Tag Archives: lemolo

Why Timber! Outdoor Music Fest is Worth the Trip

Lemolo will rock Timber! Fest this weekend. (Photo: Tony Kay)

Sure, there are more outdoor music festivals surfacing around this neck of the woods than you can shake a tube of sunscreen at. But Timber! Outdoor Music Festival, coming this Friday and Saturday, looks to be one of the indisputable highlights of the summer concert season. It’s programmed by the same folks who’ve made Doe Bay Fest into a mini-phenom, and shares that festival’s penchant for gorgeous scenery (Timber! will be using Tolt-McDonald National Park in Carnation as a backdrop) and ace musical acts. Plus, unlike its cousin in the San Juans, Timber’s not (quite) sold out.

Even factoring in travel and campsite costs, two days at Timber look like a pretty spiffy deal.  A full-fest ticket will only set you back $45 per person, and most camping spaces run around $20 to $30. It’s kid-friendly, packed with fun activities, and you can even camp in a designated quiet area if you’re not up to partying ’til the wee hours.

Then there’s the musical lineup, which, well, could hardly be better.  There’s not a bum act in the batch, but enclosed, please find 10 good musical reasons to yell Timber! this weekend.

The Helio Sequence: With all due respect to this Portland duo’s dense and wonderful studio recordings, The Helio Sequence’s live shows remain the definitive way to experience them. Brandon Summers pulls out a dizzying array of effects from his six-string, and Benjamin Weikel’s insanely animated and musical drumming is a show unto itself.

Pablo Trucker: Not every band that combines greasy rock and roll with Americana and roots touches sounds like it’s aping Neil Young or Wilco. Singer/guitarist Brian Wagner writes mostly mid-tempo rock songs that nonetheless possess a drive and sense of haunted menace amplified by his sometimes spectral, sometimes gutsy voice.

Hobosexual: Between The Helio Sequence, Lemolo, and these hirsute rock giants, every possibility that exists in a two-person rock group can be explored. Ain’t nothing better than watching (and hearing) Ben Harwood attack his guitar with a combination of virtuosity and total abandon while Jeff Silva piledrives Hobosexual’s epic boogie rock home on a live stage.

Lemolo: Lemolo recently put out A Beautiful Night: Live at the Columbia City Theater, a document of their sold-out CD release shows last year. It’s a lush testament to the fact that the telepathic connection between singer/guitarist Megan Grandall and drummer/keyboardist Kendra Cox is a spell most potently cast live.

Kithkin display their customary restraint live. (Photo: Tony Kay)

Kithkin: With galloping walls of percussion and enough youthful energy to power a small city onstage, this collective puts on a show so relentless (and fun), it’s mathematically impossible not to move.

Quasi: Exhibit #4 for the two-man band defense, your honor: the idiosyncratic and winning husband-wife team of singer/guitarist/keyboardist Sam Coomes and drummer Janet Weiss, whose bent pop songs pulse with hooks and Weiss’s muscular backbeat.

Baltic Cousins: Not a lot of bands combine the spit of punk rock with the burnished traditionalism of Springsteen-style Americana, and even fewer do it well. Put Seattle quartet Baltic Cousins right at the head of this particular class with the mighty Hounds of the Wild Hunt.

Ivan and Alyosha: One of the upsides to River Giant’s abrupt last-minute exodus from Timber is the addition of Seattle’s most Beatles-esque roots band. Great harmonies + chiming Rickenbacker (or at least they sound like Rickenbacker) guitars + just enough Americana touches to add character = unmissable.

S: Jenn Ghetto, the voice behind much-missed local indie band Carissa’s Wierd, is back, and still sounding as strange and wonderful as ever. Fingers crossed, she’ll bust out her singular takes on hair-metal band Warrant’s “Uncle Tom’s Cabin” and the National Anthem (yes, that national anthem) this weekend.

The Passenger String Quartet: This string ensemble, spearheaded by violinist/arranger Andrew Joslyn, plays a set of their own as well as backing S and Avians Alight, making them Timber’s informal house band for the weekend. There’s a reason everyone from David Bazan to Macklemore’s enlisted Passenger’s services, and you’ll likely hear why, many times over, at Timber.

Tonight’s Music Selections at City Arts Fest

The 2012 edition of City Arts Fest made its official musical bow yesterday, with turns from David Byrne and St. Vincent, The Head and the Heart’s Jonathan Russell, and Ghostland Observatory, among others. If you didn’t get a chance to check out any of Wednesday’s music acts, fret not: There are still plenty of crucial sonics coming down the pike before the Fest winds down on Saturday. A detailed schedule, ticket info, and various sundry good things can be acquired over at the City Arts Fest website, but here are some of the musical highlights coming up tonight.

