All posts by Don Burress

Music and I have been best buds since I started dubbing tapes off of KPLZ in elementary school. At The SunBreak, I write about shows and try to video and take pictures so you don't have to read what I write.

Couch Fest 2010: This Time with a Moped

About two years ago, I had a housemate move out. He’s a good guy, but he left behind about two truckloads of stuff including a green Piaggio Ciao moped. That moped has sat in the garage, waiting for a day like this past Sunday.

Sunday was particularly special because of the Couch Fest Film Festival. I attended last year’s and loved it, but found myself doing a lot of walking between houses. This year, the plan was for my lovely girlfriend and I to ride mopeds to the festival and recreate our second date. The only drawback to that plan was that I had never ridden a moped or motorcycle before in my life.

After cramming my giant head into the helmet in the garage and finding suitably ironic riding mittens, I set about learning the craft of moped travel. It turns out that riding mopeds is a lot like riding bicycles. A moped just goes faster and requires less pedaling. The most difficult part is getting the moped started, but a little downhill slope helps to alleviate much of that difficulty.

I rode the four miles from my Greenwood house to the U-District without any incident. A guy on a scooter even afforded me one of those knowing waves that I see all the motorcycle guys sharing with each other. With the sun warming my mostly black helmet and the crisp breeze reddening my cheeks, I met with my lady and we rode up the hill towards the “experimental house.”


After awkwardly knocking at the door, we paid our $5, sat on a fake fur-covered piano bench and joined in the experimental program with two other gentlemen. A smallish flat screen TV in the corner was already in the middle of the program as we sat down, but the host was nice enough to immediately start it again for us once it ended. My personal favorite film at this house was Six Hours, a three-minute shot of a woman walking up stairs, set to a marimba soundtrack, with the shot rotated and clipped up in disorienting ways. My date and the house’s host preferred TAK, which featured images of children’s picture books set to a disjointed electronic soundtrack.


After the disappointing turnout at the experimental house, we were a little discouraged that the festival might be dwindling in popularity. However, we were reinvigorated by a short moped ride to the “comedy/inappropriately awesome house apartment,” which held about sixteen people at one point during our viewing. Sitting on the floor by a giant record collection that I desperately wanted to flip through, we watched the films projected on a sheet hung on the wall. In the comedy section, I liked Be My Brother, which was both comedic and personally touching. My girlfriend preferred the crowd favorite, Battle of the Bozos, a true story about two offices that set up inflatable clowns across the street from each other in New York.

“Inappropriately awesome” was a difficult category to judge. I picked Intervieweer (link is different version from Couch Fest version), where people answered a question and asked a question of various people at a party. However, most people were disgusted enough by Feeder that they picked that one, which spent 24 hours inside a man’s mouth.

After the popular comedy/inappropriately awesome house, we then walked the block to the “documentary house.” We pushed through a deep maroon curtain into the TV room and found a place in the pseudo-Moroccan decor to watch the program on an actual tube TV. Once again, my date and I differed on our favorites: I chose Forty Foot, a sweet piece about an Irish swimming hole, while she picked The Poodle Trainer, a poignant film about a Russian woman dedicated to training dogs for the circus.

It turns out we missed two of the top 3 overall films (The Surprise Demise of Francis Cooper’s Mother won the “Golden Couch” and Famous 4A got bronze, while my girlfriend correctly picked The Poodle Trainer as the second-prize film), but we still had a fantastic time. As we turned our sub-50cc machines to the north and made our way home, it was natural to reflect on our day. We got to sit on the floors, piano benches, and couches of three strangers’ homes. We watched short films in rooms full of other strangers. We felt the autumn chill on our cheeks and smelled the oily exhaust of a two-stroke motor. We smiled and laughed at our luck at living in a city with Couch Fests, mopeds, and seemingly endless possibilities for a wonderful Sunday.

