Malfunkshun: The Andrew Wood Story Remembers the Love Rock Legend

If you’ve ever hummed a Malfunkshun, Mother Love Bone, or Pearl Jam tune, you owe it to yourself to grab a copy of Malfunkshun: The Andrew Wood Story when it’s released on DVD later this year. (As you do if you’ve ever abused a substance, played a KISS record, plucked a guitar, or appreciate music in the least.) The touching documentary first played in Seattle via SIFF five years ago; it will finally get its available-to-the-masses due in August.

To celebrate the release, director Scot Barbour, Malfunkshun guitarist (and Andy’s brother) Kevin Wood, and his mother, Toni Wood, presented the film at the new Hard Rock Cafe last Friday. And then Kevin, vocalists Shawn Smith and Tom Mick, uber-producer Jack Endino, and several other old friends and colleagues briefly recalled Andy’s talents and lovingly played his “love rock” tunes—along with some new ones.

Malfunkshun captivated a sit-down crowd (peppered with visitors from Bainbridge, where the band formed 30 years ago) while the restaurant chain’s logo bounded around TV screens all around its airy second floor. And the doc’s heavy subject matter—the short, drug-fueled life of a talented vocalist and musician and the much shorter life of his two bands, Malfunkshun and Mother Love Bone—elicited tears from family members and fans alike.



The opening voiceover sets a harsh tone that gradually softens, but never gushes: Don’t ask a junkie to be your frontman, says the Wood family’s late father (who was possibly an addict himself). The tip punctuates a nighttime view of the Seattle waterfront, as seen from a metaphorical islander’s ferry-approach to the city. Then Barbour takes us back to see how Wood unfortunately became that “junkie.” While eagerly sprinting, and finally staggering—as his handwritten, therapy-mandated “drug-a-log” testifies—through the roles of beloved son, brother, fiancee, and best friend. And, of course, unforgettably flamboyant stage presence.

Windows on these facets of Andy’s life are opened through interviews with those closest to him before he ever played or sang a note—Kevin says his first song came at three years of age—and when he died following an overdose in 1990. That includes brothers Kevin and Brian; mother Toni; bandmates Regan Hagar, Jeff Ament, Stone Gossard, Bruce Fairweather, and Greg Gilmore; friends including Soundgardeners Chris Cornell and Kim Thayil; and would-be wife Xana LaFuente. Each clearly misses Andy and remains affected by “L’andrew the Love Child,” who ironically pursued love rock while believing that “love is pain.”

The interviewees’ frankness and fondness make Malfunkshun riveting; their humor lends it—and the late Andy—a disarming charm. In one scene, Kevin, speaking while driving a green island road, says that he read a Satanic bible shortly after he and his brother formed Malfunkshun, as he thought the text might imbue him with a devilish shredding ability. (His post-film axe-wielding with a revived version of the band and his Shawn Smith-fronted act All Hail the Crown prove he never needed help. Or that he got it.) Several home-movie “interviews” with Andy—who through one monologue sits on a couch and puppeteers a large stuffed frog in his lap—display the guy’s childlike innocence, faux delusions of grandeur, and honest wit. They’re the qualities that drew people to him both on and off the stage.

Live and studio-recorded Malfunkshun and Mother Love Bone songs play throughout the film, of course; the MLB tunes much more polished and straightforward, showing the evolution of Andy and his fellow musicians’ sensibilities. Every song was, at the time—and is, in the documentary—a building block in the foundation on which Seattle’s world-conquering grunge genre would be built. When Andy died and MLB folded, Pearl Jam (and Temple of the Dog, briefly) formed. Nirvana, Alice in Chains, and Soundgarden soon released big records. And history was made. He missed it all; it owed so much to him.

Following the Malfunkshun screening, Barbour, Kevin, Toni, and Endino professed gratitude for each others’ roles in Andy’s former mortal and future celluloid lives, appreciation for everyone in the room, and love for the man who had so much to share it came out in golden words and notes. The live music that followed—with Smith and former Feast vocalist Mick singing Andy’s Malfunkshun and Mother Love Bone lyrics—was love rock at its finest.

Malfunkshun: The Andrew Wood Story Remembers the Love Rock Legend

If you’ve ever hummed a Malfunkshun, Mother Love Bone, or Pearl Jam tune, you owe it to yourself to grab a copy of Malfunkshun: The Andrew Wood Story when it’s released on DVD later this year. (As you do if you’ve ever abused a substance, played a KISS record, plucked a guitar, or appreciate music in the least.) The touching documentary first played in Seattle via SIFF five years ago; it will finally get its available-to-the-masses due in August.