DJ Swervewon, Thaddeus David, Larry Hawkins (formerly SK), The Physics, Mos Def @ Showbox SODO. Show begins at 7:15pm.

Showbox SODO sits in South Seattle, pretty far away from the Fest’s Capitol Hill and downtown focal points, and it’s an imperfect performance space at best. That said, the lineup’s strong enough to warrant just hunkering down and shaking your ass for the night. Whether he calls himself Yasiin Bay, Dante Smith, or whatever, Mos Def’s more than earned hip hop royalty status after a couple of decades in the trenches (dude’s a really good film and TV actor, too). But the front end of the bill’s brimming with multiple flavors of local hip hop.  Thaddeus David keeps it sparse and menacing, the artist formerly known as SK (Larry Hawkins) plies a more expansive, hook-laden sound, and The Physics back their rhymes with a lush sound that combines velour funk with bursts of silken soul-inflected backing vocals.

Tomten, Throw Me the Statue, Kay Kay and his Weathered Underground, Gold Leaves @ The Crocodile. Show begins at 8pm.

Yeah, Gold Leaves–the newest project from Arthur and Yu’s Grant Olsen–is pretty as all get out, what with its lush arrangements and Olsen’s plaintive, warm vocals at the center. But the three preceding acts make tonight’s Croc show a full-meal deal. Tomten‘s graceful, loping pop songs are so British-sounding you can taste the vinegar on the salt-and-vinegar crisps, and Throw Me the Statue sell their everything-and-the-kitchen-sink indie pop with phenomenal musicianship and drum-tight live performances.  Kay Kay and his Weathered Underground, meantime, sound like earnest chamber pop, bum-rushed by a drunken cabaret band.

Nark, Glitterbang, House of Ladosha, SSION @ the Rendezvous. Show begins at 7:45pm.

Wanna dance, but don’t wanna do so in the barn-like Showbox SODO? Get thee the hell to the Rendezvous tonight. Headliners SSION enjoy reams of notoriety for their warped and over-the-top live shows (lead singer Cody Critchloe’s cartoon charisma alone is worth the price of admission) and the band’s newest material takes a left turn from herky-jerky new wave to hooky electro-disco. That change in sound will nicely compliment Brooklyn beat-meister House of Ladosha and Seattle danceketeers Glitterbang, plus busy Seattle DJ Nark spins for early arrivals.

Slang!, Lemolo @ The Triple Door. Show begins at 8pm. 

You probably don’t need to hear another round of hosannahs for local duo Lemolo‘s swirly and devastatingly lovely pop, but there’s a reason for all the hoop-dee-doo: their songs completely captivate, and their live shows have never been anything less than transcendental. Opening outfit Slang! consists of Portland singer/songwriter Drew Grow and Wild Flag/Quasi member Janet Weiss. Grow and Weiss are talented as hell, so it’ll be nice to hear the former lending his famously-passionate delivery to other peoples’ material (Slang! is a cover band, apparently) while the latter delivers contrasting harmonies and (fingers crossed) gets behind the drum kit.

 

 

 

 

Your Best Bets for Live Music at the Capitol Hill Block Party

Fitz and the Tantrums bring their stylish and soulful selves to the Capitol Hill Block Party. (photo by Tony Kay)

Somewhere along the line, The Capitol Hill Block Party has ballooned from a quaint little celebration of one of this town’s most charming ‘hoods into a mini-monster of a music festival.

The Block Party ain’t cheap–$30 a day, or an $85 full-weekend meal deal–but it consistently sells out (get an early start, kids), and is so stacked with amazing music that admission should pay for itself pretty readily. As always, the musical line-up can’t be faulted.

I could rattle on about the whole of the Party, but it seemed more helpful (and expeditious) to just jump right in and cover the highlights–big, small, and wild. If you need more, the CHBP website sports a complete line-up list and all of your care-and-feeding instructions for the weekend. There’s lots of great stuff to be heard at the Block Party, to be sure, but these are the things that leapt out at first sight for me.