"Couch Fest" Film Festival Visits Capitol Hill on Sunday

The best short film festival in the city is happening tomorrow. I went last year and it was awesome.

Here’s how it goes: You show up at a stranger’s house and watch an hour or so of short films with a bunch of strangers sitting a bit too close to you on couches in various states of disrepair. Then, you go to another house and do the same thing. At the end, you vote for your favorites. That simple process is Seattle’s own Couch Fest.


The final details for the 2010 Couch Fest short film festival have just been released. This year, the festival is centered in the Capitol Hill area and sure to draw a crowd at a low admission price of $5. The films start at noon and you switch houses every hour until 6 p.m. Bring snacks, bring a date, bring a smile, and bring wheeled transportation to get you from house to house.

Superchunk at the Showbox Encourages Seattleites to Pogo

The pogo is a simple dance. You basically just jump up and down. You don’t have to be in rhythm, you don’t have to know any fancy steps, you just have to have a lot of energy and enthusiasm. It is, by far, the happiest of all the punk dances.

Last Thursday, the Showbox crowd was pogoing its heart out to the ’90s punk-flavored pop of Superchunk. Touring in support of a new record and some re-releases of old classics, the fine folks of Superchunk showed that they still have as much energy as they did when they began 20 years ago. Most of the crowd appeared to overcome the natural process of aging as well, and by the end of the night, the crowd was bouncing around like giddy schoolchildren at recess.


Superchunk inspired all this delight just by being a fun band. They provided the counterpoint to Teenage Fanclub‘s set. Perhaps it was just the fact that it was past my bedtime, but Teenage Fanclub were boring. They seemed to suck all the energy out of the room and my lovely date for the evening was even inspired to take a little nap. Locals Telekinesis were a much better fit and would have kept us awake all evening.


As soon as Superchunk took the stage, the room woke up. Around the room, heads started popping up over the crowd like human popcorn. By the last three songs, it seemed everyone had remembered that having fun was as simple as jumping up and down. Their encore capped it off with covers of great punk songs by Government Issue and the late Jay Reatard, as well as a Magnetic Fields cover.

Despite having to get up 5 hours after the show ended, the evening was very fun to be a part of. If you’re in need of a pick me up, try putting on a Superchunk song and jumping around. Invite some friends. Have a pogo party!

Are Frightened Rabbit Reviving Beatlemania?

The Showbox sounded a little like old film of teen girls in the ’60s losing their mind to the Fab Four. Ladies were screaming and shouting, dancing like a Southern revival and generally going nuts. What is it about British bands that make American women go so crazy?

Meanwhile, up on the stage, Frightened Rabbit were good. Not phenomenal, just good.

To reference some mainstream successes, the five Scotsmen combine some of the better guitar stylings of U2 (with much subtler effects and far less arena-rock posturing) with a touch of the same vocal affectation as that guy from Counting Crows. However, they play with passion and their songs are well-crafted and upbeat–even when they’re speaking for the downtrodden.


Thursday’s show marked the start of their month-long North American tour with Plants and Animals and Bad Veins. The opening bands were greeted with generous Seattle politeness and the audience steadily grew through the evening. Once our Scottish guests appeared in the spotlights, the crowd let loose the energy they had held in reserve for the openers.


Frightened Rabbit band leader Scott Hutchison was openly thankful for the turnout and the enthusiasm, remarking that he knew how hard it was to get out and see bands due to the high prices of tickets these days. He mentioned that one of the reasons for the high price was “Live Nation booking fees.” In Seattle, Ticketmaster (a.k.a. Live Nation) calls these “convenience charges” and unless you buy tickets at the door, you are well aware of their sting.

Despite the obvious pains of the music industry these days, Frightened Rabbit attracted a sizable crowd for the opening of their tour. They are overcoming high ticket prices and inciting a furor in their fans that spills out in screams and epileptic, hands-to-the-sky dancing. They are crafting big songs out of simple layers and emotional swells. I don’t think they’ll be the next Beatles, but I think a little fan fervor is definitely in order. I’ve included a video as evidence of this claim.

