Tag Archives: Wild Ones Portland band

Musicfest NW, Now Available in Convenient Recap Form

Dan Vidmar
Danielle Sullivan
PDX

Katie Stelmanis of Austra performing for KEXP (Photo: Kelsey Kaufman)

John Vanderslice at the Doug Fir (Photo: Kelsey Kaufman)

Dan Vidmar of Shy Girls for the Red Bull Sound Select showcase at Mississippi Studios (Photo: Kelsey Kaufman)

Danielle Sullivan of Wild Ones at Bunk Bar (Photo: Kelsey Kaufman)

Only in Portland. (Photo: Kelsey Kaufman)

As a born-and-raised Oregonian living in Seattle for the past year, I’ll always have a soft spot in my heart for Portland. Most of my friends live there, and most probably won’t ever leave there. But who could blame ‘em? Portland is a utopia, rich with good-looking people, excellent coffee, and drool-worthy food. It’s Seattle without the “freeze.”

A mere three days after Bumbershoot, I drove down to Portland for Musicfest NW. The festival started on a Tuesday, but the recovery period post-Bumbershoot is at minimum of 48 hours. So here’s what I learned:

What to do:

  • VIP, baby. The lines are ridiculously long at nearly every venue. A press pass won’t do you any good, either, so be prepared to wait. Get there at least 45 minutes early.
  • The best shows aren’t on the MFNW “official” schedule.  Marmoset put on a killer Hott Summer Nights Party on Thursday with Radiation City, Surfer Blood, Shy Girls, and more. They also had Salt & Straw ice cream and an open bar – so it was impossible to have a bad time. Bunk Bar’s CD Baby Day Party on Saturday afternoon with Aan and Wild Ones was also a hit. Then there was a Blouse “secret” show in a warehouse somewhere that same night.
  • See Portland bands. There’s so much good music coming out of PDX lately. MFNW is the perfect opportunity to mainline it directly into your system. Indulge guilt-free.

What not to do:

  • Get stuck on the Westside. You could see Charles Bradley at the Crystal Ballroom or Animal Collective in Pioneer Courthouse Square, but do you really want to be downtown? The best venues are on the Eastside, anyways. If you can handle missing some of the headliners, you’ll save yourself the massive headache of parking and dodging tourists with those pink donut boxes.
  • Drive. Pick a spot and stay there. Unless you’re already playing DD, sit down, have a shot of whiskey, and enjoy yourself. Remember, we’re not in Kansas (i.e., Seattle) any more. Strangers will talk to you and you will make new friends. Don’t be scared.
  • Miss a Red Bull Sound Select showcase. I’m partial because Mississippi Studios is one of my favorite venues, but Red Bull curated some of the — if not THE — best lineups of the entire festival. A mix of local and national artists plus a (time-limited) open bar and free barbecue made it dually enticing. See where I’m going with this? Follow the free booze!

What I probably should have done:

  • Attend more KEXP sets. Austra and The Dodos were the only two I caught. The sets are short and sweet, intimate, and also have excellent sound. Doug Fir also pours their drinks strong, so it’s a good place to get an early afternoon buzz going.
  • More. Brunch. Pass on Pine State Biscuits. I wish it were 10 a.m.–2 p.m. all day, every day, in Portland. Brunch should never end in this city, so don’t let it pass you by. It’s also completely necessary if you plan on listening to music until the wee hours of the night. Broder, Jam on Hawthorne, and Interurban are three of my favorites that I’m kicking myself for not going to.

Overall, MFNW is yet another opportunity to show pride for this incredible place we live in called the Pacific Northwest. It’s the neatly-tied, perfectly-placed bow to wrap up summer. Until next year.

Your Live Music Bets for the Weekend of July 19 through the 21st

Dude York play Cairo on Saturday. (photo by Tony Kay)

We’re one weekend away from two big local music festivals, but this humble weekend’s no slouch in the live music department, either.

Tonight (Friday, July 19):

Black Flag, Good for You, Piggy @ El Corazon. 21+. $30 at the door. Show at 8 p.m.

If you’re not one of the 40,000-odd sentient beings packing Safeco Field tonight to see a certain reasonably-well-known singer-songwriter ply his venerated wares, Two smaller venues are offering nostalgia trips of their own for a fraction of the price.

California born-and-bred punk legends Black Flag are probably best known today as post-modern raconteur Henry Rollins‘ old punk band, but back in the day (the late 1970s through the mid-’80s) they exerted a massive influence on American hardcore by ladling on heavy metal crunch along with the usual ripsaw power chords. You won’t get Rollins at the mic tonight, but vocalist Ron Reyes is back after a 30-year-plus absence, and original guitarist Greg Ginn can still shred with the best of ‘em.

