Tag Archives: siff 2011

What Did You See at SIFF This Weekend?

the SunBreak at SIFF 2011

With the first weekend of SIFF under our belt, there’s only three more weeks of film festival to go! Be sure to check the SIFF updates page to see which films are already sold out or are selling fast. Individual tickets for most films cost $11 for the public and $9 for SIFF members; note that matinees are a bit cheaper ($8/$7), and “stimulus matinees” (first two shows of the day before 2:30 p.m. on Fridays) are cheaper still ($6). For the more committed, there are all sorts of passes still for sale as well as slightly discounted packs of tickets in bundles of 6 or 20.

With that in mind, let’s take a look at what SIFF films all of us at The SunBreak saw opening weekend, and the ones that we’re looking forward to over the next few days.

Outrage inaugurated Tony’s SIFF 2011 experience with squib-induced spraying plasma and zen cool to spare. After a few years of not-always-successful experimentation, Japanese director Takeshi Kitano returns to the Yakuza gangster sub-genre that established him internationally, and this brand of crime drama–spasms of violent social Darwinism, punctuated by long stretches of silence and dashes of gallows humor–fits him like a glove. He’s still a singular, deadpan-riveting onscreen presence, too. (one more screening May 27, 9:30 p.m. @ Everett Performing Arts Center)

A packed midnight crowd devoured Trollhunter. Andre Overdal’s extremely entertaining fantasy follows a group of Norwegian college students as they document the exploits of a mysterious asskicker-type who’s actually hunting trolls for the government. With its engaging mix of verite grittiness, impish wit, and untethered imagination, it looks a lot like what might result if Terry Gilliam directed The Blair Witch Project. (May 24, 9:30 p.m. @ the Neptune)

I’m always willing to give genre auteur John Carpenter a chance, so it’s a relief to report that his newest, John Carpenter’s The Ward, ain’t half-bad. Amber Heard persuasively plays a young amnesiac remanded to a psychiatric ward bric-a-brac with creepy–and violent– secrets. The first half is old-fashioned effective creepiness, with Carpenter using atmospheric lighting and elegant tracking shots to turn the facility into a shadowy character of its own. Unfortunately, when the spirit menacing Heard and her fellow inmates starts graphically slaughtering people (and the not-so-surprising twists kick in), the movie loses steam. Bonus points for Jared Harris’ mellifluous, ambiguous turn as the head shrink: I’d love to see him become the new-ish millennium’s Boris Karloff. (May 26, 9:30 p.m. @ the Neptune)

LOVE sounds utterly insufferable on paper–like a vanity project/extended-length music video for arena-ready alterna-supergroup Angels and Airwaves–but it’s a surprisingly engaging science fiction opus in which an astronaut (Gunnar Wright) trapped on the International Space Station faces the mental labyrinth of his isolation; a psychic prison alternately alleviated and exacerbated by his discovery of a Civil War soldier’s journal. The pace is more Kubrick than Avatar, thank God, and if it’s not executed as masterfully as, say, 2001: A Space Odyssey or Moon, it still balances intellect and sentiment far better than most modern sci-fi. Wright carries the lion’s share of the movie solely on his shoulders, and he’s excellent. (June 11, 9:30 p.m. @ the Egyptian)

Seth: Red Eyes (Ojos Rojos) is less about soccer and more about what soccer means to a nation. It follows the Chilean national team’s attempt to qualify for the 2010 World Cup, sprinkling in hi-def, close-up game footage with interviews of fans and intellectuals. You’ll find yourself rooting for Chile and reveling in the game’s final scene, when fan and team become one. (today, 4:30 p.m. @ Harvard Exit)

Josh: Starting with the best, my Saturday and Sunday were an inadvertent trilogy of mortality that included some of my favorite things I’ve seen at SIFF in years.

