Recent Stories with tag picasso

If there's a more fun way than a Remix to visit the monumental Picasso exhibition ongoing at SAM, I'm not sure what it could be, and I suspect it isn't likely to be legal. Museum members get a special entrance and a lounge all their own, but regular people like you and me can also buy tickets (and do, the Remixes frequently sell out) and enjoy the slightly illicit thrill of taking over a museum for the night, having a drink or two, and discovering a wide range of amusements. 

Here's what you missed from last night's extravaganza:

The evening began with people milling about, drinking wine and listening to the marimba-playing, chanson-française-crooning Erin Jorgensen. There was a French culture theme on account of the Picasso exhibit coming from the Musée National Picasso, but it was also Seattle-French, like it had just biked down from Café Presse on Capitol Hill.

After Jorgensen came the Harlequin Hipsters, "Seattle's premiere partner dance improv troupe." That description seems complete but it does leave out the hula hoops.

I am notoriously bad at matching face to names, but if you want to give it a shot, here are the Hipster players. As you can see, they supply the ambiance.

Then arrived the sassiness of the Heavenly Spies, whose can-can dance mastery can be viewed at the Can Can. (That's them in the first photo, up top, too.) Pernod Absinthe was sponsoring the event so as you watched the dancing, a woman circulated among the crowd offering a sample absinthe spoon.

But it was not all DJ TigerBeat's dance music (with impromptu singalong by Seattle's young and chic to "Livin' on a Prayer"); up on the fourth floor you could wander the galleries to harp accompaniment, only to notice the songs were oddly familiar--anything from arrangements of Katrina and the Waves' "Walking on Sunshine" to The Eagles' "Desperado." Chilling.

You could watch video of a Dutch girl very hard trying to sketch a Picasso.

You could play trivia. If you're wondering about the sailor hats at the far table: The first 50 people wearing a sailor's outfit got in free. Almost everything about the museum experience is improved by having 50 people in sailor outfits wandering about.

You could have your portrait taken.

Or you could take the Portrait Challenge, and draw one yourself.

Portrait Challenge accepted! Kanye and bug-Kanye.

Crowds thronged the Picasso exhibit itself, of course. Everyone got a ticket with a 20-minute window, so that you could still move about. The exhibit comes with accompanying audio narration, which you listen to on "wands" that are about the size of an opened clam-shell cell phone. They're very popular, but you can also see that the attentional bottleneck that makes cell phone listeners bad drivers extends to walkers, too. The Remix may be over, but the Picasso exhibit runs through January 17.

Pablo Picasso was the world’s first truly modern artist, and not solely in terms of technique. Before the term "branding" was a gleam in a marketer's eye, he understood the commercial importance of an artist’s public persona, actively pursued PR opportunities (he was constantly featured in Life and Look magazines), raked in money from appearances in movies and on TV, used the mass production of art as a way to scale his output, and created a complete, complex mythology around his life and art.

However, judging from the Picasso, Masterpieces from the Musée National Picasso, Paris exhibit now at SAM (on view from October 8, 2010 to January 17, 2011), he never committed an artist’s worst sin: He never bought his own myth, or let it rule him.

The staff as SAM worked countless hours bringing this exhibition, the first to ever travel from the Musée National Picasso (which is being renovated) and the largest exhibition of the artist’s work in this country since 1939, to Seattle.

It is a testament to Picasso's prodigious talent and output that this blockbuster show, which you would expect to show signature works, or works from a particular period, presents you instead with more personal glimpses of the artist. Picasso’s strength as an exhibition is that it is a collection of works that were in the artist’s personal collection, works he never sold, works he held near, works he couldn’t let go. The exhibition is great not so much for its celebration of his iconographic fame as an artist, but in its celebration of Picasso the man.

Works from every phase of his life are on view. The exhibition includes 150 works, 75 paintings and sculptures, in 12 rooms, each room dedicated to a period of his life.... (more)

See that line? The Picasso exhibit at Seattle Art Museum isn't even open yet; that's a special preview for rather distinguished SAM members. And that line is nothing compared to what you'll see opening weekend. SAM is giving away free tickets for the first 100 museum-goers wearing blue each day, from Friday, October 8, through Monday, October 11.

And then of course you have the 10,000 school children coming in buses. The 10,000 people who have ordered advance tickets ($23 for an adult, includes regular museum admission). The good news? However long you wait, it'll be worth it. Stay tuned for our full preview, but this is as close to seeing the exhibit Picasso would have built as you're going to get: twelve rooms of the art he kept for for himself.