Tag Archives: film

In Farewell, My Queen, They Do Not Eat Cake

Farewell, My Queen, the new film from Benoît Jacquot, showing at Seven Gables in Seattle, is lush and atmospheric. Based on Chantal Thomas’s 2003 novel, it focuses on Marie Antoinette (played flawlessly by Diane Kruger) and her reader, Sidonie (a sultry and calculating Léa Seydoux), in the days immediately surrounding the build-up of the French Revolution and the storming of the Bastille.

At times the camera seems to become Sidonie, bouncing up and down as she weaves through the anxious crowd in the back quarters of Versailles. It follows her as she lounges in the palace gondola; as she reads the latest fashion magazines to the queen; as she attempts to wake the Duchess Gabrielle de Polignac (played with a series of withering glances and intense gazes by Virginie Ledoyen), the queen’s lover, who–incidentally–sleeps completely in the nude.

Kruger and Seydoux play their parts with such gravitas that Sidonie’s blind devotion to the queen makes sense: it is clearly Sidonie’s raison d’être. And Kruger’s Marie Antoinette is a fragile and complex woman, sometimes frivolous, sometimes sensible; utterly distraught, slightly tyrannical, helpless, determined.

Sidonie’s loyalty to the queen and desire to be close to her is only intensified by the news of the Revolution and the circulating hitlist. In attempting to ingratiate herself, Sidonie takes on a secret embroidery project for the queen, tries to anticipate what mood the queen will be in and what she’ll want to hear, and makes the ultimate sacrifice: acquiescing to risking her life by trading identities with the Duchess during an attempt to flee from Versailles.

Taking in SIFF 2012 Opening Night from the Red Carpet (Photo Gallery)

Matthew Lillard at the SIFF 2012 Opening Night Gala.
Director Lynn Shelton at the SIFF 2012 Opening Night Gala.
Mayor McGinn and wife at the SIFF 2012 Opening Night Gala.
Shanghai Pearl and friends at SIFF Opening Night Gala
Seattle Sounders at SIFF.
Beth Barrett and Carl Spence of SIFF on the red carpet.
Megan Griffiths at SIFF Opening Night Gala.
Carl Spence and Benjamin Kasulke at the SIFF Opening Night Gala.
Jennifer Lafleur at the SIFF 2012 Opening Night Gala.

Zoinks! It's erstwhile cinema Shaggy (and Fat Kid Rules the World director) Matthew Lillard at the SIFF Opening Night Gala. (photo by Tony Kay)

Director Lynn Shelton meets the press at the SIFF 2012 Opening Night Gala. (photo by Tony Kay)

Seattle Mayor Mike McGinn and his wife Tess, at the SIFF 2012 Opening Night Gala. (Photo: Tony Kay)

Burlesque queen (and star of SIFF's official Festival trailer) Shanghai Pearl (left), hanging out with friends at the SIFF Opening Night Gala (photo by Tony Kay)

Andy Rose, Alex Caskey, and Brian Meredith of the Seattle Sounders at the SIFF Opening Night Gala. (photo by Tony Kay)

SIFF Programmer Beth Barrett and SIFF Artistic Director Carl Spence on the Opening Night Red Carpet. (photo by Tony Kay)

Megan Griffiths, Seattle-based director of Eden (and co-producer of SIFF Opener, Your Sister's Sister), at the SIFF 2012 Opening Night Gala (photo by Tony Kay)

Carl Spence (left) and Your Sister's Sister cinematographer Benjamin Kasulke at the 2012 SIFF Opening Night Gala. (photo by Tony Kay)

Jennifer Lafleur, star of The Do-Deca Pentathlon (screening this year at SIFF), at the Opening Night Gala. (photo by Tony Kay)

Matthew Lillard at the SIFF 2012 Opening Night Gala. thumbnail
Director Lynn Shelton at the SIFF 2012 Opening Night Gala. thumbnail
Mayor McGinn and wife at the SIFF 2012 Opening Night Gala. thumbnail
Shanghai Pearl and friends at SIFF Opening Night Gala thumbnail
Seattle Sounders at SIFF. thumbnail
Beth Barrett and Carl Spence of SIFF on the red carpet. thumbnail
Megan Griffiths at SIFF Opening Night Gala. thumbnail
Carl Spence and Benjamin Kasulke at the SIFF Opening Night Gala. thumbnail
Jennifer Lafleur at the SIFF 2012 Opening Night Gala. thumbnail

SIFF 2012 got off to a customarily splashy start with the Opening Night Gala at McCaw Hall yesterday, and it was a customary pip.