How To Die In Oregon examined death with dignity laws in the Northwest on interwoven parallel tracks: the 2008 initiative to bring the law to Washington, along with profiles of Oregonians making use of the law to gain some control over their last days. In the first track, we follow Nancy Niedzielski as she campaigns on behalf of Washington’s Initiative 1000 to fulfill a her husband’s dying request. The second part of the film includes several terminally ill patients, but centers on Cody Curtis, from her diagnosis of terminal liver cancer, to her decision to acquire medication to end her life at a time of her choosing, through the highs and lows of her last months of her life. Cody is a brave and radiant presence, and Peter Richardson handles her family’s journey with outstanding grace. The film will appear on HBO on Thursday.

Miranda July and Mike Mills (who are married to each other) both screened movies featuring talking animals at SIFF over the weekend. Intentional or not, the films felt like thought-provoking companion pieces. July’s The Future was the pricklier of the pair. Narrated in interstitial segments from a veterinary hospital by Paw-Paw, a terminally-ill feral cat rescued from the streets of Los Angeles, the movie shows how serious a pet adoption can be to a hipster duo emotionally and vocationally stranded in their mid-thirties. Faced with the prospect of caring for a cat once it returns from its convalescence, the couple quit their jobs, cancel the internet, and spiral apart with the newfound freedom and impending responsibilities. The whole thing exists in a heightened reality of tricky time that is both emotionally devastating and almost constantly hilarious. (today, 4:30 p.m. @ SIFF Cinema)

Mills’s Beginners, is a semi-autobiographical story about a son whose father steps out of the closet weeks after his mother’s death. Ewan McGregor plays Elliot, the Mike Mills stand-in (shelving his own Scottish brogue for Mills’ flat Angeleno affect) and Christopher Plummer appears as Hal, the father who discovers gay romance, house music, and lavender sweaters at age 75. Shuffling between scenes of Hal’s last years, flashbacks to Elliot’s childhood, illustrated civil rights historical snippets, and grief-stricken Hal’s romance with a French actress, the film is a lyrical, affecting, and moving delight. It co-stars Cosmo, as an impossibly adorable Jack Russell terrier who occasionally speaks to Elliot through subtitles. (Tuesday, 4:30 p.m. @ the Neptune)

Meanwhile, there were a few nice moments in Hermano, about soccer playing brothers from a Caracas barrio being recruited by the city’s professional league team, but overall it played like slightly elevated telenovela punctuated by surprising and senseless violence. Although I may have been was too spoiled by ESPN’s outstanding 2010 World Cup coverage to find the amateur soccer footage compelling I was glad to learn that, in Venezuela, if you find a baby in a garbage heap he automatically becomes your son.

MvB seconds Audrey’s recommendations for Submarine and The Trip, and Tony’s approval of Outrage and Trollhunter. He also saw the melancholic Russian film Silent Souls (May 25, 7 p.m. @ Pacific Place; June 12, 6:15 p.m. @ Kirkland Perf. Ctr.), in which the funeral rituals of the Merjan, a Finno-Ugric tribe almost done dissolving into Slavic Russia, are the container for a meditation on love, culture, and identity. It’s also a road trip, though the two chauvinists have an unusual bond. If you want to travel without leaving home, enjoy the culture shock here.

On that note, there’s also Kosmos (June 12, 3:30 p.m. @ Kirkland Perf. Ctr.), a Turkish film by Reha Erdem that contrasts a village’s vote on opening its borders for trade with the arrival of a Sufi-sounding shaman-on-the-run. People profess to be confused by the film–it’s enigmatic at moments, and there’s that time gravity vanishes–but at its core it’s the old fable about how people welcome, then turn on their messiahs. It’s beautifully shot in a town where it seems never to stop snowing.

12 Paces Without a Head (all showings past) is a German film about 14th-century pirates preying on the Hanseatic League’s trade ships that’s reminiscent of A Knight’s Tale in some of its updatings (“Fuck the Hanseatic League!” shout the hipster pirates, while Johnny Cash plays), but evidences a more political bent in other ways (the Hanseatic League’s chief quotes Donald Rumsfeld’s “known knowns” koan). It’s fun but not too deep, and in that it’s similar to Copacabana (today, 6 p.m. @ Renton IKEA Perf. Arts Ctf.), which is really for Isabelle Huppert fans. Huppert plays a footloose aging wild-child whose daughter (Huppert’s real-life daughter Lolita Chammah) doesn’t invite her to her wedding to avoid embarrassment. Stung, she takes a job selling time-share condos in Oostende, Belgium, and the fish-out-of-water fun begins. A mis-handled ending spoils the low-key laughs only slightly.

