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By Michael van Baker Views (372) | Comments (0) | ( 0 votes)

If you've ever wanted proof that Seattle has a mysterious success-retardant effect in publishing, the case of Invisible Ink should do the trick. Screenwriter and story structure teacher Brian McDonald, a long-time Capitol Hill resident and good friend of mine, wrote his guide to story back in 2003. Then he shopped the book around for seven years. He went to publishers with to-kill-for quotes like these:

If I manage to reach the summit of my next story it will be in no small part due to having read Invisible Ink. (Pixar's Andrew Stanton)

I recommend this fine handbook on craft to any writer, apprentice or professional, working in any genre or form. (Dr. Charles Johnson, National Book Award-winner)

I’ve sat down with at least a couple of dozen books that swore they could help me with my craft. Invisible Ink is the first one I’ve finished. (Aaron Elkins, Edgar Award-winner)

Not one publisher bit. There's a scene in The Family Guy, the first episode back from cancellation, where Peter lists all the other failed shows that Family Guy had to "make room for." It's hilarious, but also sad. (Have fun! Create your own shortlist of books published since 2003 that didn't need to be.)

But finally, Invisible Ink is available in paperback (Amazon, Barnes & Noble), and you can check out an online copy at Libertary.

It grew out of McDonald's classes on screenwriting and story around town, at 911 Media Arts and Richard Hugo House, and his ongoing work with the animation program at the University of Washington. A friend of his, who used to write for Seinfeld, wrote a pilot for a TV show of his own and asked for notes. When he got through with McDonald's comments, he said, "You should write a book."

It also grew out of the hard-knocks life of a Seattle screenwriter, applying to contests and fellowships, waiting to hear back, and unsealing, often, letters of rejection....

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