This year’s Opening Night bore special significance, with the evening’s feature, director Lynn Shelton‘s Your Sister’s Sister, making its bow as the first locally-grown feature ever to open SIFF in the Festival’s 38-year history.

The house was packed, and–hometown bias aside–the movie received an enthusiastic reception from the crowd. For my money, it turned out to be SIFF’s best Opening Night feature in the last five years–an off-the-cuff, funny, and surprising romantic dramedy that proved a refreshing change of pace from the earnest middlebrow films that usually occupy that high-profile slot. Shelton joined her movie’s entire crew on the Red Carpet, along with actor Matthew Lillard (director of SIFF feature Fat Kid Rules the World), several members of the Seattle Sounders FC, Mayor Mike McGinn, and Burlesque Queen Shanghai Pearl among others. Sister cinematographer Benjamin Kasulke received The Mayor’s Award for Cinema Achievement during the pre-film ceremony later that night.

It’s the second time I’ve seen Your Sister’s Sister, and happily it holds up to repeated viewings. The key factor that really resonated upon a second look? How laugh-out-loud funny it is, without short-changing the emotional triggers built into the subject matter (and that’s as close to a spoiler as you’re gonna get from this corner). All told, it was a fitting opening to a SIFF that–even more so now than in years past–promises a strong splash of local color.

Will This be the Year You Get STIFF?

Seattle’s True Independent Film Festival lasts just until May 12, so you have to jump on it if you haven’t been yet. Their indie venues are the Grand Illusion, Central Cinema, Varsity, University Heights Center, and Wing-It Productions. The programming is distinctly eclectic, offering everything from low-budget, high-concept features to rough-hewn documentaries, and from disturbing animated shorts to a Student Film Block (16 student films for just $5, May 10, from 7  to 11 p.m.).

There’s still much more to come, including Saturday morning cartoons and Bloody Marys at the Grand Illusion (2 to 4 p.m., which is still morning for movie people). Before that, on Friday night, I can’t let you go without suggesting Jake & Jasper, in which Jasper is a ferret. I did not have a chance to watch a screener, but it is from Canada and stars a ferret, and if those two things are wrong, I don’t want to be right.

Tuesday night brought the real-life “I built a zoo” documentary ZOOMAN, which chronicles the efforts of 54-year-old Buddy to run a “backyard” zoo (lions, tiger, bears, hyenas, and much more) in Upper Michigan, with the help of his 27-year-old fiancée. Ostensibly about the power of a dream’s pull, the film also shows a relationship disintegrating under financial stress, as Buddy’s zoo has outgrown his earning power. It’s an unflinching portrait, full of people you don’t see on TV, and indie cred. Without STIFF, I’d have probably never seen it.

An Absurdist Variety Show Breaks into the NW Film Forum

Roscoe and Janna Wachter (Photo: MvB)

Next up at Live at the Film Forum, the series where the Northwest Film Forum produces live, cinematic happenings, is The Somewhere Girls presentation of “Don’t Assume I Cook.” Besides the requisite filmed portion, the show will involve song and dance, accordion music, and puppets. Janna Wachter is the vocalist and puppet-whisperer, Victoria Jacobs the dancer, and Jamie Maschler the pianist and accordionist.

I met up with Wachter and a bag of puppets at a Tullys to hear more about the show, which had its genesis in her attending the previous Live at the Forums and being inspired to accost Forum staff about letting her put on a show. (The show is partly about “a woman’s confidence,” she admitted to me, saying that one icon is opera’s Carmen, “the most confident woman in the world.”) That was two years ago.

Roscoe and Janna Wachter (Photo: MvB)

From Spokane, Wachter has spent her artistic life in Seattle, studying voice at Cornish before “running away to join the circus.” How the founder of the Splash! chamber music group came to be helming an “absurdist variety show” is a little convoluted, and apparently reaches back to her childhood exposure to the Mighty Mouse theme song, Pinocchio, and Howdy Doody.