Finally, The Pipe (May 31, 4:30 p.m. @ the Harvard Exit) is a documentary about a small Irish town, Rossport, and its struggles with Shell, which wants to run a 6-mile natural gas pipeline through their bay and underground. It’s strongest in its examination of how people respond to the pressure of the situation, and the ways in which the community is stressed, damaged, and divided, though as a point-of-view doc, you’re often left a little short on information about the project itself. That a fortuitous machinery breakdown brings a reprieve robs the actions of some participants (hunger-striking, going to jail) of some of the intended import.

Audrey thought SIFF picked an auspicious day (the non-rapture) to show two back-to-back on-the-verge-of-the-end-of-the-world films at the Egyptian: ruminations of an alternate universe in Another Earth (today, 4:30 p.m. @ the Neptune) and the emotional and physical plagues of Perfect Sense (May 25, 9:30 p.m. @ the Egyptian). Quirky, cutesy Submarine explores a boy’s coming of age and first love in Wales, while British comedians Steve Coogan and Rob Brydon eat great meals while perfecting their dueling Michael Caine’s impersonations in The Trip (tonight, 9:15 p.m. @ the Admiral). And rom-com Four More Years shows that politics, sexuality, and love are never easy, even in Sweden. (tonight, 9:30 p.m. @ the Egyptian; May 28, 1 p.m., Pacific Place)

And a few more films for your consideration over the next few days:

  • Finding Kind Female filmmakers Lauren Parsekian and Molly Stroud travel around the country to see how girls can learn to stop being mean and start figuring out how to be nice to each other. (tonight, 7 p.m. @ the Egyptian; May 24, 4:30 p.m. @ SIFF Cinema)
  • Womb In this dystopian sci-fi present, a woman clones her lover to have him as her child. What could possibly go wrong? (May 24, 7 p.m. @ the Egyptian)
  • A Lot Like You When local filmmaker Eli Kimaro traveled to Tanzania to meet her dad’s side of the family, she never thought she’d unearth family secrets. (May 24, 7 p.m. @ the Harvard Exit; June 12, 1 p.m. @ the Admiral)
  • Shocking Blue The idyllic Dutch countryside is shattered by the death of a teenage boy. But was it murder? (tonight, 7 p.m. @ Pacific Place; May 24, 5 p.m. @ Pacific Place)
  • Over Your Cities Grass Will Grow This contemplative and moody documentary is as much art on its own as it is about its subject, German sculptor Anselm Kiefer. (May 24, 7 p.m. @ SIFF Cinema; May 27, 4:30 p.m. @ SIFF Cinema)

SIFF: For Your Consideration (Opening Weekend)


the SunBreak at SIFF 2011

The Seattle International Film Festival kicked off last night with a film and gala at Seattle Center last night and rides the champagne and sugar high of so many mini-cupcakes and waffles into opening weekend proper. In addition to loads of regular screenings, this weekend also shines a New American Cinema spotlight on Miranda July on Saturday and pays tribute to Ewan McGregor by presenting him with a Golden Space Needle award on Sunday.

Below, we’ve scourced the schedule and found plenty of films to consider seeing this weekend. Individual tickets for most films cost $11 for the public and $9 for SIFF members; note that matinees are a bit cheaper ($8/$7), and “stimulus matinees” (first two shows of the day before 2:30 p.m. on Fridays) are cheaper still ($6). For the more committed, there are all sorts of passes still for sale as well as slightly discounted packs of tickets in bundles of 6 or 20. All afternoon, you can pick up a free ticket for selected SIFF films at better Starbucks stores around the city.