Friday (hey, that’s tonight!):

The Best Big Shows: The final three acts on the Main Stage tonight should all be pretty phenomenal. San Francisco’s Thee Oh Sees deliver gloriously bat-shit crazy kiddie-cartoon-music psychedelia with the shambolic vigor of Dr. Seuss on major pharmaceuticals (7:45pm, Main Stage). Blue eyed local soul charmer Allen Stone’s magnificence as a live act is unassailable (9:15pm, Main Stage), and the soul sounds continue well into the night with Fitz and the Tantrums, who’ve always backed their considerably natty style with seriously catchy retro warmth and a certifiably jumping onstage presence (10:45pm, Main Stage).

The Best Little Shows: Crystal Stilts wear their Velvets/Jesus and Mary Chain influences on their sleeves, but deliver great tunes and a reputedly sterling live experience (Neumos Stage, 5:15pm, Neumos Stage). Local metal mavens Black Breath combine the battery-acid gargle of the most extreme death-metal vocals with the chunky, big-belt-buckle directness of Motorhead (6:30pm, Neumo’s Stage). And Fresh Espresso prove that P Smoov’s knack for bumping beats and catchy soundscapes of original and sampled melodies doesn’t just begin and end with Mad Rad (10:15pm, Neumos Stage).

Wild Card: I’m still not on the very crowded Father John Misty bandwagon quite yet, but his deconstruction of current alt-folk (and the innovative notion of adding some–gasp!–theatricality to the genre) should make for an interesting hour-plus, at least (4:00pm, Main Stage).

Saturday, July 20:

The Best Big Shows: Right outta the gate, the Main Stage is hosting the abrasive-but-irresistible post-punk of Absolute Monarchs at 2:45pm. After that, Sub Pop’s latest dance-music/hip-hop find Spoek Mathambo should turn Pike Street into one big ol’ dance hall (3:30pm, Main Stage).

The Best Little Shows: Brent Amaker and the Rodeo know how to charm the socks off of any audience with their black-hatted country gone Spinal Tap (4:00pm, Neumos Stage). And like a lot of folks in this town, I’m pretty much head over heels for dreamy-creamy pop duo Lemolo (3:30pm, Vera Stage).

Wild Card: Silly Goose is a Blink 182 cover band (not my cup of tea) featuring members of Carissa’s Wierd and Grand Archives (both of whom, resolutely, are my cup of tea): That duality makes it hard to know what to expect (3:45pm, Cha Cha Stage)? And electro-pop artist Twin Shadow’s work has polarized the rock press to an astonishing degree–he’s either a genius or an utter charlatan, depending on who/what you read. Anyone provoking that kind of reaction in these apathetic times can’t help but intrigue (6:00pm, Main Stage).

http://www.youtube.com/user/twinshadowvevo?v=wlknpVspI-A

Sunday, July 21:

The Best Big Shows: Phantogram‘s sleek dance pop with siren vocals sounds like Portishead minus the mopey grandiosity and plus a pulsing lust-filled heart (6:10pm, Main Stage). And are you really going to let yourself miss the Patsy Cline-gone-chanteuse brilliance that is Neko Case (7:45pm, Main Stage)? Thought not.

The Best Little Shows: Don’t Talk to the Cops have achieved mythic status around here for their laugh-out-loud onstage antics and their terrific stoopid/smart jams (12:25pm, Neumos Stage). I also kinda love The Coathangers‘ lacerating yet somehow-playful shout-and-pout art-punk (2:15pm, Neumos Stage). Lesbian, meantime, pound out instrumental metal that also dips into the realms of prog and film-soundtrack grandeur, all with hair-flipping majesty that honest-to-God soars onstage (8:45pm, Cha Cha Stage).

Wild Card: Mama Utah references Tim Curry and vintage synth pop in their MO. They’re one of the few acts that don’t have a presence on YouTube or any music-sharing sites (tho’ member Thomas Hunter’s also part of a really good indie rock project called White China Gold). It’ll be that rarest of experiences–a live show by a band you’ve likely never heard or heard of–but I’ll lay money it’ll be extremely entertaining (2:45pm, Cha Cha Stage).

 

The SunBreak’s Picks for City Arts Fest Saturday

The closing night of City Arts Fest 2011 should pack plenty of unmissable moments in its own right. Enclosed, please find our picks for your Saturday evening.

Mudhoney w/Hot Bodies in Motion, Thee Emergency, Lovesick Empire @ Neumos
Katelyn: Mudhoney, people. MUDHONEY. Plus, Thee Emergency’s reinvented themselves at least twice since I saw them last, so I’m interested to see what the ever-sultry Dita Vox and the gang are up to now. Do wear flannel, and do prepare your eardrums for sonic assault.