To celebrate the release, director Scot Barbour, Malfunkshun guitarist (and Andy’s brother) Kevin Wood, and his mother, Toni Wood, presented the film at the new Hard Rock Cafe last Friday. And then Kevin, vocalists Shawn Smith and Tom Mick, uber-producer Jack Endino, and several other old friends and colleagues briefly recalled Andy’s talents and lovingly played his “love rock” tunes—along with some new ones.

Malfunkshun captivated a sit-down crowd (peppered with visitors from Bainbridge, where the band formed 30 years ago) while the restaurant chain’s logo bounded around TV screens all around its airy second floor. And the doc’s heavy subject matter—the short, drug-fueled life of a talented vocalist and musician and the much shorter life of his two bands, Malfunkshun and Mother Love Bone—elicited tears from family members and fans alike.



The opening voiceover sets a harsh tone that gradually softens, but never gushes: Don’t ask a junkie to be your frontman, says the Wood family’s late father (who was possibly an addict himself). The tip punctuates a nighttime view of the Seattle waterfront, as seen from a metaphorical islander’s ferry-approach to the city. Then Barbour takes us back to see how Wood unfortunately became that “junkie.” While eagerly sprinting, and finally staggering—as his handwritten, therapy-mandated “drug-a-log” testifies—through the roles of beloved son, brother, fiancee, and best friend. And, of course, unforgettably flamboyant stage presence.

Windows on these facets of Andy’s life are opened through interviews with those closest to him before he ever played or sang a note—Kevin says his first song came at three years of age—and when he died following an overdose in 1990. That includes brothers Kevin and Brian; mother Toni; bandmates Regan Hagar, Jeff Ament, Stone Gossard, Bruce Fairweather, and Greg Gilmore; friends including Soundgardeners Chris Cornell and Kim Thayil; and would-be wife Xana LaFuente. Each clearly misses Andy and remains affected by “L’andrew the Love Child,” who ironically pursued love rock while believing that “love is pain.”

The interviewees’ frankness and fondness make Malfunkshun riveting; their humor lends it—and the late Andy—a disarming charm. In one scene, Kevin, speaking while driving a green island road, says that he read a Satanic bible shortly after he and his brother formed Malfunkshun, as he thought the text might imbue him with a devilish shredding ability. (His post-film axe-wielding with a revived version of the band and his Shawn Smith-fronted act All Hail the Crown prove he never needed help. Or that he got it.) Several home-movie “interviews” with Andy—who through one monologue sits on a couch and puppeteers a large stuffed frog in his lap—display the guy’s childlike innocence, faux delusions of grandeur, and honest wit. They’re the qualities that drew people to him both on and off the stage.

Live and studio-recorded Malfunkshun and Mother Love Bone songs play throughout the film, of course; the MLB tunes much more polished and straightforward, showing the evolution of Andy and his fellow musicians’ sensibilities. Every song was, at the time—and is, in the documentary—a building block in the foundation on which Seattle’s world-conquering grunge genre would be built. When Andy died and MLB folded, Pearl Jam (and Temple of the Dog, briefly) formed. Nirvana, Alice in Chains, and Soundgarden soon released big records. And history was made. He missed it all; it owed so much to him.

Following the Malfunkshun screening, Barbour, Kevin, Toni, and Endino professed gratitude for each others’ roles in Andy’s former mortal and future celluloid lives, appreciation for everyone in the room, and love for the man who had so much to share it came out in golden words and notes. The live music that followed—with Smith and former Feast vocalist Mick singing Andy’s Malfunkshun and Mother Love Bone lyrics—was love rock at its finest.

Amazon Adopts Kozmic Tote, Starbucks Goes Compostable & Microsoft Cries Uncle on Kin

TechFlash sees afterimages of Webvan in Amazon’s new Tote delivery service, but I can’t help thinking of the gold standard: Kozmo.com couriers delivering lunch half an hour after I ordered it. Tote won’t be quite that fast, but from a cost perspective, Amazon has one-upped Kozmo: the twice-weekly Tote service is free, and there’s no minimum spend. (You do have to complete your order two days before the next delivery date.)

If you order something from Amazon and you’d like them to deliver it the next time they’re delivering in your neighborhood (the delivery days are zip code-specific), they’ll truck it on over. The first zip to get Tote is 98112. The Tote bags are weather-resistant and reusable, and one way you can reuse them is to return items if there’s any problem. Get the Tote FAQs here. (Perhaps you’d like to order a discounted Kindle? Even the Kindle DX has a lower price.)


Meanwhile, today inaugurates 1) a City of Seattle ordinance mandating that all single-use food service packaging at restaurants and grocery stores be either recyclable or compostable, and 2) a fully operational battlestar Starbucks recycling and composting program that incorporates front-of-store waste, too (i.e., there are more bins out front).