Wachter says the creative urge behind the show has “grown like a fungus,” quietly in the background for years until suddenly enveloping everything. Possibly the first outbreak was at a food festival in Stromboli, Italy, when she made an impromptu dinner theater piece out of monkfish jaws and tomatoes.

Wachter is pretty pleased with the integration of film into her work (previous performances have been more or less successful with that aspect), which she attributes to deciding to storyboard the whole thing as if it were a film shoot. That was going to be her whole presentation to the Film Forum, she said, until a colleague told her, “You’re not going to get that gig with cartoons.” Back to the drawing board. Impressed by Victoria Chaplin’s Aurelia’s Oratorio, she dreamed up a total of 15 scenes (the longest 15 minutes, shortest three minutes), packed into an economical 90-minute show.

You may or may not notice the “inverted double rainbow structure,” but it’s proof to her that she’s covered all the bases. “There is also a public service announcement. Gotta have one,” she added.

Anything with puppets walks a knife-edge between cutesy and discomfiting, and Wachter seems completely at home there, discussing her willingness to take artistic risks as akin to Carmen’s readiness for a knife fight (just “not too deep, don’t puncture the lungs!” she joked). She of course talks about her puppets as if they’re people. Roscoe’s problem, she told me, “is that he is told by the other puppets that he is a genius.”

If my notes are correct, there will also be a triangle solo. I think this show will pair well with red wine, and anyone who needs reminding that life isn’t paint by the numbers.

SIFF’s Grand Re-Opening of the Uptown is October 20

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Still a few improvements to make before the grand re-opening (Photo: MvB)

SIFF's Carl Spence and Deborah Person at a media tour (Photo: MvB)

During the tour, the neon popped into life. (Photo: MvB)

SIFF's Carl Spence in the main theater (cap. 515) (Photo: MvB)

Upstairs at the Uptown #1 (Photo: MvB)

Upstairs at the Uptown #2 (Photo: MvB)

Are you *seeing* the price for Dasani water? (Photo: MvB)

In the projection booth for the main theater (Photo: MvB)

This is what a digital projector looks like. (Photo: MvB)

This is a 35mm projector but it can also handle 70mm (see extra set of threaded wheels) in case SIFF wants to get fancy. (Photo: MvB)

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SIFF invited a few media representatives over for an early sneak peek at their takeover of Queen Anne’s Uptown Theater. There’s still plenty of renovation to be done before the doors open officially at 8 p.m. on Thursday, October 20, for a Hedwig and the Angry Inch sing-along (followed by a Purple Rain sing-along Friday night, and a Grease sing-along on Saturday). For the full Grand Re-Opening schedule, scroll down to the bottom of this post.

With its jewelbox SIFF Film Center cinema on the Seattle Center campus, which has 100 seats, SIFF will now have theaters of about 200- , 300-, and 500-seat capacity–for the next five years, at least, the length of their lease with AMC.

SIFF’s Carl Spence says they swooped in so quickly, once previous-operator AMC decided to close, that they were able to negotiate AMC simply leaving everything as is, saving SIFF an enormous amount of money on the renovation. He estimates that SIFF will have spent just $60,000 on refurbishing the theater, with–adding in the installation of the digital projection system previously at SIFF Cinema at McCaw Hall–the whole project coming to $200,000.

Sellen Construction has been helping SIFF with countertops for the front-of-house, while the original makers of the Uptown’s neon signage are still around, and helping update that as well. Starbucks Coffee was setting up in the concession area (I think the Top Pot doughnuts were a one-time deal, though).

To emphasize the community support for the Uptown coming back to life, SIFF is making a special offer for the re-opening week’s showings: Show a same-day sales receipt from a Queen Anne business, and you get in free.

Inside the main hall, SIFF’s Sony SRXR210 digital projector delivers four times the resolution of HD. The sound system meets or exceeds LucasFilm THX Sound specifications, featuring JBL 3-way speakers and surround system powered by Dolby Digital Sound processing with Crown’s DSI cinema amplifiers.

