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By Jeremy M. Barker Views (645) | Comments (3) | ( +1 votes)

Russell Hodgkinson, John Aylward, MJ Sieber, R. Hamilton Wright, Charles Leggett, the cast of Seattle Rep's "Glengarry Glen Ross." Photo by Derek Sparks

Six and a half feet tall, with long hair, rough-hewn features, and a penchant for black leather jackets, Wilson Milam manages at once to stand out and to disappear in plain sight. Have him pointed out to you in a crowd and you can't help but notice him towering over the rest; pass him on the street and you probably wouldn't look up. It's an effect that's well suited to his personality: friendly but somewhat taciturn, in an interview he would sometimes stop mid-sentence to ponder something, an odd flicker of a happy memory crossing his face, only to ultimately defer the question.

Milam's also one of the most successful theatre directors you've likely never heard of, and certainly one of the most successful theatre artists to emerge from Seattle in last few decades. His career began in collaboration with playwright and actor Tracy Letts in Chicago in the early Nineties, with Milam directing Letts' first two plays, years before the he wrote the Pulitzer Prize-winning August: Osage County. From Chicago, Milam made his way to London where he's been based for more than a decade, making a name for himself as a director of new plays, perhaps most notoriously with the premiere Martin McDonagh's The Lieutenant of Inishmore, a darkly comic bloodbath of infamous proportions that's being staged at ACT Theatre in October.

Last year, Milam made his Seattle debut as a director with a widely praised production of Conor McPherson's The Seafarer at the Rep (itself a bit of bloodbath of booze), and now, he's returned to direct one of the plays that's been a life-long dream of his: Glengarry Glen Ross, David Mamet's 1982 masterpiece about an office of desperate real estate salesman, starring a who's who cast of Seattle's best actors, including R. Hamilton Wright, MJ Sieber, and Charles Leggett. The show opens tonight, Feb. 10, and runs through the 28th; tickets $15-$59.

I met with Milam a couple weeks ago to discuss the play and his career over coffee at Caffe Zingaro in Lower Queen Anne, near the theatre. Asked what part of town he grew up in, he chuckled and responded: "Bellevue. Back when QFC was still a pasture land, and there was no bridge. I still say the 'new' bridge."... (more)

By Jeremy M. Barker Views (150) | Comments (1) | ( 0 votes)

Shannon Cochran, Jeff Still and Estelle Parsons. Photo by Robert J. Saferstein.

Want to win tickets to Tracy Letts' Pulitzer prize-winning excavation of familial misery in the back country of Oklahoma, August: Osage County (which hits The Paramount for a highly anticipated one-week run starting October 27)?

Well, STG Presents is giving you the chance every week through the end of the month. Starting today, each Tuesday at 2 p.m. a "Twitter Trailer" of a scene from the play will be tweeted live to followers of @BroadwaySeattle. Afterward, you'll be asked to retweet a phrase from the scene to be entered for the chance to win a pair of tickets. Winners are announced by 3 p.m.

Couldn't be simpler, but if you'd like to buy a pair of tickets, they're $23.50 to $63.50, and will no doubt go fast. Hey, the play's starring Estelle Parsons, who people of a certain age recall fondly as Roseanne's insufferable mom on Roseanne. How's that for a ringing endorsement?