Tag Archives: Iska Dhaaf

“It’s like a disease”: Catching up with Iska Dhaaf

Photo by Kelsey Kaufman.

Nathan Quiroga and Benjamin Verdoes couldn’t be more different. Nate’s raw lyrics and stage presence can be abrasive. His passion when talking about Iska Dhaaf might make you uncomfortable. Ben on the other hand is patient. He molds melodies and adds a touch of grace. Without sounding too much like a Hallmark card, they are each other’s Ying and Yang.

We all know their musical backgrounds, so let’s skip the hype. What’s interesting about these two is how they came together. “I was consciously trying to distance myself from my life at the time,” says Nate. “I didn’t think about where I’d be or where I’d end up or how it would come to fruition. I was just following what I wanted to do.”

Admiration for one another helped. In the two years it took to record Even the Sun Will Burn, Nate had to learn how to play guitar and keys. He couldn’t even hold a pick in his hand.

“During the long incubation period was a lot of learning,” says Ben. “But also, it was important to us to give ourselves time to write because one the machine starts – once your sitting down doing interviews and touring a lot – there’s a certain something that happens. I’ve experienced that before so I wanted to make sure that our foundation was really solid.”

Songwriting is of huge importance to these two, and it shows. Even the Sun Will Burn is rich with irony. There’s a natural arc to the album that fights with desires and ends with acceptance. And just as their band names suggests, the vignettes in the final track “Even the Sun” battle with the issue of “letting go.”

“The name started as this thing that I would say to him all the time,” says Ben. “Sometimes I’d be like, ‘alright Nate, finish this song if you have to.’ It’s like a disease. If he’s writing a song you can expect that he’s going to obsess over it.”

These obsessions have translated into something bigger than both of them anticipated. A spot at Sasquatch!, Capitol Hill Block Party and Bumbershoot are just minor indications of the buzz surrounding Iska Dhaaf. The anticipation is palpable, and Nate and Ben are clearly ready for it.

With another two records already in the works, a lack of inspiration when these two get together obviously isn’t an issue. “Ben and I have developed a system because we write so much that we’ll take an idea and be like ‘that’s in this group’ or ‘that’s in this solar system,’” says Nate. “Meanwhile we’re kind of orbiting around in space.”

While most bands are fighting to stand out against the latest and greatest artist to transcend the Northwest, Nate and Ben are embracing it. In their most recent video for “Everybody Knows,” Ben Haggerty aka Macklemore plays Bob Hope.

“Macklemore represents this figure…like, he did it,” says Ben. “He was an unsigned artist and he pushed forward gay rights. He also talks about materialism. He’s like the Steinbeck, the everyman. He’s also larger than life and we made this video that’s larger than life.”

Naturally, the YouTube views were quite a bit higher than “Happiness”, but it hardly fazes them. There have been no ramifications for Iska Dhaaf’s unorthodox ways so far, only curiosity for what happens when these two opposing forces meet. In theory, Iska Dhaaf shouldn’t work, but it does.

“We don’t really think about that kind of stuff…the consequences,” says Nate. “It’s more about ‘does it feel right?’ And this does.”

Live Show Review: Iska Dhaaf at Neumos

Iska Dhaaf photo by Trent Moorman.

I’ll never understand the practice of having an official Record Release Party without actually having the record available for purchase. This is an obvious outcome of The World We Now Live In, where people listen to music through zeros and ones and rarely, if ever, purchase music in physical form. These “record-free” release parties still happen rarely — thankfully — but this was indeed the case on Thursday night at Neumos, where Seattle indie-rock super group (yes, I said it) Iska Dhaaf was playing to a packed house. It was a great show, and I would very much have liked to walk home with a copy of the band’s awesome debut album Even the Sun Will Burn in my hands.

The album was released in digital form this past Tuesday, March 11, and it is still available for free streaming on their Bandcamp site. Iska Dhaaf is a duo, with Nathan Quiroga on lead vocals and alternating between guitar and keyboards, and Benjamin Verdoes on backing vocals, drums and keyboards, all played simultaneously. You will recognize Verdoes from Mt. St. Helens Vietnam Band, the critically-acclaimed band he helmed for five years with his ex-wife and adopted brother. And Quiroga may not be as recognizable, but that’s only because he has his shirt on and glasses. He’s otherwise known as Buffalo Madonna, one of the vitriolic vocalists from Seattle’s somewhat notorious hip-hop group Mad Rad.

As Iska Dhaaf, the duo doesn’t sound like their past triumphs. This is Seattle indie acid rock at its finest. Both Verdoes and Quiroga are forging ahead, crafting amazing songs, having learned plenty from their Mad / St. Helens days. The two are close friends, having playing separately yet together for the past few years in various incarnations. I can remember seeing Verdoes on the small Yeti stage with Mad Rad at Sasquatch in 2011. The band has enabled the two of them to meet in the middle of their endeavors. For Verdoes, the rhythms are tighter, less chaotic than his MSHVB work. And Quiroga is using the new freedom that being in a duo allows, actually singing rather than screaming, as was his wont in Mad Rad.

I expected to see the two of them with a full band on stage, and was pleasantly surprised to see otherwise. They had a friend play bass in the very first song and the very last song, but otherwise it was just Verdoes and Quiroga, along with some sporadic video visuals being blasted onto the rudimentary props staged behind them. They spent most of the show silhouetted against these projections, letting your mind fill in the details of what their faces were doing on stage.