You’ve probably seen evidence of this, since Starbucks has been rolling out the new program at its 90 Seattle stores over the past month. The city’s goal is to keep 6,000 tons of packaging and compostable waste out of landfills each year. Starbucks’ goal is to get front-of-store recycling into all company-owned locations by 2015. (Their paper cups will head back to the plant for a second life as paper napkins.)


Starbucks has taken some heat from environmental groups like As You Sow in the past–they hand customers some 10 million plastic and paper cups per day–so this ought to result in some happy green faces.

Just days after Verizon knocked down the price of both Microsoft’s Kin One and Kin Two “underpowered smartphones,” Microsoft admitted defeat. They introduced Kin for about a month, but very few people wanted to say hello. The Kin is dead, reports the BBC, and Microsoft is doubling down on Windows Phone 7.

Amazon Adopts Kozmic Tote, Starbucks Goes Compostable & Microsoft Cries Uncle on Kin

TechFlash sees afterimages of Webvan in Amazon’s new Tote delivery service, but I can’t help thinking of the gold standard: Kozmo.com couriers delivering lunch half an hour after I ordered it. Tote won’t be quite that fast, but from a cost perspective, Amazon has one-upped Kozmo: the twice-weekly Tote service is free, and there’s no minimum spend. (You do have to complete your order two days before the next delivery date.)

If you order something from Amazon and you’d like them to deliver it the next time they’re delivering in your neighborhood (the delivery days are zip code-specific), they’ll truck it on over. The first zip to get Tote is 98112. The Tote bags are weather-resistant and reusable, and one way you can reuse them is to return items if there’s any problem. Get the Tote FAQs here. (Perhaps you’d like to order a discounted Kindle? Even the Kindle DX has a lower price.)


Meanwhile, today inaugurates 1) a City of Seattle ordinance mandating that all single-use food service packaging at restaurants and grocery stores be either recyclable or compostable, and 2) a fully operational battlestar Starbucks recycling and composting program that incorporates front-of-store waste, too (i.e., there are more bins out front).

You’ve probably seen evidence of this, since Starbucks has been rolling out the new program at its 90 Seattle stores over the past month. The city’s goal is to keep 6,000 tons of packaging and compostable waste out of landfills each year. Starbucks’ goal is to get front-of-store recycling into all company-owned locations by 2015. (Their paper cups will head back to the plant for a second life as paper napkins.)


Starbucks has taken some heat from environmental groups like As You Sow in the past–they hand customers some 10 million plastic and paper cups per day–so this ought to result in some happy green faces.

Just days after Verizon knocked down the price of both Microsoft’s Kin One and Kin Two “underpowered smartphones,” Microsoft admitted defeat. They introduced Kin for about a month, but very few people wanted to say hello. The Kin is dead, reports the BBC, and Microsoft is doubling down on Windows Phone 7.

Sue Bird is the Jason Kidd of the Storm

The Storm are 14-2. Let’s get to know a little more about them, shall we?

I thought about titling this “Sue Bird is the Gary Payton of the Storm,” in trying to keep with a Sonics theme, but Sue Bird really isn’t like Gary Payton. She doesn’t post up as much as Payton and she doesn’t trash talk. Then I thought about Steve Nash, but Bird isn’t quite as improvisational as the Suns star.

What Bird is is this–among the best point guards in the history of her league. Like Jason Kidd. Like Kidd, Bird is unflappable dribbling one-on-one against defenders. Once she gets up court, like Kidd, she looks to distribute before she looks to score. Bird is second all-time in WNBA career assists; Kidd is second all-time in NBA career assists.

But, like Kidd, Bird will punish you if you sag off of her by making jumpers. And if you press her too tightly, she’ll take advantage by driving past you for easy baskets. And, when the situation calls for it, usually late in games, Bird can create her own shot. All facets of Kidd’s game. For her career, Bird has averaged 13.5 points per 36 minutes; Kidd 13.2.


Where Bird gets the jump on Kidd is in rings. Both have won two Olympic gold medals, but Bird won two NCAA championships at UConn, her one WNBA title with the ’04 Storm, and a Russian SuperLeague championship. Kidd’s Olympic golds are his only team championship.

Kidd does have a slight edge on Bird in rapping ability; or maybe not–judge for yourself below via a YouTube (blessed YouTube) video of the 1994 classic “What the Kidd Did.”


Bird is probably the best active point guard in the world right now, and teaming her with the world’s best player, Lauren Jackson, makes the Storm a potent team…if the two can stay healthy. Bird missed the last Storm game and most of the previous one with back spasms; she told SBNation Seattle that she was improving and might play Saturday against Los Angeles. But should she? Keeping Bird fresh for what looks like an inevitable playoff run would seem to be job one for Storm coach Brian Agler right now.

Glimpses: “Went in on this photo op”

From the South Park Bridge closing party, +Russ contributes this shot to our Flickr pool.