Tag Archives: film

SIFF: For Your Consideration (Opening Weekend)


the SunBreak at SIFF 2011

The Seattle International Film Festival kicked off last night with a film and gala at Seattle Center last night and rides the champagne and sugar high of so many mini-cupcakes and waffles into opening weekend proper. In addition to loads of regular screenings, this weekend also shines a New American Cinema spotlight on Miranda July on Saturday and pays tribute to Ewan McGregor by presenting him with a Golden Space Needle award on Sunday.

Below, we’ve scourced the schedule and found plenty of films to consider seeing this weekend. Individual tickets for most films cost $11 for the public and $9 for SIFF members; note that matinees are a bit cheaper ($8/$7), and “stimulus matinees” (first two shows of the day before 2:30 p.m. on Fridays) are cheaper still ($6). For the more committed, there are all sorts of passes still for sale as well as slightly discounted packs of tickets in bundles of 6 or 20. All afternoon, you can pick up a free ticket for selected SIFF films at better Starbucks stores around the city.

Submarine, screening this weekend at SIFF

First screenings tonight, Friday May 20

  • How to Die in Oregon an allegedly uplifiting documentary on the subject of Death With Dignity laws told through the lens of Cody Curtis and her struggle with the debilitating symptoms of liver cancer. (4:15 p.m. @ Harvard Exit; also showing May 21, 2 p.m. @ Pacific Place; May 22, 3:30 p.m. @ Renton)
  • Submarine One of those movies that seems to exist to remind boys that carrying a briefcase to class is a bad idea, but not an insurmountable obstacle to finding love. Shot in hipstamatic tones and accompanied by new songs from Alex Turner, Richard Ayoade’s story of a boy’s courtship of an eczema-stricken pyromaniac and his covert efforts to derail his mother (Sally Hawkins!) from having an affair with a mystic is a total charmer that wears its Wes Anderson affections on its sleeve. (7 p.m. @ the Egyptian; May 22, 11 a.m. @ the Neptune)
  • Hermano already mentioned in our Sports Guide, this has two Venezuelan brothers going out for a soccer team; look out for sinister developments and a reason for this being classified in the Love Me, Do pathway. (7 p.m. @ Harvard Exit; May 22, 3 p.m. @ the Admiral)
  • 3 Improbabilities abound in Tom Tykwer’s latest, a fantastical and occasionally comedic take on a heterosexual couple inadvertently conducting separate affairs with the same scientist. Existing in a slightly parallel Berlin universe where a television host sits on bioethics panels, angels appear on sidewalks before flying off to heaven, health care experimentalists perform psychologically traumatic testicle removals under local anesthesia, and a surprise handjob after a race in a sexy sexy swimming pool in the Spree River can have all sorts of repercussions, the director’s keen eye for style keeps the whole thing interesting. (7 p.m.; May 21, 1:30 p.m. @ the Neptune)
  • High Road a partially improvized slacker farce about what happens to a pothead philosopher when everyone quits his band in favor of paying work. (9:30 p.m. @ the Neptune; also May 21, 8:30 p.m. @ the Admiral; June 7, 9:30 p.m. @ the Egyptian)
  • Trollhunter Norwegian students uncovering a government troll conspiracy in midnight movie mix of the Blair Witch Project and Scooby Doo? Sold. (11:59 p.m. @ the Egyptian; May 24, 9:30 p.m. @ the Neptune)

Saturday May 21

  • Nuummioq At long last, a feature film produced entirely in Greenland! (11 a.m. @ the Neptune; May 26, 9 p.m. @ the Admiral)
  • The Trip We can only expect hijinks when Michael Winterbottom directs Steve Coogan on a slightly autobiographical story about two friends touring England’s Lake District to review fancy restaurants. (Saturday, 3:30 p.m. @ Harvard Exit; May 23, 9:15 p.m. @ the Admiral)
  • Natural Selection this big winner at SXSW finds Rachel Harris as a Christian housewife hitting the road to track down her sperm-donating husband’s drug-addled ex-convict son. (4 p.m. @ Renton IKEA; and May 25, 7 p.m.; May 27, 4 p.m. @ the Egyptian)
  • Another Earth Our planet’s long-secret twin surprisingly shows up one night, triggering a personal tragedy and serving as a source of inspiration for people wondering if their doubles on the mysterious other planet have less troubled lives. Looks dreamy and moving. (6:30 p.m. @ the Egyptian; also screening May 23, 4:30 p.m. @ the Neptune)
  • Kosmos “What Erdem has created here is positively hypnotic,” says Twitch about this visceral fantasy straight out of Turkey, featuring a mysterious, miraculous stranger and a small village that first welcomes him, though their hospitality becomes hostility. (6:15 pm; Sunday, 1:30 p.m. @ Harvard Exit)
  • The Future A new film from Miranda “Me and You and Everyone We Know” July that’s narrated by a talking cat swims in magic realism as a couple plays with time and figures out their relationship. Apparently audiences find it divisive–which makes it a great choice for SIFF’s New American Cinema Spotlight. Engage the director in a Q&A following the screening or after a few drinks at the subsequent party. (7:30 p.m. @ Pacific Place; May 23, 4:30 p.m. @ SIFF Cinema)
  • LOVE a dreamlike time-tripping fantasy inspired by the music of Angels & Airwaves. (10 p.m. @ Pacific Place;  May 22, 1:30 p.m. @ SIFF Cinema; June 11, 9:30 p.m. @ the Egyptian)