Submarine, screening this weekend at SIFF

First screenings tonight, Friday May 20

  • How to Die in Oregon an allegedly uplifiting documentary on the subject of Death With Dignity laws told through the lens of Cody Curtis and her struggle with the debilitating symptoms of liver cancer. (4:15 p.m. @ Harvard Exit; also showing May 21, 2 p.m. @ Pacific Place; May 22, 3:30 p.m. @ Renton)
  • Submarine One of those movies that seems to exist to remind boys that carrying a briefcase to class is a bad idea, but not an insurmountable obstacle to finding love. Shot in hipstamatic tones and accompanied by new songs from Alex Turner, Richard Ayoade’s story of a boy’s courtship of an eczema-stricken pyromaniac and his covert efforts to derail his mother (Sally Hawkins!) from having an affair with a mystic is a total charmer that wears its Wes Anderson affections on its sleeve. (7 p.m. @ the Egyptian; May 22, 11 a.m. @ the Neptune)
  • Hermano already mentioned in our Sports Guide, this has two Venezuelan brothers going out for a soccer team; look out for sinister developments and a reason for this being classified in the Love Me, Do pathway. (7 p.m. @ Harvard Exit; May 22, 3 p.m. @ the Admiral)
  • 3 Improbabilities abound in Tom Tykwer’s latest, a fantastical and occasionally comedic take on a heterosexual couple inadvertently conducting separate affairs with the same scientist. Existing in a slightly parallel Berlin universe where a television host sits on bioethics panels, angels appear on sidewalks before flying off to heaven, health care experimentalists perform psychologically traumatic testicle removals under local anesthesia, and a surprise handjob after a race in a sexy sexy swimming pool in the Spree River can have all sorts of repercussions, the director’s keen eye for style keeps the whole thing interesting. (7 p.m.; May 21, 1:30 p.m. @ the Neptune)
  • High Road a partially improvized slacker farce about what happens to a pothead philosopher when everyone quits his band in favor of paying work. (9:30 p.m. @ the Neptune; also May 21, 8:30 p.m. @ the Admiral; June 7, 9:30 p.m. @ the Egyptian)
  • Trollhunter Norwegian students uncovering a government troll conspiracy in midnight movie mix of the Blair Witch Project and Scooby Doo? Sold. (11:59 p.m. @ the Egyptian; May 24, 9:30 p.m. @ the Neptune)

Saturday May 21

  • Nuummioq At long last, a feature film produced entirely in Greenland! (11 a.m. @ the Neptune; May 26, 9 p.m. @ the Admiral)
  • The Trip We can only expect hijinks when Michael Winterbottom directs Steve Coogan on a slightly autobiographical story about two friends touring England’s Lake District to review fancy restaurants. (Saturday, 3:30 p.m. @ Harvard Exit; May 23, 9:15 p.m. @ the Admiral)
  • Natural Selection this big winner at SXSW finds Rachel Harris as a Christian housewife hitting the road to track down her sperm-donating husband’s drug-addled ex-convict son. (4 p.m. @ Renton IKEA; and May 25, 7 p.m.; May 27, 4 p.m. @ the Egyptian)
  • Another Earth Our planet’s long-secret twin surprisingly shows up one night, triggering a personal tragedy and serving as a source of inspiration for people wondering if their doubles on the mysterious other planet have less troubled lives. Looks dreamy and moving. (6:30 p.m. @ the Egyptian; also screening May 23, 4:30 p.m. @ the Neptune)
  • Kosmos “What Erdem has created here is positively hypnotic,” says Twitch about this visceral fantasy straight out of Turkey, featuring a mysterious, miraculous stranger and a small village that first welcomes him, though their hospitality becomes hostility. (6:15 pm; Sunday, 1:30 p.m. @ Harvard Exit)
  • The Future A new film from Miranda “Me and You and Everyone We Know” July that’s narrated by a talking cat swims in magic realism as a couple plays with time and figures out their relationship. Apparently audiences find it divisive–which makes it a great choice for SIFF’s New American Cinema Spotlight. Engage the director in a Q&A following the screening or after a few drinks at the subsequent party. (7:30 p.m. @ Pacific Place; May 23, 4:30 p.m. @ SIFF Cinema)
  • LOVE a dreamlike time-tripping fantasy inspired by the music of Angels & Airwaves. (10 p.m. @ Pacific Place;  May 22, 1:30 p.m. @ SIFF Cinema; June 11, 9:30 p.m. @ the Egyptian)