Good luck on the tour, boys. Cheers!

A Bumbershoot Sunday Gallery: From Crazy to Conscientious, Starring Courtney Love and Bill

If I’m honest, I usually hate multi-stage festivals. I don’t like that you pay for the chance to see a bunch of bands and they all overlap and there’s no way you can see them all. I don’t enjoy waiting in line while I miss some of those bands.

That said, I still had fun at Bumbershoot on Sunday. Here are a few of my personal highlights.

I started the morning by visiting the Counterculture Comix and Flatstock displays. The Counterculture Comix collection was an impressive array of local comic art. I appreciated the old Rocket covers and Sub Pop cassettes and zines, in particular. Flatstock continues to impress with great poster art from both locals and out-of-towners.

Hey Marseilles drew a substantial crowd (the singer remarked that it was an “unnecessarily significant number” of audience members) and delighted fans with their feel-good orchestral pop. They’ve just gone national with their record, and I think fans of Death Cab or The Decemberists will be pleased with their multi-instrumental approach to songwriting. They sounded great at the festival and were the highlight of the early shows for me.

As a member of the press, I could not pass up the opportunity to get in to the Hole End Session. I waited in the requisite line with my press peers (Rolling Stone Brazil, for example!) and we made our way up the back stairs to a room in McCaw Hall to witness the crazy. We were not disappointed.


Courtney did play a few songs, but she also talked. For what seemed like hours, she rambled on and on in random directions, often changing thought in the middle of sentences. She mentioned she might not play later in the evening because of a death threat, she went on a strange rant about Jonathan Poneman, the founder of Sub Pop, and then about how her song “Samantha” was written to be as bad-ass as Trent Reznor’s songs, even though she forgot some of the lyrics as she sang it. The End Session was difficult to watch and hilarious at the same time. (Sort of like Love’s life, I’m sure.) She went on to chat with Charles Cross (who is working on the Kurt Cobain biopic) about cast members, mentioned how she remembers Cobain’s “peen,” and then she and current Hole guitarist Micko Larkin did a cover of Pearl Jam’s “Jeremy.” Since I want to share that misery with you, here’s a video.


After the End Session horrors, I ran over to the Center Square Stage to see if my favorite New Jersey punks, The Bouncing Souls, were still playing. I caught the last four songs of their set and spent my time dancing around the mosh pit singing with my finger in the air. Bumbershoot officials were trying to hold back the fun, but the kids and I still did our best to enjoy ourselves.

The true highlight of my Bumbershoot experience was the set by Billy Bragg late Sunday night. The punk troubadour has been singing for upwards of thirty years and remains relevant and poignant today. It was just him, his electric guitar, and a chilly “British summer night,” but the crowd was treated to something special.

Bragg brought lefty politics and dry British humor to the stage, singing his classic originals as well as a thoughtful group of covers: Guthrie tunes, a Dylan song, and a modified Bob Marley song, calling on various influences and continuing traditions of political singers before him. He taught us new words and phrases (“manly tumescence,” for example) and reinforced old ideas while a few of us sang along.

Throughout the set, he reminded us that the enemy of any change is cynicism and made us believe that we were the ones that had the power to change the world. Perhaps if he was a crazy-rambling blonde widow of a famously talented musician or if he was a bespectacled pop-hook genius with terrible lyrics and a good videographer, he would have gotten the widespread notoriety his ideas deserve. I guess he’ll just have to settle for being amazing instead.

