Op-Ed: Seattle Times Editorial Board’s Pitiful Swing at McGinn’s Gigabit Broadband

Mayor McGinn has a color printer. (Photo: Mayor’s blog)

There is just no pleasing some people: “Mayor Mike McGinn’s Failed Broadband Promise,” groused the Seattle Times editorial board yesterday. (Visit PubliCola to read what McGinn was actually saying at the time.)

Anyway, what is the problem, again? Rather than create a public utility to deliver fiber-optic internet to city residences, McGinn has instead chosen to pursue a public-private partnership that has customers across the country drooling over its $80-per-month rate for gigabit speed, upstream and down. Roll-out is coming astonishingly quickly, if, say, you’re comparing it to the wait for faster DSL.

But, complains the editorial board, the plan “cherry-picks affluent areas — South Lake Union, Laurelhurst, Ballard — that are hardly underserved now, as well as a few poorer neighborhoods.” The cherry-picking, of course, is the result of feedback from residents saying they’d kill for the service. Surveys helped determine where demand was highest, without excluding densely populated but lower-income areas. (In fairness, it has likely been some time since the Times editorial board has had to cope with the concept of pent-up market demand.)

Though the Times mentions three neighborhoods by name, there are actually 14 in total, to start with. Also, there’s this:

To provide initial coverage beyond those 14 demonstration neighborhoods, a gigabit broadband wireless umbrella will be built to cover the City providing point-to-point wireless access up to a gigabit. This wireless coverage will provide network and Internet services to customers that don’t have immediate access to fiber anywhere in the City.

Still in search of some kind of failure, then, you come to the contention that “the fact at least three companies already provide ultrafast service.” The Times isn’t outright lying to you, but this is like saying that Tesla’s $100,000 roadster has rendered Metro buses unnecessary.

Condointernet, for instance, is available to condominium and apartment buildings, not your average Ballard bungalow, because of the costs of “last-mile” service to single family homes, which is partly why, one imagines, penny-pinching Mayor McGinn decided not to put the city on the hook for it. Otherwise, you can find gigabit service quoted for $500 per month, or $6,000 per year. Comcast, which has announced its subscribers don’t need gigabit service, tops out at one-tenth the speed for $115 per month.

Maladroit in its specifics, the editorial speaks to a larger incomprehension of urban needs that is all-too-typical of a stodgy print newspaper. Tech, and companies that rely heavily on technology, are the forces behind Seattle’s recent boom. Gigabit broadband, for those who get it first, represents a competitive advantage, so speed matters twice. A lot is riding on Gigabit Seattle here, but that risk has to do with execution, not public process, which the creation of a public utility would inevitably be snared in.

As a club to batter McGinn with, this is weak, weak tea. (I’m assuming the Times is hoping to rerun its Joni Balter article of 2009, “Sen. Ed Murray for mayor? Let’s hope so for Seattle’s sake,” very soon.) Their antipathy to McGinn seems genuine, but the intellectual bankruptcy here approaches parody.

Manufactured upset may be all they have left, though. Back in October of 2009, the Seattle Times endorsed Joe Mallahan in the race for mayor, saying:

Seattle is in a funk. Businesses are struggling. Unemployment is too high. The city budget needs a trim. An urban center long admired because it worked so well has become a place that can’t deliver basic services.

Four years later, Seattle’s unemployment rate was a startlingly-low 5.1 percent (revised) in April. That’s a volatile figure, of course, and it’s also true that the healthy job market seems to encompass King County as a whole, not just the city of Seattle. But in February, Seattle’s hiring also made the short list at Forbes: “The fastest-growing city for good jobs outside of Texas was another tech capital, Seattle, which is expected to add 136,000 jobs over the next five years.” (Even with the addition of thousands of new apartments, rental prices haven’t slipped, and housing remains tight.)