Sunday May 22

  • Beginners Pay tribute to Ewan McGregor’s lifetime of acting achievements–one hopes that this award from SIFF doesn’t mark the end of his life or career–with a screening of Mike Mills’s story of a son who talks to dogs (that don’t talk back) and his recently out-of-the closet father played by Christopher Plummer. The film will be followed by a retrospective of young Obi Wan’s career along with a Q&A with the actor and director. (Sunday, 4 p.m. @ the Egyptian)
  • If you didn’t have the cash to dine with Ewan, stick around and sing along with Moulin Rouge all over again. (9 p.m. @ the Egyptian)
  • 22nd of May Belgian director Koen Mortier examines the destabilized life of a security guard in the aftermath of a terrorist attack. Twitch calls it “a dark cousin to Wings of Desire-era Wim Wenders,” but IMDB only gives it 6 stars. Who is correct?! (11 a.m.; Tuesday, 9:30 p.m. @ Pacific Place)
  • Four More Years SIFF loves the bisexual love triangle! This one has a married Swedish politician falling for a high-ranking government official from the party that just beat him in the election for Prime Minister! Talk about shadow cabinets. (1:30 p.m.  & May 23, 9:30 p.m. @ the Egyptian; May 28, 1 p.m. @ Pacific Place)
  • Happy, Happy Make it a double-feature of comedic films about secretly/surprisingly gay Swedish guys with this one peering under the surface a disintegrating sexless marriage, complete with affairs and out-of-control kids. (6:45 p.m. @ the Neptune; May 24, 8:30 p.m. @ Renton IKEA)
  • Without Shot on Whidbey Island, this story about a young woman taking care of a man in a vegetative state while confronting powerful truths about herself looks awfully heavy. (Sunday, 9:30 p.m. @ Harvard Exit; May 23, 4:30 p.m. @ the Egyptian)

Six-pack of SIFF: A Music Fan’s Guide


the SunBreak at SIFF 2011

From movies about musicians to some incredibly memorable performances of original scores accompanying silent films, SIFF always brings a healthy dose of musical content to the annual film festival.  Below, Abbey Simmons highlights six notable intersections of local music and movies happening this fest. [Republished with generous permission from our friends at Sound on the Sound, the city’s essential stop for local music.]

  • Frank Fairfield This short created by the Roadhouse’s Greg Vandy and the talented guys behind More Dust From Digital is a 13-minute mini-documentary follows 25-year-old Frank Fairfield. Fairfield, a celebrated banjo player with lightning quick fingers, is more Dust Bowl than Laurel Canyon living and singing in the internet age. (shown with Surrogate Valentine)
  • Surrogate Valentine Paired with the Frank Fairfield mini-documentary, Surrogate Valentine is a comedy starring San Francisco musician Goh Nakamura (as himself) who is hired to teach an over-the-top actor to play guitar for an upcoming role. You can see the film’s star Goh Nakamura perform May 31st at The Sunset alongside Sound on the Sound Widower, who’ll be playing a rare set with a full band. (May 29 at the Harvard Exit at 9:30 p.m. or May 30 at the Admiral at 3:30 p.m.)
  • Damien Jurado and the Russian Avant-Garde Like last year’s Maldives’ scoring of New Riders of the Purple Sage, this year SIFF will be showcasing one of our favorite local musicians in a brand new way. This year SIFF has tapped Damien Jurado to score the short films of Russian avant-garde filmmaker Dimitri Kirsanoff. With a shared fondness for stories about the darker side of rural life and the characters who haunt the under-belly of society, it’s a brooding match that should captivate on screen and on stage. (June 8 at The Triple Door. Two shows: 7 and 9 p.m.)
  • The Off Hours Speaking of soundtrack scores, local singer-songwriter Joshua Morrison is responsible for the music in The Off Hours, a local film that was met with rave reviews at Sundance this year. (At the Neptune June 6 at 7 p.m. and June 7  at 4:30 p.m.)
  • Hit So Hard Last but certainly not least is Hit So Hard, a documentary about Patty Schemele, the celebrated drummer of Hole. Featuring exclusive interviews and never before seen home-videos of life with Hole, Courtney Love and Kurt Cobain — Hit So Hard offers an intimate unvarnished glimpse into Seattle rock royalty and one of the most fascinating women in rock’n’roll. And we’re not talking about Courtney.  (The Egyptian May 27 at 9 p.m. and at the Neptune May 29 at 4 p.m.)