You should really check out Even the Sun Will Burn. I have a feeling it’s going to grow in popularity very quickly, and will soon be seeing a proper, physical release, to be sold in record stores. It’s full of hits, songs you can get lost in, an indie rock beauty. There are hints of Radiohead, Dick Dale, Modest Mouse, the Doors. But this is a unique creation, one that needs to be heard and seen. The duo isn’t playing a full tour, yet, with only two upcoming dates scheduled (Treefort Music Fest in March, and opening for former Murder City Devils lead singer Spencer Moody at a show in LA). But there will be more, that’s guaranteed. Get out and hear them, buy the album, and enjoy.

Your Live Music Bets for the Weekend of August 23 through August 25

After this weekend, you won’t have Absolute Monarchs to kick around anymore. (photo: Tony Kay)

The Dog Days of Summer are officially in place, so get ‘em while they’re hot. And if you’re of the opinion (like me) that the best moments of the soundtrack of your life should be set to live music, this weekend will not disappoint.

Tonight (Friday, August 23):

Pixies Cover Night (feat. members of Midday Veil, Ononos, Kithkin, Tea Cozies, and more) @ Chop Suey. 21+. $10 at the door. Show at 9 p.m.

The Pixies’ brand of mutant pop sports so many jagged edges, it’s easy to forget how many durable, honest-to-God songs they crafted. Tonight at Chop Suey, you should get plenty of reminders. Best of all, none of the bands whose members comprise the evening’s entertainment sound at all like The Pixies, meaning the possibility of hearing some radical reinterpretations of classics like “Monkey Gone to Heaven” and “Where is My Mind?” runs pretty high.

Luke Winslow-King, James Apollo, Annie Ford Band @ Columbia City Theater. 21+. $12 at the door. Show at 8 p.m.

It’s gonna probably be hot and a little humid tonight, and Michigan transplant-turned-New Orleans club vet Luke Winslow-King‘s variety of ambling, bare-bones blues should fit that kind of climate to a T. Winslow-King’s one of those roots musicians who sounds like he stepped from a 1930s Mississippi bar, straight into a time machine that spit him out in 2013 (the warm retro environs of Columbia City Theater should feel exceptionally apropos). That he never seems to be trying too hard to sound like he does adds immeasurably to his easygoing charm.

Men Without Hats, The Scarves, Color, Crooked Veils @ El Corazon. 21+. $18 at the door. Show at 8 p.m.

Synth band Men Without Hats will forever and ever be known as the architects of one obscenely-massive hit, “The Safety Dance,” but they actually cut a couple of pretty good pop albums back in the big ’80’s (Rhythm of Youth and Pop Goes the World) bric-a-brac with ploinky synths and propulsively catchy artificial rhythms. Their most recent record, Love in the Age of War, takes a solid step into the New Wave Wayback Machine, but you’ll be forgiven for biding your time until you’re able to do that scissor-armed spastic dance like Ivan Doroschuk and his dwarf buddy in the video.

Saturday, August 24:

Linda’s Fest, featuring Absolute Monarchs, Constant Lovers, Katie Kate, Tilson XOXO, Big Eyes, and Iska  Dhaaf @ Linda’s Tavern. 21+. Free. Show at 9 p.m.

It’s the fourth year that Linda’s Tavern will be rustling up some choice local talent for a totally free show. This year, the Fest takes place in the parking lot behind Pine Food Market. The buzz set of the night belongs to post-punk/metal titans Absolute Monarchs, playing their (say it ain’t so) last show. But you’ve also got the similary-corrosive and awesome Constant Lovers, dance-music priestess Katie Kate, the soul-hip-hop-and-more polyglot of Tilson XOXO, short-and-sweet sugar buzz punk from Big Eyes, and jumpily-gorgeous echo-chamber pop music from two-man band Iska Dhaaf.

International Pop Overthrow Seattle Day 3, featuring Peter Fedofsky of Curtains for You, Irene and They Go Pop!, Smile Brigade, Lights from Space, and more  @ The Mix. 21+. $10 advance/day of show. Show at 9 p.m.

International Pop Overthrow, a festival dedicated to celebrating pure pop music from all over the globe, landed its Seattle iteration at Georgetown’s The Mix yesterday, and it’ll be parked there tonight and tomorrow as well. Quality acts were/are scattered throughout the three-day fest, but the final night of the Fest includes sets from some of this town’s most choice pure-pop acts. Lights from Space play awesome, toothy power pop that sounds like Fountains of Wayne’s tougher kid brothers, while Smile Brigade‘s 60s-style sunny singalong ditties include a pinch of enchanting psychedelic weirdness. Best of all, Peter Fedofsky, keyboardist/songwriter/singer with Curtains for You, opens up IPO Day 3 at 7:30 with a set of sparkling pocket symphonies that roll Ben Folds, Harry Nilsson, and Pet Sounds-era Beach Boys into one lovely package. Get there early, and stay late.

Sunday, August 25:

Black Nite Crash, Dead Teeth, Yonder @ The Comet Tavern. $7 at the door. Show at 8 p.m.

The fact that Black Nite Crash named themselves after a song by Ride will come as no surprise once you hear ‘em. The Seattle band play their spattering and swirling mix of shoegazer rock and Brian Jonestown Massacre-style psychedelia so sublimely, you’d swear they were a bunch of pasty-faced Brits (that’s a massive compliment). Equal parts danceable and dizzyingly heady, their sound’s infused with just enough urgency to render the familiar ingredients wonderfully fresh.