In March, Global Traveler rhapsodized about Seattle’s business climate:

With Fortune 500 behemoths like Amazon.com and the Microsoft Corp. headquartered in the region, it’s no surprise more than 200,000 people are currently working in the city’s high-tech sector. In addition, Bay Area companies like Facebook and Google are expanding offices in the area (Facebook’s largest workplace outside of California is located in Seattle), while Twitter recently opened a new office near Pike Place Market.

Meanwhile, the city closed the books on 2012 with a $9.2-million budget surplus, and began adding to its Rainy Day Fund again. In the teeth of the recession, Mayor McGinn actually proposed deeper cuts than the City Council was willing to brook. The general fund budget for 2011 — the general fund is where the city has the most discretion over expenses — lopped one percent off the 2010 budget.

Basic services? That was code for the botched snowstorm response that, some believe, did in former mayor Greg Nickels. In January 2012, Crosscut dubbed the mayor “Mighty McGinn the Snow Fighter,” quoting the Seattle Times:

“That chill in Mayor Mike McGinn’s office this week may have been the somewhat recent memory of his predecessor’s famous bungling of a 2008 snowstorm, the Seattle Times‘ Emily Heffter writes. “But as snow turned to slush Wednesday afternoon with no major problems, McGinn was doing what he does best: chatting it up with a team of staffers.”

To what extent can a mayor take credit for any of this? That’s a good question. But the Times endorsement’s premise is that a mayor can be beat up for any of it going south on you. That not being the case, apparently making sound strategic decisions on how best to deploy some of the fastest internet in the U.S. is enough to brand you as “untrustworthy.”

I don’t mean to dismiss the fact that a good chunk of Seattle viscerally dislikes McGinn, for various reasons, some inane. He has displayed a tendency in public toward “Ready, fire, aim!” and an alarming talent for feuding. But even so this is not where any of his detractors predicted, in 2009, that the city would be in 2013, by a comically long shot. That’s why Seattle Transit Blog’s endorsement and the dual endorsement from the 37th District Democrats recognize the bike-riding mayor’s accomplishments with overtones of FDR’s “but he’s our son of a bitch.”

The Seattle Times editorial board seems to think McGinn’s behavior matters more. Yet when that wireless umbrella appears, I tend to think Seattle Times staff — some of whom ride bikes — will be using it to better do their jobs. I guess that’s the reward of public service.

Glimpses: “Where the Bee Sucks”

(Photo: Greg Pierce Images, from our SunBreak Flickr photo pool)

Even a quick perusal of Greg Pierce’s photography reveals he likes to get in close, on his subject’s level. He captured this bee with a 50mm on his Canon EOS REBEL T1i. It looks almost embroidered on a floral middle-ground, which in turn pops out from a lightly blurred, fronded background. See the bee’s shadow? The freeze-frame quality of the shot is impressive considering it’s just 1/400 of a second, but that allowed an f/10 aperture, giving the flower’s bell a papery, yet sculptural impact.

For Summer, a Chamber Music Feast at Benaroya Hall

James Ehnes
James Ehnes

Starting a few days earlier than usual, the Seattle Chamber Music Society’s Summer Festival opened Saturday night at Nordstrom Recital Hall with some new faces and music. Under violinist James Ehnes, who succeeded Toby Saks as artistic director a year ago, the festival is branching out with more music for winds or brass. The opening night’s concert reflected this with works by Honegger and Enescu for trumpet and piano. (The next concerts are tonight and this Wednesday, July 3, beginning with recitals at 7 p.m., the concert at 8 p.m.)

Before these, however, came one of those moments which remind one of how sublime a chamber music performance can be in the right hands.

From the three trios of Beethoven’s Op. 1, his first published work, violinist Ida Levin, cellist David Requiro (a festival newcomer) and pianist Inon Barnatan performed No. 3. It was one of those magical times when the rapport between the players, their musicianship and sensitivity, their awareness of the environs in which they played all came together to create something rare and memorable. It engaged the listener from the first notes.

There was also the marvel of realizing what Beethoven achieved at the tender age of 21. This trio in C Minor is a turn in the path of classical music, a step towards the, as yet, unknown of classical ideals veering towards a more romantic style, a change from what Haydn and Mozart had been creating in their chamber music.