For all things SIFF and music, Abbey also recommends visiting the festival’s Face The Music page or swinging by our pals Three Imaginary Girls who (also) seriously heart SIFF.

SIFF’s Opening Film The First Grader is Paved with Good Intentions, But…

The poster for Justin Chadwick's The First Grader.

I was the only SunBreaker to catch The First Grader, the film selected for tonight’s SIFF Opening Night Gala. It’s the kind of handsome, earnest, middlebrow movie seemingly tailormade for SIFF Opening Night status. If you’ve waited until the last minute, no worries, some tickets are still available!

The film tells the true story of Kimani N’gan’ga Maruge, a Kenyan tribesman and former Mau Mau freedom fighter. Maruge became–at age 84–the oldest person to take advantage of Kenya’s offer for a free education, and he made international headlines when he got that education in a grade school in his Kenyan mountain village, learning to read and write alongside six-year olds. 

A profoundly inspiring and provocative story lives within this source material, to be certain. In these devalued times–when we’re alternately clubbed over the head with a glut of technologically-delivered information, yet starved of any avenue for substantive thought from most of that extraneous data–the simple act of one old man opening his world with a pencil, paper, and the guidance of a teacher resonates deeply. And Maruge’s story encompasses thornier complexities than its central conceit: When her elderly charge became a media sensation, teacher Jane Obinchu’s motives fell under intense scrutiny, and Maruge’s status as a former warrior brought his very presence in a classroom amongst impressionable kids into question. 

The movie’s shot with the kind of elegance and attention to detail you’d expect from the director of The Other Boleyn Girl, Justin Chadwick. He and his cinematographer Rob Hardy capture the Kenyan location–with its baked earth, jagged scrubs of dried grasses, and ramshackle wooden houses–evocatively. And in the title role, Oliver Litondo makes a compelling focal point for the film; the way Hardy’s camera traverses Litondo’s weathered and richly-textured features tells volumes that the dialogue doesn’t.

The script’s the rub here.  I’m as much of a sucker for naked sentiment as the next mook, but characters mouth lines here that would inspire titters if you heard ‘em in a Lifetime Movie of the Week (do we really need a teacher who’s obviously doing their job for the kids to tell us, “I’m doing this for the kids”?).  And the storyline’s laid out as broadly and obviously as the dialogue. The First Grader is a well-acted, incredibly beautiful-looking movie with its heart nobly on its sleeve…and its character and story points written at a grade-school level, with a blunt-tipped Magic Marker.


the SunBreak at SIFF 2011

Six-pack of SIFF: The Sports Fan’s Guide

This year’s SIFF has six movies that deal primarily or peripherally with athletic competition: Four are about soccer, two about cricket. Oh, the Europhilia! Most of these movies take familiar sports film plots and move them to different locales. The one unique entrant: Red Eyes (Ojos Rojos), about which more…right now!

Red Eyes (Ojos Rojos)
An unprecedented insider’s view of international soccer. Documentarians Juan Pablo Sallato and Ismael Larrain filmed the Chilean national team’s workouts, matches, and locker room speeches from their failure to qualify for the 2006 World Cup through their successful run to the 2010 W.C. The players, rare for athletes, seem to trust the filmmakers and give really thoughtful answers to their questions. This is the must-see sports film of the festival. In Spanish with English subtitles. Directors scheduled to attend. Showtimes/Tix.

Spud
The main reason to go see this film is John Cleese’s performance as a foul-mouthed boarding school teacher. The sports tie-in is that our awkward, coming-of-age protagonist is at the school on a cricket scholarship. This is the North American premiere of the film, directed by Donovan Marsh. Showtime/Tix.