Peter Murphy celebrates 35 Years of Bauhaus, Ours @ Showbox Market. 21+. $40 at the door. Show at 8 p.m.

Then again, if hanging in the lovably grotty El Corazon with some grizzled old punks doesn’t appeal to you, feel free to jaunt over to the Showbox Market — and don’t forget the jet-black eyeliner. Peter Murphy, lead crooner for quintessential gother-than-Goths Bauhaus, jumps into the wayback machine for a set comprised of 100-percent classic Bauhaus tunes. It’s hard to imagine Murphy’s backing musicians possessing the chemistry of his old Bauhaus-mates, and it’s a little bit of a bummer that he won’t be playing any of the songs from his most recent (and pretty great) solo release Ninth. But Bauhaus’ songs remain some of the most durable in the Goth canon, and Murphy still sounds like David Bowie’s ravishingly sinister twin brother.

The Torn ACLs, Tom Eddy, The Wild Ones, My Body @ Neumos. 21+. $10 at the door. Show at 8 p.m.

The Torn ACLs provide a damn near perfect soundtrack for summer’s dog days — unashamedly wide-eyed, insidiously catchy guitar pop sung and played with the kind of youthful freshness that thaws jaded hipsters at fifty paces. Get there early for a solo set of wonderfully buoyant kitchen-sink tunes from Beat Connection lead singer Tom Eddy, sprightly Cranberries-style shenanigans from Portland’s The Wild Ones, and electronic-tinged pop from My Body.

Saturday, July 20:

Wimps, Satan Wriders, Dude York, The Narx,  @ Cairo. All Ages. Show at 9 p.m.

WIth their braying, bratty vocals, primitive guitars, and call-and-response chanting, Wimps sound like the really funny bastard children of Superchunk and Sleater-Kinney. They’re reputedly a kick live, too. Endearingly lo-fi combo Satan Wriders sounds like some lost K Records band, Dude York sport galloping art-punk tunes good enough to make you forget that damned goofy name, and The Narx are straight-up crude/funny punk. Your guess is as good as mine as to a cover charge (if any).

Ivan Neville’s Dumpstaphunk, Down North @ The Tractor Tavern. 21+. $20 advance. Show at 9 p.m.

Ivan Neville, son of legendary New Orleans singer Aaron and nephew to the Neville Brothers, recorded one of the great overlooked psychedelic soul songs of the last twenty-odd years, “Why Can’t I Fall in Love.” His assured and powerful soul singing rivals that of any of his rock-royalty relatives, and if his backing band Dumpstaphunkleans a little towards over-slickness sometimes, they’re also ineffably in-the-pocket tight and should provide a sound dance party for the evening. Local funketeers Down North, however, could well steal the show with an amazing rhythm section and Anthony Briscoe’s show-stopping singing.

Sunday, July 21:

Hamilton Loomis @ Jazzbones. $15 advance. Show at 6 p.m.

Blues guitarist/singer Hamilton Loomis is one of those absurdly-skilled axe-slinging prodigies that inspires slack-jawed awe from anyone who sees him live. No less a luminary than the late, great Bo Diddley recorded and played live with Loomis a few years back, and the guy’s fired off licks live at multiple jazz and blues festivals throughout the US and Europe. Sunday’s gig serves as a CD release party for Loomis’s newest long-player Give it Back, a slick modern-day blues record with flashes of mainstream pop and funk. It’s a capable showcase for the young Texan’s singing and playing, but like any absurdly-skilled axe-slinging prodigy, Loomis and his songs will shine brightest in a live setting.

Benefit for Keith Bailey: The New Originals, Load Levelers, LD and her Pretty Pretties @ Chop Suey. $10 suggested donation. Show at 3 p.m.

Beloved Anvil Tattoo artist Keith Bailey had his shinbones crushed in a nasty motorcycle accident, and the medical bills are doing him a number in a major way. This benefit at Chop Suey serves up no less than three terrific local bands. Sloppy-as-fuck-and-proud-of-it metal cover-band collective The New Originals barrel through vintage hard-rock classics like a woozy bull in a china shop, the venerable Load Levelers‘ rip-snorting brand of country-punk should be can’t-miss live , and you can’t dream of better summertime party music than the recently-reunited LD and Her Pretty Pretties’ potent brand of Runaways/Donnas-style power-pop .