Spence was enthused about the 35-mm projector, too, as that will allow reel-to-reel screenings of rare, archived prints (reel-to-reel is less wearing on the print than spooling it onto a single platter, which requires manual splicing), but I also learned, during a tour of the projection booth, that the old 35-mm projector is 70-mm ready as well, should SIFF ever decide to bump chests with the Cinerama.

A Barco projector for one of the upstairs halls will also handle 3D movies, allowing Spence to bring Wim Wenders’ PINA to Seattle. Taking a page from ACT Theatre’s playbook, SIFF will offer monthly $25 passes that let you in to see any regular-priced screening, for as many times as you want.

You’ll want to purchase that in advance of the Muppets retrospective: The Muppet Movie, The Great Muppet Caper, and Muppets Take Manhattan, a Labyrinth quote-along, and eight different collections of classic shorts featuring The Muppet Show, Sesame Street, and other “rarities.”

Uptown Grand Re-Opening Schedule

Selected films that previously played at The Uptown. Free with a same-day receipt from any Queen Anne area business (or $5 general paid admission)

Sunday, October 23

12:00pm – Twentieth Century

1:00pm – West Side Story

2:00pm – Monty Python & the Holy Grail

3:00pm – Singin’ in the Rain

5:00pm – West Side Story

6:00pm – Monty Python & the Holy Grail

7:00pm – Singin’ in the Rain

Monday, October 24

5:00pm – The Royal Tenenbaums

6:00pm – Pee Wee’s Big Adventure

7:00pm – Citizen Kane

8:00pm – Annie Hall

9:00pm – L.A. Confidential

Tuesday, October 25

5:00pm – Annie Hall

6:00pm – Singin’ in the Rain

7:00pm – The Godfather

8:00pm – Pee Wee’s Big Adventure

9:00pm – Monty Python & the Holy Grail

Wednesday, October 26

5:00pm – Pee Wee’s Big Adventure

6:00pm – Twentieth Century

7:00pm – L.A. Confidential

8:00pm – The Royal Tenenbaums

9:00pm – Citizen Kane

Thursday, October 27

6:00pm – West Side Story

7:00pm – The Godfather

8:00pm – Bob and the Monster Film and Concert (separate admission)

Thursday October 27 at 8:00 pm

BOB AND THE MONSTER##

SIFF Cinema at the Uptown

Subject Bob Forrest and director Keirda Bahruth in person

With special performance by Thelonious Monster

$15 / $12 SIFF Members

Charismatic singer/songwriter Bob Forrest went from indie rock icon with his band Thelonious Monster through a life-threatening struggle with addiction, emerging as an influential counselor on Celebrity Rehab. Bob and the Monster unravels his story, revealing a complex and optimistic soul. (US, 2011, 85 min)

GRAND OPENING AT SIFF FILM CENTER at Seattle Center October 23

The general public is invited to tour the new film center on Sunday, October 23 during an open house from 12:00pm-5:00pm.

Opens October 28 (open ended run)

THE RUM DIARY

SIFF Cinema at the Uptown

Based on the novel by Hunter S. Thompson, The Rum Diary follows an itinerant journalist (Johnny Depp), who finds a new life in wild Puerto Rico. When he discovers an unsavory capitalist scheme, this gonzo journalist does what he does best: takes the bastards down. With Aaron Eckhart and Richard Jenkins, directed by Bruce Robinson. (US, 2011, 110 min)

Opens October 28 (open ended run)

JANIE JONES

SIFF Cinema at the Uptown

Abigail Breslin (Little Miss Sunshine) gives a magnificent performance in this tender musical drama about the unlikely bonds of family. Struggling rock star Ethan Brand gets a surprise on the opening night of his new tour when he suddenly discovers that he has a 13-year old daughter with her own musical talents. Directed by David M. Rosenthal. (US, 2010, 107 min)

October 28 – November 3

TUCKER & DALE VS. EVIL

SIFF Cinema at the Uptown

A SIFF Midnight Adrenaline favorite, this hilarious splatterfest returns just in time for Halloween. Hillbillies Tucker and Dale have found their perfect “fixer-upper” cabin, but remodeling is never easy, particularly when a group of college co-eds on Spring Break start killing themselves off all over your property. Directed by Eli Craig. (US, 2010, 86 min)

Friday October 28 at 7:00pm

SUSAN ORLEAN PRESENTS RIN TIN TIN: THE LIFE AND LEGEND

SIFF Cinema at the Uptown. Co-presented by Elliot Bay Book Company $15 / $10 SIFF Members

Susan Orlean, author of The Orchid Thief, returns with a celebrated new book about the first canine superstar: Rin Tin Tin. Orlean joins us in person to read from her book, and present a rare archival screening of Rin Tin Tin’s heroic 1925 film Clash of the Wolves Film courtesy of the Library of Congress.