Fire in Babylon
Ready for some cricket history? Aw, yeah. This documentary chronicles achievements the West Indies cricket team, which dominated international cricket in the 1970s and ’80s with a fast, aggressive style of play. The Caribbean rise in sport is compared with the Caribbean rise in music–the soundtrack is heavy with Bob Marley, Toots Mayall, etc. From UK director and sports documentary vet Stevan Riley. In English. Showtimes/Tix.

A Barefoot Dream
Think Bad News Bears set in East Timor, this feel-good tale (based on a true! story) follows a rag-tag soccer team coached by a retired South Korean soccer pro who really just wants to launch a sporting goods store. Turns out the kids are surprisingly good. Joy ensues. Based on a true! story. Director Kim Tae-gyun is scheduled to attend May 24 and May 26 screenings In Korean, English, Tetun, Indonesian and Japanese, with English subtitles. Showtimes/Tix.

Hermano
Two brothers from the mean streets of Caracas get a tryout with their favorite soccer team. But “sinister undercurrents … threaten to derail everything they hope for.” The SIFF-provided summary strongly implies that there’s some neat street football scenes. By Venezuelan director Marcel Rasquin, Hermano was the Venezuelan entry for the Best Foreign Language Film at last year’s Oscars. In Spanish with English subtitles. Showtimes/Tix.

Johan Primero
Sounds like a darker Fever Pitch. A Barcelona FC fan drives his car around their stadium 50 times a day, convinced that it brings the team good luck. Then he meets a girl. UH-OH. By the German director Johan Kramer, who also directed this Nike soccer commercial. In Spanish with English subtitles. Showtimes/Tix.

Six-pack of SIFF: Programmer Consensus


the SunBreak at SIFF 2011

So, the Seattle International Film Festival is nearly upon us, with an aim of nothing short of citywide domination. Starting tomorrow evening, many of Seattle’s most devoted devotees will enter McCaw Hall bright-eyed for the opening night film and then disappear into dark theaters for weeks, only to emerge blinking and zombielike when the festival finally closes shop on June 12th. But what if you like movies, but haven’t committed to the temporary lifestyle of seeing the sky only in rushed trips between screenings or queuing in passholder lines?

A nice way to dip you toe in the SIFF waters is the Cinematic Six Pack. At $57 for the general public and $51 for members, it’s an affordable gateway to experiencing the festival. But how to choose? While SIFF’s pathways (Creative Streak, Face the Music, Love Me, Do!, Make Me Laugh, Open My Eyes, Sci-Fi and Beyond, Spellbinding Stories, Take Me Away, Thrill Me, To the Extreme) are nice, we’ll also be nominating other thematic clusters of films to help you target your filmgoing experience.

For the first of the SunBreak’s Six-packs of SIFF, I looked to the people who know more about the festival than pretty much anyone on the planet: the programmers who watch thousands of films to select a few hundred for the festival. Each, year, while acknowledging that every entry is a beautiful snowflake, they also provide members with an overview of their favorites. This year, 18 SIFF programmers recommended 149 films, but of these, there were some clear favorites, with two films getting five nods and five films getting four.

Some programmers couldn't resist including honorable mentions in their top ten lists; these are their collective favorites for 2011.

The “Programmer Consensus” Six-pack

  • Submarine
  • Tabloid
  • How to Die in Oregon
  • PressPausePlay
  • The Green Wave
  • Life in a Day
  • Shut Up Little Man! An Audio Misadventure

With those, you’ve got a charming indie coming-of-age story, an Errol Morris tale of obsession, a possibly life-affirming story about euthanasia, a look at how technology has transformed the way that people make and share art, an eyewitness account to the revolution following the Iranian elections, a crowdsourced view of the whole world, and a documentary about a cassette tape gone viral. Not a bad way to spend the festival, particularly if you like documentaries!

For more recommendations, tune in here, where the SunBreak’s correspondents will update you with the latest SIFF news, make suggestions about films to consider, let you know whether what we’ve been seeing is any good, and share our conversations with festival filmmakers.