Fruitcake made, which may have been thwarted by an auto-correct that kept changing his initials “JW” into “JEW.” Oh well, there’s always Hairspray on Ice.

Cute Kids at Bumbershoot [Photo Gallery]

Probably my favorite class of Bumberdenizen is all those poor children unwillingly dragged into a teeming mass of Seattle Center Labor Day humanity. Not sure why parents would pay for this family experience, considering by the end of the day everybody’s going to be miserable. Still, there are moments of great cuteness along the way. Let’s take a look at the few, the proud, the listless kids of Bumbershoot.

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Hang in there, baby! (Photo by Peter Majerle.)

Sometimes kids are just little adults. Look at this little guy pensively taking in Noah Gunderson's acoustic set on the Promenade stage. (Photo by Peter Majerle.)

Hey, get some headphones on that kiddo--it's loud in the Free Yr Radio tent! (Photo by Peter Majerle.)

That's how you do it, baby! A hat and headphones offer double protection from the Bumbershoot elements! (Photo by Peter Majerle.)

Chin up, buddy. You can go home soon enough. (Photo by Peter Majerle.)

But it's Bumbershoot, so let your freak flags fly, kids! (Photo by Peter Majerle.)

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Bumbershoot Visual Arts: Neon, Glass, and 50 Years [Photo Gallery]

If Stefan D-W’s review left you eager for more Bumbershoot art, luckily Pete’s got images from the visual arts’ new home in Fisher Pavilion.

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The only way to get through three days at Bumbershoot is exemplified by this box of buttons.

This twelve-foot, neon behemoth greeted visitors to the visual arts buildings at Bumbershoot 2012. Dylan Neuwirth is the artist.

Glasswork made within solid glass.

A glass ink roller used to make prints was one of my favorite pieces of the "This Is Glass" exhibition.

Dangling cables play with movement and light.

A series of tiny homes sit on balsa wood supports against a black background, offering a stark contrast and unique perspective on traditional dwellings.

Even the floor provided great aesthetics.

An oil derrick-looking thing pumps nothing but the strobe action that illuminates it.

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