There is little that is truly uncomfortable in Haydn’s and Mozart’s chamber music. It’s exquisite, elegant, imaginative, profound at times, with depth, but rarely goes beyond what would then be considered decency in allowing emotions to show. Not so Beethoven, who uses sudden changes in mood, tensions versus calm, unmasked feeling and drama in his trio. It is also a wonderful vehicle for the pianist, who has the lion’s role.

Here, too, one can sense Beethoven’s fascination with discovering the limits of what could be done with what was still a very new instrument in 1791, an all-wooden piano with a light key action, quick sound decay and the ability to change dynamics. Today’s nine-foot concert grand piano is a very different animal, heavily braced with metal, with heavier key action and a long decay. Yes, there are differences in the stringed instruments, also, with their now usually metal strings and bracing inside the body to enable higher tension and louder sound, but nothing like so much as with a piano.

Beethoven has the pianist racing from end to end of the instrument with lightning fast runs and expressive dynamic changes, and it says volumes for Barnatan that he encompassed his busy role with lightness, ease, excellent articulation, and without ever drowning out the violin and cello.

Such was not the case in the earlier concert recital, in which pianist Andrew Armstrong and clarinetist Ricardo Morales performed Brahms’ Sonata in F Minor. Armstrong could play with expressive gentleness when called for, but often in louder passages he gave it such volume that the clarinet sound was mostly drowned.

Jens Lindemann, trumpet

He played the same way in Honegger’s Intrada (1947) for trumpet and piano, and in Enescu’s Legende (1906) for the same instruments, but here he was more than matched by the clarion sound of Jens Lindemann’s trumpet. An angular piece, the Honegger is often dissonant, a bit jazzy or jaunty, quite short, while the Enescu is more impressionistic, almost a lullaby at times. Both require a gifted trumpet player, which they had in Lindemann, a newcomer to the festival (as is Morales). Nevertheless, both works served to show that the trumpet can be too loud an instrument for a small concert hall.

The performance ended with Brahms’ familiar Quintet in B Minor for clarinet and strings. Here it was possible really to savor Morales’ butter-smooth, effortless, eloquent clarinet playing. He was joined by Ehnes and Stephen Rose, violins; Rebecca Albers,viola; and Brinton Smith cello; both these last two also newcomers, who from their prominent parts in the variations movement leave one eager to hear more of them.

The entire festival this year is dedicated to the memory of two women who did a great deal to further the aims of the Chamber Music Society, Helen Gurvich and Arlene Hinderlie Wade.

Heat Wave? Seattle, You Don’t Know Heat Waves

IMGP3836

An Argosy Cruises boat, as seen from the Seattle Great Wheel (Photo: MvB)

A view from the Seattle Great Wheel (Photo: MvB)

Seattle from the Bainbridge ferry (Photo: MvB)

Sunday, Seattle temperatures reached a high of 91 late in the day, and much the same is expected for today, with one fun caveat, says the National Weather Service, who have issued an excessive heat warning:

TEMPERATURES ACROSS THE GREATER SEATTLE METROPOLITAN AREA TODAY WILL BE SIMILAR TO SUNDAY…AND HUMIDITY WILL BE SLIGHTLY HIGHER.

But for context, as you shakily mop your brow, consider Ellensburg, over in eastern Washington, which on Saturday saw both a high of 95 degrees and thunderstorms with hail that provoked flash flooding. UW meteorologist Cliff Mass happened to be flying back from Denver, and got a glimpse of the T-storm tops from 40,000 feet. One towering storm cloud registered on the radar at 31,000 feet, clearly visible from Seattle’s Matthews Beach.

None of this Northwestern heat holds a candle to the way the Southwest is getting scorched. No doubt a few Las Vegas visitors were making the discovery, to their chagrin, that planes have maximum heat ratings, since lift is less and less the hotter air gets. With temperatures well above 118, US Airways canceled 18 flights on Saturday. Death Valley, depending on the thermometer you trust, reached between 128 and 130 degrees on Sunday.