Billy Bragg setlist:

  1. The World Turned Upside Down
  2. Greetings to the New Brunette
  3. To Have and to Have Not
  4. I Ain’t Got No Home (Woody Guthrie cover)
  5. Ingrid Bergman (Woody Guthrie cover)
  6. Way Over Yonder in the Minor Key
  7. NPWA (No Power Without Accountability)
  8. Sexuality
  9. Everywhere
  10. Times They Are a-Changin’ (Bob Dylan cover)
  11. Levi Stubbs’ Tears
  12. One Love (Bob Marley cover, “drop the debt” modified)
  13. I Keep Faith
  14. Power in a Union
  15. Encore: New England

Jansport Packs Magic into Cave Singers Bonfire Session

There are one hundred or so lucky people in this city wandering around right now smiling. They are thinking back to their Saturday night and recalling things like s’mores, hot dogs, PBR, a bonfire, music, and a fantastic show. These smiling people were part of the first annual Jansport Bonfire Session.

The line began on the south side of Pike between 10th and 11th early in the morning. I spoke with the group that was first in line and they told me they had been waiting since 9:15 a.m. for their chance to get on a bus and ride to a secret location to enjoy more free stuff than you can shake a sharpened marshmallow roasting stick at. When they arrived, they told me that it was completely worth it.

The buses pulled in to Bear Creek Studio out in Woodinville at about 7:00 p.m. and offloaded the lucky hundred into the woods behind the studio. Bear Creek is a special place for me, since it’s where my band put down our only studio recording. More generally, you might recognize former visitors like Soundgarden, Built to Spill, Lionel Richie, Foo Fighters, Harvey Danger and a ridiculous list of amazing bands who all recorded there. Visiting the studio before the crowd got there was an awesome treat.


It wouldn’t be the only treat of the evening, as Jansport provided a wide array of food and drink for the lucky showgoers. I had a wonderful falafel sandwich from Hallava Falafel and cooked myself a s’more for dessert. Others washed down free hot dogs with free PBR and followed it up with watermelon slices. The crowd wandered between the two bonfires eating, drinking, and playing beanbag horseshoes to DJ Case0ne performing impeccable mashups of ’80s and ’90s hits. My guide for the evening remarked that each song was “exactly what I want to hear at that moment.”


Through some hidden signal the mass of people around the bonfire near the food started to drift up to the bonfire near the stage. In other words, just like any good party, it began in the kitchen. A cool early fall evening had started to set in and the anticipation was building like the ashes drifting down from the fires. The owner of Bear Creek set some more logs on the fire, a group of enthusiastic folks attempted to form a human pyramid, and all of the sudden local indie/folk group The Cave Singers were on stage and ready.

As the audience moved closer to the band, soft brushes on a snare drum started what would prove to be a magical night of music. For example, I have never been to a show that smelled so good. With wood smoke and damp grass perfume mixing in the less polluted air, the crowd clapped along and cheered for harmonicas while the band played.

A few songs into the set, after battling a wicked ground loop buzz, Pete Quirk, the singer, quipped, “I can assuredly say that I will remember this forever.” The sound out in the woods was perfect (after the buzz was solved) and the songs fit the feeling of the evening so genuinely that it felt like the night had been created just for the hundred of us lucky enough to be first in line. The Cave Singers craft deceptively simple songs and Quirk’s bluegrass-tinged vocals call out for the forest and a fire. They pull at some deep, shared memory and make us overjoyed that we are all alive.

After their set, the crowd moved to the big bonfire and danced around to more DJ work while the band rested for the second set of the evening. An impromptu conga line circled the fire and people roasted a few more marshmallows until the band joined the audience near the fire.

Without the amplification of electric instruments and without the light of LED’s or incandescents, they played a couple songs for us. The crowd was as quiet as the trees while the band crafted magic in those moments. It’s impossible to describe without sounding more melodramatic than I already have, but that fireside set might be the highlight of my 2010. Sitting there with a stomach full of delicious falafel and s’mores, next to a warm fire, listening to heartfelt and honest music as someone blew bubbles that carried into the night, I felt more content than I have in a long time. As I’m still wandering around and smiling, I can assuredly say that I will remember that forever.