Clint: Well, don’t I feel lucky going in for Mudhoney? I’d say that’s been covered quite nicely. Just one more thought: While other legendary Seattle bands/records celebrate 20 years in 2011, Mudhoney nears 25. And still the band’s spontaneous-yet-accomplished rock and Mark Arm’s serpentine, charismatic frontman talents remain unrivaled.

Tea Cozies will rock it up tonight at the Rendezvous.

Seapony w/Tea Cozies, Midday Veil, Witch Gardens @ The Rendezvous
Katelyn: Oh, you’d rather be less ragey, more happy on a Saturday night? Done. Go to the Rendezvous for Seapony and Tea Cozies.

Tony: Seapony’s girl-fronted pop’s just plain tasty and sweet, but my heart belongeth to Tea Cozies. The Ronettes fronting Gang of Four while channelling mid ’60’s Kinks, set to a walloping backbeat? Yep, that about covers it.

Thao with the Get Down Stay Down w/Grand Hallway, Lemolo, Kris Orlowski @ The Crocodile
Tony: The Croc’s wildly varied Saturday bill includes Thao’s winning herky-jerky indie pop, Grand Hallway’s entrancing and airy chamber-rock, Lemolo’s electronic allure, and Kris Orlowski’s burnished, beguilingly-ragged Mark Lanegen-esque pipes.

The Hold Steady w/ Grand Archives @ The Neptune
Josh: The pairing of Grand Archives (sunny American harmonics) and the Hold Steady (optimal bar band with a dash of literary tradition) make a great excuse to check out the Neptune.

Male Bonding w/Unnatural Helpers, Virgin Islands, The Fucking Eagles @ Chop Suey
Tony: The bill I’m most excited for this evening has to be this rock and roll quadruple feature at Chop Suey. British trio Male Bonding give great loud pop–short, catchy songs that sound like Teenage Fanclub after a case of Red Bull. But get there really, really early. The other three local bands on the bill pretty much rule: Unnatural Helpers and Virgin Islands serve up some great, spiky post-punk, and Tacoma collective The Fucking Eagles uphold T-Town’s noble tradition of gloriously git-down-and-dirty garage rock, but laced with some muscular R & B. Be sure to bring an extra pair of socks, as your first pair will be knocked off.

Seateeth: Jose Bold (John Osebold of “Awesome”) @ Theater off Jackson
Seth: I wrote about this earlier this week. I will be there at this very show, and if the Huskies beat Stanford that afternoon, I will be the guy smiling broadly and muttering “Keith Mother-f-ing Price! F-ing A!” at intervals. Sorry.

Capsula w/Whalebones, Stag, Rose Windows @ The Comet Tavern
Tony: When it comes to my sixties revivalists, I like ‘em swirly, swaggering and dirty. South America’s Capsula know how to break out the bad-trip psychedelia, and Seattle’s own Whalebones provide a great excuse to show up early.

Bumbershoot Day Three (Photo Gallery)

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Attention Intiman! People line up for comedy. All day, every day. (Photo: MvB)

I don't know who this is, but the show was great. Motopony? (Photo: MvB)

Here is the possible Motopony again (Photo: MvB)

Charles Bradley blowing the roof off the KEXP lounge (Photo: MvB)

Charles Bradley blowing the roof off the KEXP lounge (Photo: MvB)

YACHT held an impromptu onstage dance party (Photo: MvB)

YACHT held an impromptu onstage dance party (Photo: MvB)

YACHT's Claire Evans (Photo: MvB)

YACHT's Claire Evans (Photo: MvB)

Lemolo's Meagan Grandall (Photo: MvB)

You am I's stripping lead man Tim Rogers (Photo: MvB)

LAKE bathing in EMP's impenetrable murk (Photo: MvB)

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Day Three at Bumbershoot was also bright and sunny and blue-skied, the grounds of Seattle Center clogged with thousands of teens in flip-flops bringing back the short-short cut-offs. The highlight of anyone’s day was soul force of nature Charles Bradley–during his evening set on the Fisher Green stage, you could hear either him all over the grounds, or the roar of the fans. One of those heart-expanding festival moments came during the dance party that was the YACHT set, when 30 or so kids in the audience had their heads explode with joy on stage. On the arts side, a trio of Dublin novelists exclaimed at how nice everyone in Seattle was, even when you’re wandering around calling the Space Needle “the tower” like “an eejit.”