Sunday May 22

  • Beginners Pay tribute to Ewan McGregor’s lifetime of acting achievements–one hopes that this award from SIFF doesn’t mark the end of his life or career–with a screening of Mike Mills’s story of a son who talks to dogs (that don’t talk back) and his recently out-of-the closet father played by Christopher Plummer. The film will be followed by a retrospective of young Obi Wan’s career along with a Q&A with the actor and director. (Sunday, 4 p.m. @ the Egyptian)
  • If you didn’t have the cash to dine with Ewan, stick around and sing along with Moulin Rouge all over again. (9 p.m. @ the Egyptian)
  • 22nd of May Belgian director Koen Mortier examines the destabilized life of a security guard in the aftermath of a terrorist attack. Twitch calls it “a dark cousin to Wings of Desire-era Wim Wenders,” but IMDB only gives it 6 stars. Who is correct?! (11 a.m.; Tuesday, 9:30 p.m. @ Pacific Place)
  • Four More Years SIFF loves the bisexual love triangle! This one has a married Swedish politician falling for a high-ranking government official from the party that just beat him in the election for Prime Minister! Talk about shadow cabinets. (1:30 p.m.  & May 23, 9:30 p.m. @ the Egyptian; May 28, 1 p.m. @ Pacific Place)
  • Happy, Happy Make it a double-feature of comedic films about secretly/surprisingly gay Swedish guys with this one peering under the surface a disintegrating sexless marriage, complete with affairs and out-of-control kids. (6:45 p.m. @ the Neptune; May 24, 8:30 p.m. @ Renton IKEA)
  • Without Shot on Whidbey Island, this story about a young woman taking care of a man in a vegetative state while confronting powerful truths about herself looks awfully heavy. (Sunday, 9:30 p.m. @ Harvard Exit; May 23, 4:30 p.m. @ the Egyptian)

SIFF 2011: Open for Business

the SunBreak at SIFF 2011

Early this week, SIFF members got a chance to preview the 2011 lineup with some guidance from the festival’s programmers and get their last shot at early ticketing. Members of the general public who are interested in a programmer tour of the unmissable foreign films can stop by the Triple Door on May 12 for a $6 preview of the festival. Today, though, the festival officially opens for business to the rest of the city, with the main box office set up on the second floor of Pacific Place and online ticketing ready to receive orders.

The full schedule is now also online for the perusing (or “SIFFting“) and in magazine format for browsing, with free copies available at some (but not all) of the city’s finest Starbucks locations. The glossy everything-looks-better-in-silky-print festival catalog won’t be available until opening night. Still, carriers of Apple-branded pocket computers will also be happy to learn that iSIFF has been refreshed for the new season. The exceptionally well-designed mobile guide to the schedule and pocket ticket counter is now ready for download from the App Store for prominent home screen placement.

From the looks of the program, film fans should plan to be scattered throughout the city with fewer easier opportunities to dash between venues on foot. The main daily festival venues will be SIFF Cinema (Seattle Center), Pacific Place (Downtown), the freshly revived Neptune (U-District), the Egyptian & Harvard Exit (Capitol Hill), and the Admiral (West Seattle). The festival will also spend one week each in Renton, Everett, and Kirkland, with the latter two performing arts center hosting its own regional “opening night” gala for Young Goethe In Love and Bon Appetit, respectively.

In other, less sunny festival news, the Tony Awards have stolen Al Pacino away from the festival, turning his scheduled appearance from “one night only” to “zero nights, with refunds”. However, tickets to dine with Ewan McGregor (cocktail attire, no photos or autographs) are still available to the first 75 people to get to the ticket window with $250 in hand.

Individual tickets for most films cost $11 for the public and $9 for SIFF members; although the matinees are a bit cheaper ($8/$7), and “stimulus matinees” (first two shows of the day before 2:30 p.m. on Fridays) are cheaper still ($6). For the more committed, there are all sorts of passes still for sale as well as slightly discounted packs of tickets in bundles of 6 or 20.

We’re still digging our way through the lineup and previews, but do let us know what you’re most excited about seeing.