Tag Archives: kelli francis corrado

Golden Gardens Bring Lovestruck ‘Narcissus’ to Columbia City

[Tonight, indie label Neon Sigh hosts Golden Gardens, Toykoidaho and Kelli Francis Corrado at  Columbia City Theater, 4916 Rainier Ave S. Doors at 8 p.m. Tickets, $8 at the door, are still available.]

Golden Gardens capture the flush of first love with their shoe gazing pop, complete with fluttering tummy butterflies and tingling in your toes. Tonight, they’ll be unveiling four new songs from Narcissus, their EP due out on June 11th, and fans should be tickled dream-pop pink.

With their first two records, vocalist Aubrey Violet Rachel Bramble and instrumentalist Greg Alexander Joseph Neville established their sound as a slow-cadenced alchemy of seraphic layered vocals on soothing volume, wrapped in gossamer guitar and percussion (think lovechild of Cocteau Twins, Massive Attack, Blonde Redhead, and Washed Out). The duo’s new tracks showcase their maturity and progression, but the creative combination is just as glimmery as before.

Aubrey Violet Rachel Bramble of Golden Gardens. (photo by Odawni AJ Palmer)

“My Viridescent Heart” births the EP with a resplendent ambient breeze, and the next two tracks are metered by a mesh of percussive textures. The closing track, “Blue Eyes Of a Broken Doll,” launches with a cascade of plucky strings — something new to the band’s sound — and it ends with Bramble’s celestial professions of breathtaking love swallowed in a wash of woolly distortion.

Like GG’s earlier work, Narcissus traverses the cycle of infatuation both lyrically and sonically: Bramble and Neville create an infinite soundspace that’s almost impossible not to fall into. But Bramble’s vocals are louder and self-assured on the new material, not the distant echoey layered vocals from previous records. Her words are crisp but just as lollipop-sweet as before, the clarity adding a layer of intimacy and sopranic charm. Neville expands the instrument-osphere with transportive musicianship, using strings as percussion and dropping in new fuzzy sounds as well.

SPIN dubbed Columbia City Theater “The city’s finest sounding room,” and it should be a perfect setting for all the atmospherics.

If It’s Saturday, It’s Neon Pop at The Josephine in Ballard

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Golden Gardens (Photo: Odawni Palmer)

Golden Gardens (Photo: Odawni Palmer)

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On Saturday, February 23rd, local music label Neon Sigh presents for your enjoyment a neon pop quadruple-bill consisting of Golden Gardens, Kelli Francis Corrado, Lou-Lou Hernandez, and The Harvey Girls. Doors are at 8 p.m. at The Josephine in Ballard, $5 cover.

What is neon pop? Here we turn to our Neon Pop Correspondent, Odawni Palmer:

Neon Pop (n.) /ˈnēän päp/ : A type of music supported by local label Neon Sigh that is dreamy, fuzzy, spacey; sometimes with tremolo and massive distortion.

It is blissful shoegaze alchemy when Neon Sigh founder and bassist, Chris Bendix, joins Golden Gardens duo Aubrey Rachel Violet Bramble (vocals) and Gregg Alexander Joseph Neville (guitar, drum machine) on stage. Aubrey mesmerizes us with her haunting vocals and we’re not quite sure what she’s saying but that’s okay. Like Cocteau Twins’ Elizabeth Frasier’s dreamy-taffy voice, the lyrics are secondary.

Kelli Francis Corrado brings her helix of conventional and unconventional sounds, Lou-Lou Hernandez serves up a down-tempo beat-driven sound of cicada wings rubbing together akin to tunes like Sao Paolo on Flying Lotus’ record 1983, and The Harvey Girls rounds out the bill with psychedelic pop you can sway to.

Neon Sigh brings us music that piques and satiates our audial [Let’s roll with it — ed.] curiosity, and we like that. Randall Skrasek provides visual entertainment.