October 28 – November 3

THE MAKIOKA SISTERS

SIFF Cinema at the Film Center

New 35mm print!

This lyrical adaptation of the beloved novel by Junichiro Tanizaki follows the lives of four siblings who have taken on their family’s kimono manufacturing business. A late-career triumph for director Kon Ichikawa, the film is a poignant evocation of changing times, shot in rich, vivid colors. In Japanese with English subtitles. (Japan, 1983, 140 min)

Sunday October 30 at 1:00pm & Tuesday November 1 at 7:00pm

NATIONAL THEATRE LIVE: THE KITCHEN

SIFF Cinema at the Uptown

$20 / $15 SIFF Members, Series pass: $100 / $75 SIFF Members

The new season of stage performances from the National Theatre of London presented in stunning high definition continues. The Kitchen takes place behind the scenes at an enormous West End restaurant in 1950s London, where the orders are piling up in a blackly funny and furious examination of life lived at breakneck speed. Arnold Wesker’s extraordinary play features an ensemble of 30 actors actually cooking and preparing food on stage. A tour de force spectacle! (180 minutes, with intermission

Monday October 31

WILLIAM CASTLE HALLOWEEN DOUBLE FEATURE

13 GHOSTS AT 7:00PM and THE TINGLER AT 9:00PM

SIFF Cinema at the Uptown

$12 / $7 SIFF Members / $11 Senior and Youth

Celebrate Halloween with the master of schlock shock, William Castle. 13 Ghosts, originally filmed in “Illusion-O” follows a family who inherits a spooky haunted house. The Tingler stars Vincent Price as a scientist who has discovered the living embodiment of fear – and we’re passing out joy buzzers so you can experience your own Tingler during the film! (13 Ghosts: US,1960, 82 Minutes, The Tingler: US, 1959, 82 min)

Today’s New Spanish Cinema Double Feature

SIFF’s New Spanish Cinema festival continues with two more films tonight: Half of Oscar at 7:30 p.m. and Lovestorming at 9:30 p.m.

The Oscar whose halves are in question is a security guard in Almería, which town you’ll remember from being name-checked in the Pogues song “Fiesta”: “I am Francisco Vázquez García  / I am welcome to Almería.” Otherwise, you may not have heard much of it. It’s not the Spain they put on postcards. Oscar is guarding a salt plain, for instance.

Here’s Variety‘s description:

A spare, psychological study of a traumatized security guard holding onto his sanity by a soon-to-be-broken thread, the quietly intriguing “Half of Oscar” is composed of empty spaces and silences behind which lie a terrible tension.

Fair warning: Variety‘s reviewer says that while the film is “undeniably accomplished, visually striking and superbly played by Rodrigo Saenz de Heredia,” the script “hints at much but tells little.” If you go, bring your patience and a love of bleak, wintry scenery.

Lovestorming, by contrast, you can easily picture being remade for the States featuring John Krasinsky and Rainn Wilson in a mullet. An oil-and-water buddy pic, it’s set on New Year’s Eve in a Spain where people are hustling a bit harder to keep afloat: Sergio (Unax Ugalde) has to head back to work New Year’s Day. Thanks to her being so extraordinarily kind as to visit his father with him for the holidays, he’s glossing over his months-old breakup with his girlfriend Bea (Alexandra Jimenez).

When a snow storm blows in, he’s stuck at the hotel with a former 5th-grade classmate Juancarlitros (Julian Lopez), a “professional” comedian, who takes it upon himself to help Sergio win Bea back before she leaves for Germany. Of course he gathers a ragtag band of supporters; you might want to edit out a few of them, but not flight attendant Laura (Mariam Hernandez), who has the kind of Spanish eyes that Bono sings about. Look forward to at least two laugh-out-loud moments, with multiple snickers.